Posts Tagged ‘Susan Stewart’
March 2, 2015 | by The Paris Review
We also have the first-ever in-person interview with Elena Ferrante, on the art of fiction:
As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me … At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them … Even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men.
And Lydia Davis, on her approach to the short story, to translation, and to naming:
I’ve always felt that naming was artificial. I’ve done it. I wrote about one woman and called her Mrs. Orlando, because the woman I based her on lived in Florida. Recently I wrote a story called “The Two Davises and the Rug” because I have a neighbor named Davis and he and I were trying to decide which one should end up with a certain rug, and I was very fond of using that name, even though it wouldn’t make much difference to anybody if I called it “The Two Harrises and the Rug.”
Plus, Hilary Mantel discusses her Cromwell books and the difference between historians and novelists:
Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn’t any necessary conflict between good history and good drama. I know that history is not shapely, and I know the truth is often inconvenient and incoherent. It contains all sorts of superfluities. You could cut a much better shape if you were God, but as it is, I think the whole fascination and the skill is in working with those incoherencies.
There’s new fiction by Angela Flournoy, Ken Kalfus, and Mark Leyner, the winner of this year’s Terry Southern Prize; a novella by James Lasdun; and poems from Charles Simic, Peter Gizzi, Major Jackson, Stephen Dunn, Susan Stewart, Shuzo Takiguchi, Craig Morgan Teicher, and Sarah Trudgeon.
Mel Bochner, who designed a cover for the magazine back in 1973, is back with a portfolio of thesaurus paintings. And last, there’s “Letter from the Primal Horde,” an essay by J. D. Daniels about a fateful experience at a group-relations conference.
June 2, 2014 | by Dan Piepenbring
We’re delighted to announce that two of our contributors have won Pushcart Prizes: Ottessa Moshfegh, for “The Weirdos,” a story from issue 206; and Susan Stewart for her poem “Pine,” from issue 207. Both pieces are available online, and both will appear this November in Pushcart Prize XXXIX: Best of the Small Presses, an anthology of this year’s winning writing.
Congratulations to Ottessa and Susan!
December 3, 2013 | by Sadie Stein
The flight attendant on the cover of 207 does not deceive you: this issue is a ride and a half. For your reading enjoyment we offer:
Geoff Dyer on the art of nonfiction—and why he hates that rubric:
I don’t think a reasonable assessment of what I’ve been up to in the last however many years is possible if one accepts segregation. That refusal is part of what the books are about. I think of all them as, um, what’s the word? … Ah, yes, books! I haven’t subjected it to scientific analysis, but if you look at the proportion of made-up stuff in the so-called novels versus the proportion of made-up stuff in the others I would expect they’re pretty much the same
Edward P. Jones on the art of fiction:
People say, Did you grow up thinking of yourself as this or that, blah blah blah. These middle-class or upper-class kids, maybe three or four times a week they’d have a doctor over, they’d have an engineer over, they’d have a writer over, and they’d get into a conversation with the writer and all of a sudden realize, Oh, I think I want to be a writer. That didn’t happen to me. That doesn’t happen to the rest of us.
Plus! The first installment of a novel by Rachel Cusk. New fiction from J. D. Daniels, Jenny Offill, Nell Freudenberger, Ottessa Moshfegh, and Lydia Davis, and the winner of the NPR Three-Minute Fiction Contest.
Plus, poems by Kevin Prufer, Susan Stewart, Hilda Hilst, Charlie Smith, Monica Youn, Sylvie Baumgartel, Emily Moore, and Linda Pastan.
And did we mention a portfolio of nudes by Chuck Close?
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