Posts Tagged ‘Sven Birkerts’
November 6, 2015 | by The Paris Review
The banker and poet Samuel Rogers (1763–1855) spent his life at the center of political and literary London. He knew everyone (both Wordsworth and Tennyson borrowed his court suit for royal occasions), and like the Brothers Goncourt—or a Regency Renata Adler—he had a nightly habit of writing up his dinner conversations. As Christopher Ricks observes in a preface to Rogers’s Table-Talk & Recollections, Rogers loved to repeat other people’s gossip. But he loved to record their quirks and sayings, too. Of the Whig leader Charles James Fox, for example: “Very candid—Retracts instantly—continually putting wood on the fire.” “He loves children.” “Josephine a very pleasing woman.” Most interesting for me are the private literary opinions of Rogers’s powerful friends, who talk about Milton, Pope, and the classics very much in the tone of late-night Dylanologists two centuries later, and at the same passionate level of detail. —Lorin Stein
While this may be remembered as the week virtual reality went mainstream, I found myself absorbed in a more time-tested medium—a portfolio of photographs, “Weather Man,” by Evgenia Arbugaeva. Arbugaeva, who grew up in the Russian Arctic, spent several weeks visiting a remote meteorological station in Khodovarikha, one in which data on wind speed, precipitation, visibility, water levels, and the like are still measured and recorded by hand—by Vyacheslav “Slava” Korotki, the station’s resident meteorologist. Slava lives and works in isolation, in a station built in, and by all measures still reminiscent of, 1933. Says Arbugaeva (and so her photos attest): “He doesn’t have a sense of self the way most people do. It’s as if he were the wind, or the weather itself.” —Stephen Hiltner Read More »
October 29, 2014 | by Dan Piepenbring
- “My mind is so dumb when I write. Each story requires a different style of stupidity ... I don't know how the mind works, but isn't there a part of it that deals specifically with reason and sense? The brainy asshole of the mind? ... That asshole is my intellect. He's a really shitty writer, as you might imagine.” Lorin Stein interviews Ottessa Moshfegh.
- Librarians versus algorithms: Who recommends better books? The latest developments in a John Henry story.
- A new exhibition at Tate Britain shows paintings alongside William Hazlitt’s criticism about them, reminding us of what a vital, unusually perceptive critic he was. “One purrs at what he’d have made of the homogenized, commercialized art world of today—and how surgically he might have cut into it.”
- Sven Birkerts in (and on) convalescence: “How the feel of time changes when all the terms are altered. What on most days had moved with an almost hectic momentum, an ill-choreographed succession of one thing after another, one day just halted, causing the hours to then pool up behind it: the afternoon immobilized, with almost nothing to mark the change or confirm that this is not the world paralyzed into still life.”
- Grady Gordon makes monotype prints “by removing thick black ink from a plexiglass surface.” They’re ghoulish. They “bring about the characters that inhabit the invisible plane.” They make great gifts for your enemies.
September 8, 2011 | by Sadie Stein
Saturday, September 10, brings us the extravaganza that is the fourth annual NYC Lit Crawl. We’ll be there, with our dancing shoes on! Join us as we unveil our fall issue to the rock and country stylings of the Dog House Band—featuring Sven Birkerts, David Gates, Wyatt Mason, and James “Sin Killer” Wood, among others. The new mag will be hot off the presses: Lydia Davis on translation, Dennis Cooper and Nicholson Baker on writing dirty books, Terry Castle’s stash of anonymous kiddie photos, and more.
When: Saturday, September 10; the band plays from 8:15–9:45 P.M.; drinks till ??.
Where: Fontana’s Bar (21+)
105 Eldridge Street
New York, NY 10002