Posts Tagged ‘tears’
April 8, 2016 | by Sadie Stein
Whenever someone talks about how they never meet any native New Yorkers—this is an odd cliché people are given to—I want to tell them, just go to Fairway Market on a Saturday with no makeup on. You'll see everyone I went to high school with, and their parents. Read More »
September 11, 2015 | by Dan Piepenbring
- New York in the late seventies was not exactly a utopia: crime was soaring, graffiti was ubiquitous, mace was a must-have accessory. But a certain set of novels and films has made the era something to yearn for: “This was the last moment when a novelist or poet might withdraw a book that had already been accepted for publication and continue to fiddle with it for the next two or three years. This was the last time when a New York poet was reluctant to introduce to his arty friends someone who was a Hollywood film director, for fear the movies would be considered too low-status … these works express a craving for the city that, while at its worst, was also more democratic … where not even money could insulate you. They are a reaction to what feels like a safer, more burnished and efficient (but cornerless and predictable) city.”
- Today in writing advice that isn’t total shit, even if it’s about shit: “I preach the radio. I do not preach thinking you must know what you are about. Faulkner had good drugs and a big radio. I recall having heard my own little radio at times. It is rare, yes, and it is, now, rarer. But you are young and have your juice, you’re still full of poop, which is the necessary requisite to tuning the radio. Got to be some poop out there, on the airwaves, or in there, in you, for you to tune it in. Cherish the poop you are full of, and work on excreting it with sound fundamentals.” That’s Padgett Powell, being correct.
- On procrastination and art: might there be something heroic, or at least admirably resistant, in the idea of putting off one’s writing? “Bartleby is my hero, endlessly preferring not to, but though I find him sympathetic, he—along with all the ‘writers of the no’, writers who turned their backs on writing, Rimbaud and Walser among them—is not in the same game as me. Or if we are in the same game, I’m not playing it right. I don’t turn my back on writing. I don’t say no. I say yes and fail to follow through. I sit suspended between preferring not to and not preferring to enough—I’m hung on a peg.”
- Kenzaburo Oe’s A Personal Matter is “a compressed, unflinching portrait of the turmoil that envelops Bird, an alcoholic, after his son’s birth.” The novel has a new champion: none but Jonathan Franzen, who adores its disturbing elements, its comic elements, its vomit elements: “I don’t know of a more compelling description of throwing up than the ones that occur in this book. He’s sweating, he looks at himself in the mirror, and there’s bad sex. It’s partly that—the really, really tight focus on Bird’s body. There’s nothing like a microscopic view of your body to evoke shame.”
- While we’re on shame—it’s time for men to cry again. They have much to cry about, being men, and yet they shed no tears … why, when male weeping has been treated as normal in almost every part of the world for most of recorded history? In fact, it was exalted for a while: “ancient Greeks saw it as a model for how heroic men should behave … 20,000 knights swooning from grief were considered noble, not ridiculous … there’s no mention of the men in these stories trying to restrain or hide their tears … They cry in a crowded hall with their heads held high. Nor do their companions make fun of this public blubbing; it’s universally regarded as an admirable expression of feeling.”
May 13, 2014 | by Dan Piepenbring
- Up for auction: an edition of The Importance of Being Earnest, warmly inscribed by one Oscar Wilde himself to Major James Nelson, the prison governor who permitted Wilde access to books during his stint at Reading Gaol in May 1895. “A trivial recognition of a great and noble kindness,” the inscription reads.
- All this month, New York’s Elizabeth Street Garden celebrates the life and work of Robert Walser. “Much of his work and philosophies rest on the quiet magic and personal fulfillment of walking; the urban experience is full of such walks, and this is often how people discover Elizabeth Street Garden.”
- “Was Andrew Wyeth so celebrated because he was so misunderstood, or did it work the other way around? His reputation seems ill-fitting, whether you consider him one of the great American painters of the last century, as many laymen and a few professionals do, or a kitsch monger and conman, as many more professionals and a few sniffy, wised-up laymen do.”
- In a new project called “Topography of Tears,” the photographer Rose-Lynn Fisher puts dried human tears under the microscope. She collected more than one hundred tears: tears of joy, tears of grief, onion tears, basal tears …
- Many of our nation’s ice-cream trucks—though not, fortunately, Mister Softee—are blaring a jingle based on one of the most racist songs in American history.