Posts Tagged ‘swearing’
January 6, 2016 | by Dan Piepenbring
- To celebrate the four-hundredth anniversary of Shakespeare’s death, the Folger Library is sending Shakespeare’s First Folio to all fifty states. Good news for his fans, yes, but maybe for enterprising book thieves, too? “The Folger has eighty-two First Folios—the largest collection in the world. It’s located several stairways down, in a rare manuscript vault. To reach them, you first have to get through a fire door ... (if a fire did threaten these priceless objects, it would be extinguished not with water—never water near priceless paper—but with a system that removes oxygen from the room). A massive safe door comes next—so heavy it takes two burly guards to open it, and then yet another door, which triggers a bell to alert librarians that someone has entered. After that, there's yet another door and an elevator waaaay down to a vault that nearly spans the length of a city block…” No word on how many armed guards and armored trucks will accompany the Folios on their cross-country tour.
- Carlo Gesualdo died about four hundred years ago, too—but contemporary celebrations of his work tend to be overshadowed by a grisly episode from his biography: namely the allegation that he killed his spouse. “The idea of an aristocrat murdering his wife in flagrante has proved irresistible, and only very secondarily do people ask how such behavior may have been turned to creative ends. And when they do listen to the music, they very quickly find exactly what they expect: tortured, dissonant, disjointed (no pun intended) writing which obviously shows a psychopath at work … From the start the marriage was not a success, and soon there were stories of Carlo maltreating his wife. Within three months he was journeying back to Naples without her, and once back in his castle he descended into a kind of madness, which eventually extended to a court case. The records survive and give a flavor of what was under discussion: ‘Menstrual blood is a kind of poison which, if imbibed and not treated immediately, will eventually lead to a person’s death.’ ”
- Do you have one of the thousand hand-numbered copies of Theodore Roethke’s debut collection, Open House? It came out in 1941, and the Roethke House, in Saginaw, Michigan, is conducting a census to track down all the copies. One of them may be in the clutches of the Auden estate; he gave the book a glowing review: “Many people have the experience of feeling physically soiled and humiliated by life; some quickly put it out of their minds, others gloat narcissistically on its unimportant details; but both to remember and to transform the humiliation into something beautiful, as Mr. Roethke does, is rare. Every one of the lyrics in this book, whether serious or light, shares the same kind of ordered sensibility: Open House is completely successful.”
- When do we become adults, really? At what point can one say with certainty that one has sloughed off the last vestiges of youth? Wordsworth said the child is father of the man, which … doesn’t answer the question at all, actually. But others have tried to, even if the answer will never really come: “Steven Mintz writes that adulthood has been devalued in culture in some ways. ‘Adults, we are repeatedly told, lead anxious lives of quiet desperation,’ he writes. ‘The classic post-World War II novels of adulthood by Saul Bellow, Mary McCarthy, Philip Roth, and John Updike, among others, are tales of shattered dreams, unfulfilled ambitions, broken marriages, workplace alienation, and family estrangement.’ He compares those to nineteenth-century bildungsromans, coming-of-age novels, in which people wanted to become adults. Maybe an ambivalence over whether someone feels like an adult is partially an ambivalence over whether they even want to be an adult.”
- There’s another thing blurring the line between childhood and adulthood: kids and grown-ups both cuss. As a kid, Mark Edmundson swore with impunity, perhaps even with grace, and he wonders why adults are so often shocked by their foul-mouthed offspring: “When a mom overhears her beloved child swear for the first time, her heart contracts until it feels like it will disappear. But imagine how she feels when she overhears a son or daughter who not only curses, but is truly adept at profanity … What if mom hears her little boy, not long out of Pampers, still in shorts, reel off a euphonious string of curses that sounds like the work of a top sergeant in rage at his recruits? … A shrill cry of ‘shit!’ from your five-year-old suggests that even with all the preparation you had and all the thought and all the love you invested, you didn’t manage to get it right this time.”
March 24, 2015 | by Sadie Stein
The other day, I was riding down a Tucson highway with my mother. We had been to the St. Vincent de Paul thrift store and now it was rush hour. Suddenly, a man in a white pickup accelerated, passed us on the right, and screamed, “GET OUT OF THE FAST LANE, DUMBASS!”
After a moment of stunned silence, we both started to snicker. Read More »
January 30, 2015 | by Sadie Stein
No one ever heard my grandmother, in all her eighty-three years, utter a bad word. I can only once remember her even raising her voice. “It’s all fouled up!” she cried then, shaking a broken TV set. She said it with such frustration and despair that it expressed at least as much as any curse word might have. In fact, besides the time I heard a four-year-old in my brother’s playgroup call his sister Mary-Ellen a “fuckindamnshit,” it was the most shocking thing I’d ever heard.
Her husband, my grandfather, was considered foul-mouthed in the family; his language was a constant cause of distress to her. But in fact, he didn’t use real swear words either—certainly not compared to that little boy. It was usually a savage Goddammit! Or Hell’s Bell’s! His worst outbursts were reserved for his weekly gin game. It was then that he’d reach for the worst epithet of all: “I’ll be dipped.” Read More »
December 17, 2014 | by Dan Piepenbring
- The origins of Times New Roman, the trustiest typeface of the PC era: “Times New Roman began as a challenge, when esteemed type designer Stanley Morison criticized London’s newspaper The Times for being out-of-touch with modern typographical trends. So The Times asked him to create something better. Morison enlisted the help of draftsman Victor Lardent and began conceptualizing a new typeface with two goals in mind: efficiency—maximizing the amount of type that would fit on a line and thus on a page—and readability.”
- A history of kitsch and its enduring power: “Kitsch is not about the thing observed but about the observer. It does not invite you to feel moved by the doll you are dressing so tenderly, but by yourself dressing the doll. All sentimentality is like this—it redirects emotion from the object to the subject, so as to create a fantasy of emotion without the real cost of feeling it. The kitsch object encourages you to think, ‘Look at me feeling this—how nice I am and how lovable.’ ”
- Great moments in swearing: an utterance in John Carpenter’s The Thing helped define our sense of a treasured obscenity. “The fuckin’ in ‘You gotta be fuckin’ kidding’ is surplus to compositional meaning but crucial to the moment and the encounter. Its trochee supplies essential force to the line’s measured disbelief, extending Palmer’s (and by extension the group’s) appalled bewilderment at the boggling form of their alien enemy.”
- A new book purports to bust the stereotypes behind archaeology: “the work is often poorly paid, physically demanding, and prone to controversy … the unemployment rate in the field [is] at about fifty per cent.” (This piece, to its great credit, mentions Indiana Jones zero times.)
- The best defense for research: “It’s in the archive where one forms a scholarly self—a self that, when all goes well, is intolerant of weak arguments and loose citation and all other forms of shoddy craftsmanship; a self that doesn’t accept a thesis without asking what assumptions and evidence it rests on; a self that doesn’t have a lot of patience with simpleminded formulas and knows an observation from an opinion and an opinion from an argument.”
October 10, 2014 | by Sadie Stein
The following human-interest story ran recently on Metro UK:
A grandmother who once hated the idea of swearing now turns the air blue after a stroke left her unable to control her potty mouth ...
‘Before I had a stroke I would still get annoyed at things but I could control my upset, however now I just can’t help it,’ she said.
The retired bank worker says her swearing particularly irks her husband, as he used to be a head teacher and therefore has an obvious aversion to swearing.
She has introduced a swear box since her stroke last January in an attempt to train her brain, and is also receiving help from psychologists.
Of course, nowadays, not cursing is more noteworthy than swearing like a sailor. I’ve never been very good at cursing, personally. There was a very brief vogue in my middle-school homeroom for trying to get me to curse; it corresponded with general mockery of my uptightness. But I stand by that; I think I understood that however ludicrous a tiny, flannel-clad nerd trying to be dignified might have been, the same tiny, flannel-clad nerd peppering her speech with profanity would have been more ludicrous still. The problem is that I never learned to do it, and to this day in moments of extremis will give voice to ejaculations like, Oh, gosh! Gee whiz! Drat! And, when things get really bad, Darn it!
But then, I don’t come from much of a swearing family. Even the grown-ups didn’t go in for what my mother calls “coarse language,” and we kids wouldn’t have dared. (As with many normal things, however, my brother seems to have taken to it much more easily than I.) With the exception of the famous occasion on which she listed cunt on her Boggle scorecard—“isn’t this a word?”—my grandmother never used words stronger than fouled up. As for my grandfather, he managed to invest his gin-playing epithets—“DAMMIT!” “I’LL BE DIPPED!”—with such rage and menace that the words themselves were almost immaterial.
Cursing may coarsen the culture and display a lack of verbal imagination, but it is a useful skill to have. Back when those kids used to tease me, I remember replying with dignity that I like to be able to use the same language with my grandmother that I do the rest of the time, and thinking that this was a really good answer. But then, there are grandmothers and grandmothers. As the article tells us, Preston “has even called her grandchildren ‘little b******s’ when they were playing up.”
September 23, 2014 | by Dan Piepenbring
An anecdote about censorship, since it’s Banned Books Week. Readers of today’s TPR know that our writers cuss with all the relish of a splenetic sailor who’s just stubbed his toe on shore leave. But such was not always the case. The magazine’s earliest editors were leery of salty language, and Terry Southern never forgot it.
Our latest issue features an editorial exchange between Southern and George Plimpton from 1958, when they were preparing Southern’s interview with Henry Green for publication. That interview features a now-classic aperçu from Green about the origin of his novel Loving:
I got the idea of Loving from a manservant in the Fire Service during the war. He was serving with me in the ranks, and he told me he had once asked the elderly butler who was over him what the old boy most liked in the world. The reply was: “Lying in bed on a summer morning, with the window open, listening to the church bells, eating buttered toast with cunty fingers.” I saw the book in a flash.
As Southern wrote to Plimpton, “Hot stuff, eh George? Well now you realize of course that the word ‘cunty’ makes the reply, gives it bite, insight, etc. I mean to say it simply would not do to rephrase it, ‘Lying in bed on a summer morning, with the window open, eating toast with fingers,’ would it?” Read More »