Posts Tagged ‘subscriptions’
September 15, 2015 | by The Paris Review
This November, we’re publishing our first anthology of new writing in more than fifty years. The Unprofessionals: New American Writing from The Paris Review features thirty-one stories, poems, and essays by a new generation of writer. Leslie Jamison calls it “electric”: “I got to encounter voices I already loved and fall in love with writers I’d never read, got to realize this would be the day I’d always remember as the day I read them first.”
Now through November 16, you can preorder The Unprofessionals from our online store for just $12—a 25 percent discount from the cover price. Click here to reserve your copy!
August 11, 2015 | by Sadie Stein
Somewhere in the world, there must be people who actually take a moment to unsubscribe from all those e-mails—newsletters and sale alerts and publicity blasts—that clutter their inboxes. Rather, I mean, than simply deleting them every single day. One doesn’t like to calculate the time costs of these things; it’s too depressing. It’s best to avoid the implications.
There are the discount offers, of course. Don’t we all get those? Dirt-cheap massages! Flash sales! Exorbitant shoes made merely overpriced! And wait—the sale has been extended! Here’s the Project Runway contestant you started following nine years ago because you were so moved by his tears when he was told to pack his things. And the headache-prevention newsletter you never seem to get around to reading; wouldn’t it hurt that aging hippie’s feelings if you unsubscribed? Surely she’d notice. Remember the one time you attended an adult Christian-education class at that Episcopal Church? They do. You think of the unhappy example of the Yiddish class you dropped out of in 2004. You were on that guy’s mailing list until he died last year. Read More »
July 1, 2015 | by The Paris Review
As readers of the Daily know, we at The Paris Review are big fans of the London Review of Books. It’s not just our favorite British book review—it’s our favorite British magazine, period. It sets a standard for criticism and literary journalism, with essays that examine every aspect of politics and culture from an informed, personal point of view. We never miss an issue. And we’re proud to say they read us, too, for the best in cutting-edge fiction, poetry, and interviews.
That’s why, last summer, our two magazines teamed up to offer a joint subscription for one low price. Two months, one pelican, and a couple of beekeepers later, it was the most successful subscription offer in our history. So we’re doing it again.
For a limited time only, you can get a year of The Paris Review and the London Review of Books for just $70 U.S.
December 18, 2014 | by Dan Piepenbring
Three simple facts:
1. It’s the third night of Hanukkah.
2. Our new issue features the Art of Screenwriting No. 5, an interview with Michael Haneke.
3. Haneke and Hanukkah are pronounced in very nearly the same fashion.
A disinterested observer might chalk this up to mere coincidence. That observer would be correct. Still, you may consider, during these eight nights of gift-giving, capitalizing on the Haneke/Hanukkah near-homonym and presenting your loved one with a subscription to The Paris Review, starting with our Haneke issue—just forty dollars for a year’s supply of fiction, poetry, interviews, and art, including a postcard announcing your gift with a personal message. They make a great present for aspiring writers, who should, in the words of William Kennedy, “read the entire canon of literature that precedes them, back to the Greeks, up to the current issue of The Paris Review.”
And our thanks to our interviewer, Luisa Zielinski, for sending along the highly appropriate greeting above.
December 16, 2014 | by Dan Piepenbring
“My students, meanwhile, pitch only the gravest of topics. For them it’s always got to be the Holocaust. I usually tell them, Back off. You have no idea what you’re talking about. You can only reproduce what you read or heard elsewhere. Others who actually lived through it have said it much better than you ever could. Try to create something that springs organically from your own experience. For only then does it stand the slightest chance of being genuinely interesting.” —Michael Haneke, the Art of Screenwriting No. 5
I felt enormously clever writing that pun up there. Then I remembered that it’s already been used—it’s the title of Anthony Lane’s excellent 2009 profile of Haneke in The New Yorker. Tant pis!
Even so, my point stands: tonight marks the first night of Hanukkah, and our new issue features the Art of Screenwriting No. 5, an interview with Michael Haneke, whose name is pronounced in very nearly the same fashion. Coincidence? Yes, absolutely, nothing more.
You may consider, during these eight nights of gift-giving, capitalizing on the Haneke/Hanukkah near-homonym and presenting your loved one with a subscription to The Paris Review, starting with our Haneke issue—just forty dollars for a year’s supply of fiction, poetry, interviews, and art, including a postcard announcing your gift with a personal message. They make a great present for aspiring writers, who should, in the words of William Kennedy, “read the entire canon of literature that precedes them, back to the Greeks, up to the current issue of The Paris Review.”