Posts Tagged ‘subscriptions’
May 17, 2013 | by The Paris Review
We won’t pretend to be completely disinterested, but we genuinely believe a two- or three-year subscription to The Paris Review is a great graduation gift. Any of us would have been delighted to receive it.
Just enter the code TPRGRAD2013 and get $10 off.
November 27, 2012 | by The Paris Review
Just in time for the holidays! Give the gift of The Paris Review to yourself and a loved one! For a limited time, when you buy a one-year subscription with automatic renewal, you can give a one-year gift subscription for only $25.
Here’s how it works: Include the addresses for the gift subscriptions in the “notes” field when checking out. Each subscription will start with the Winter issue and, of course, includes access to The Paris Review digital edition.
Need more than two gift subscriptions? Just call 866 354 0212 to cover everyone on your list.
Offer available for U.S. addresses only. Gift subscriptions will not be automatically renewed.
September 28, 2011 | by Sadie Stein
Just a friendly reminder: through Friday, September 30, when you buy or renew a print subscription to The Paris Review, you can get a digital subscription for only $10. That’s right: a full year of fiction, poetry, and interviews on iPad, iPhone, Android, or online, as well as the hard copy you know and love.
(When you buy a subscription through our store, we’ll send you the discount code.)
November 29, 2010 | by Lorin Stein
We just came up with a brilliant idea1, if we do say so ourselves.
For the first time ever, you can give our winter issue—plus a year’s subscription and a sexy new Paris Review T-shirt—in time for Christmas. Just order before December 20th and we’ll take care of the rest.
How are we pulling off this Amazon-like feat of speedy delivery? By filling all orders here on White Street. That’s also why each gift package comes with a note signed by yours truly. And why our office is full of tissue paper.
We are our own elves. Click here to buy it now.
- Actually it was our friend Paul Opperman, but we saw the brilliance of it immediately.