Posts Tagged ‘superhero movies’
May 12, 2014 | by Dan Piepenbring
- In 1847, Charles Dickens founded a “home for homeless women”: he “flung himself into organizing every detail of it, from the food to the flower garden, and the piano around which the women would gather for wholesome evening entertainment … when he learned London society was particularly shocked about the piano, [he] spread a rumor that there would not just be one but many pianos, one for each woman.”
- And in 1863, Ralph Waldo Emerson wrote a recommendation letter for Walt Whitman, who sought a government clerkship: “He is known to me as a man of strong original genius, combining, with marked eccentricities, great powers & valuable traits of character: a self-relying large-hearted man, much beloved by his friends; entirely patriotic & benevolent in his theory, tastes, & practice.”
- A look at Alt Lit, “an online writing community that emerged in 2011 and harnesses the casual affect and jagged stylistics of social media as the basis of their works … Its members have produced a body of distinctive literature marked by direct speech, expressions of aching desire, and wide-eyed sincerity. (‘language is so cool. i can type out these shapes and you can understand me,’ or ‘Yay! Dolphins are beautiful creatures and will always have a wild spirit. I have been very lucky because I have had the awesome experience of swimming with dolphins twice.’)”
- The problem (or at least a problem) with superhero movies: “the visual and rhythmic sameness of the films’ execution … Despite their fleeting moments of specialness, The Avengers, the Iron Man and Thor and Captain America films, the new Spider-Man series and Man of Steel treat viewers not to variations of the same situations … but to variations of the same situations that feel as though they were designed, choreographed, shot, edited and composited by the same second units and special effects houses, using the same software, under the same conditions … Shots of people fighting inside and atop collapsing and burning structures all feel basically the same.”
- Misha Defonseca’s 1997 Holocaust memoir, which sold millions of copies in Canada and Europe, is entirely fabricated; a court has ordered Defonseca to return $22.5 million.