Posts Tagged ‘summer camp’
December 30, 2011 | by Tallis Eng
We’re out this week, but we’re re-posting some of our favorite pieces from 2011 while we’re away. We hope you enjoy—and have a happy New Year!
When I was in high school, the few friends I had all lived in other states—the far-flung gains of various summer camps—which meant that I took a lot of long train trips on weekends. On these rides, I developed the habit of sitting next to a very specific kind of stranger: a middle-aged man who looked lonely. The goal was to find someone who’d talk nonstop. That was how I met Tom Malone: on the train from New York to Raleigh. Over the course of the eight-hour journey, he talked about everything from his government job to his pit bull’s separation anxiety. He told me he used to braid his ex-wife’s hair every night, back when they were married. He explained in detail the reasons Amtrak’s business model was bound to fail. He said my name a lot, and with formality: “Here’s the thing, Jean,” and so on.
I’d never felt safer in my life, sitting next to Tom—his belly like a life raft, and me nodding like a therapist. At one point though, he ruined the spell. He said, “You look exactly like that girl Lennon dated. What’s her name.”
“Yoko Ono?” I said.
“No, no, not Yoko Ono. Oh, darn it. May. May Pang? You know her? Lost weekend?” I didn’t know her. And I wanted us to go back to talking about him.
About five years ago, when I first saw the work of artist Laurel Nakadate, I could have sworn that she had cast Tom in one of her videos, which feature middle-aged, sometimes overweight, mostly white men who had approached her in the street or hit on her in parking lots. In return, she’d invited them to go home with her and act out strange one-on-one scenarios in front of video cameras. We see them shaking her inert body and yelling, “Wake up! Wake up!” or performing an exorcism, or sharing a birthday cake. In a scene from I Want to Be the One to Walk in the Sun (2006), her hirsute costar strips down to his loose-fitting underpants, while she takes off everything but her bra and panties. Then, with her index finger, she traces a clockwise circle in the air over his head. It’s a signal for him to spin around, which he does, while she watches, unblinking and tender. Read More »
August 16, 2011 | by Peter Terzian
Emmy the Great is the stage name of Emma-Lee Moss. (The moniker was a university joke that stuck.) The twenty-eight-year-old Anglo-Chinese musician first began to attract attention in the mid-2000s, when a set of her acoustic demos, recorded for a school project, began floating around the Internet, and she subsequently became associated with a group of young London-based folk revivalists that included Noah and the Whale, Johnny Flynn, and Mumford and Sons. Her debut album, First Love (2009), was built around acoustic guitar and her bright, quavering voice. But her early songs also reshaped classic indie pop and girl-group tropes into funny, wordy tales of romantic disappointment: a boyfriend who whiles away his life watching back-to-back episodes of 24; a girl who has a one-night affair with a guy who plays her the song “Hallelujah” (“the original Leonard Cohen version,” the narrator makes clear). Moss’s new album, Virtue, is both more mature and more heartbroken. The songs were written around her real-life breakup with her former fiancé, who left her on the eve of their wedding to join a religious order. We met one July morning on London’s Oxford Street (“About to meet Serious Journalist from Abroad … At Top Shop. #igottopickthevenue,” she tweeted) and went to a Soho café.
Musicians often say they don’t want to explain their lyrics or talk about the autobiographical elements in their songs because they want the listener to be free to project his or her own stories onto them. But with this album you’ve talked openly to the press about the breakup of your engagement and how it led to these songs.
July 22, 2011 | by The Paris Review
For anyone who loves to read, or eat, or both, Anka Muhlstein’s terrific Balzac’s Omelet is a must: the historian takes on the evolution of food in fiction—specifically Balzac’s—with results that I could (but won’t) call mouth-watering. I’m a total food-history nerd, but I don’t think you’d need to be to enjoy what’s ultimately a treatise on the making of modern French culture. —Sadie Stein
Fist bumps to David Chang and McSweeney’s for their new food magazine Lucky Peach. Naturally, the first issue is on ramen. —Cody Wiewandt
I’m anxiously awaiting the Los Angeles Review of Books’ next installment of Mike Davis’s serial “The Ghost of Wrath,” an account of the deliciously evil original LA Times publisher Harrison Gray Otis. —Ali Pechman
I’m from Ohio, but I’m not from Donald Ray Pollack’s Ohio. His new book and first novel, The Devil All the Time, is as scary as it is good. —C. W.
I’m quite enamored with Worn Journal, a smart, sassy, Toronto-based, antifashion mag with an emphasis on used clothing. I just got the latest issue and am finding it a total delight. —S. S.
It’s summer, and there’s not a cornfield or a mosquito-infested pond in sight. If, like me, you've got the big-city blues, try paging through the lush architectural renderings in Marion Mahony Reconsidered for a respite from the skyscrapers and the carefully allocated greenery. —Clare Fentress
Were you one of those people who hated summer camp? Or were you the kind that really, really, really loved it? Slate has a breakdown of the types. —T. L.