Posts Tagged ‘style’
March 22, 2016 | by Jesse Browner
A misadventure in pedantry.
One goes to the right, the other to the left; both are wrong, but in different directions.
There is no mistake; there has been no mistake; and there shall be no mistake.
—Arthur Wellesley, First Duke of Wellington
For fifteen years, I had scrupulously avoided reading the Novelist’s work, except maybe for a few short pieces in major magazines, which I’d scan for a bit and then set aside. Don’t ask me why I refused to read the Novelist—I had my reasons. I sincerely believed I would not enjoy The Novelist’s work, based on what I’d heard about it. But I was also afraid I might like the Novelist’s work. If it should turn out that The Novelist, who is the same age as me, were truly the voice of his/her generation, that would make it harder for me to claim that mantle at some undisclosed future date. And at our age, that window is rapidly closing, if not already shut, sealed, and winterized.
But finally this past summer, with the Novelist’s name and foibles monopolizing the main channels of every social medium, I could no longer bear to remain the only writer in New York without an opinion about the Novelist. I took the plunge and read one of the Novelist’s most iconic works. Read More »
January 21, 2016 | by Dan Piepenbring
There’s an abysmal simile making the rounds online right now, drawn from a certain splashy literary debut: “Breasts like bronzed mangoes.” Yes, it comes courtesy of a male writer, of course; and yes, Google suggests it’s the only use of the phrase “bronzed mangoes” in recorded history. Even so: as an object of ridicule, this is what you’d have to call low-hanging fruit. Read More »
October 21, 2015 | by Sadie Stein
Sarah Jessica Parker, the actress and shoe designer, has named a shoe after Donna Tartt, the writer. The Tartt is a glittery Mary Jane with a chunky low heel. The color is called Scintillate. It retails for $385 and sold out within hours on NeimanMarcus.com.
Here’s how Neiman Marcus describes Parker’s shoe line:
She became a fashion icon starring as the quintessential shoe-obsessed New Yorker. Now Sarah Jessica Parker is taking the next natural step: designing her shoe collection. The SJP Collection is her own expression of style with personal touches woven throughout. Take for instance, the grosgrain ribbon details. Adorning every shoe, they’re a nod to the ribbons Parker wore in her hair as a young girl. Some design elements borrow from the legendary wardrobe she wore as Carrie in the show Sex in the City. Even the names of each shoe, such as “Sophia” and “Raquel,” reference her favorite fashion influencers. To create the collection, Parker turned to a familiar name in the industry. George Malkemus (the shoe-guru himself) teamed up to share his thirty years of design expertise. The results? Classic styles that feel as current now as they will in seasons to come. And to ensure they’ll last, every pair has been crafted by artisans in Italy.
But with all respect to Parker and “the Tartt,” when I think of literary fashion influencers, I think of Barbara Pym. Read More »
July 22, 2015 | by Sadie Stein
There are certain unpleasant life experiences that are not palliated by the fact that you know that they’re meaningless. I am speaking here of something specific: the particular horror of being pressured into spending money on things you know you do not want.
When I was seventeen and had to go to the prom with a senior in my homeroom, my mom and I went to Nordstrom so I could buy some simple makeup. Neither of us wore any. My mom entrusted me with a credit card, went to do something else, and came back an hour later to find me miserable, clown-like, clutching a tiny bag and having spent a hundred dollars, then an astronomical sum. And somehow it was very hard to explain to her that the saleswoman had had a wooden leg, and I’d felt unable to deny her anything. I used the lipstick for six years, to justify it, even though the color looked very strange, and it was quickly caked with sand and grit. Read More »
May 4, 2015 | by Sadie Stein
Nothing can make you feel older than thrift shopping. As you walk the aisles, thumbing through the racks, young you keeps up a running monologue: That 1940s square-dancing outfit is cool! Look at those Polynesian-print slacks and the matching vest! You’d look like an awesome fifties-pulp lesbian cover model if you wore this shirt and tie! Sure, that leather dress is totally unflattering—but it’s neat! And five dollars! Have you ever worn your other five fake-fur chubbies? No, but maybe now’s the time!
And time was, you’d have bought all these things. Each would have symbolized a you you might have been, or could have been for a day—an identity you could don or pretend you’d don. At the very least, the cheap thrill of the moment would have overridden any other concern. Who cared if your closet looked like it belonged to a hoarder pied piper? Anything was good enough for class, or for the existence of a creatively inclined, sensitive young person in the urban wild. Read More »
February 5, 2015 | by Sadie Stein
Bernice stood on the curb and looked at the sign, Sevier Barber-Shop. It was a guillotine indeed, and the hangman was the first barber, who, attired in a white coat and smoking a cigarette, leaned non-chalantly against the first chair. He must have heard of her; he must have been waiting all week, smoking eternal cigarettes beside that portentous, too-often-mentioned first chair. Would they blind-fold her? No, but they would tie a white cloth round her neck lest any of her blood—nonsense—hair—should get on her clothes.
“All right, Bernice,” said Warren quickly.
With her chin in the air she crossed the sidewalk, pushed open the swinging screen-door, and giving not a glance to the uproarious, riotous row that occupied the waiting bench, went up to the fat barber.
“I want you to bob my hair.”
The first barber’s mouth slid somewhat open. His cigarette dropped to the floor.
“My hair—bob it!”
Before I had nearly a foot of my hair shorn off, I reread F. Scott Fitzgerald’s “Bernice Bobs Her Hair.” He based the story, which first ran in the May 1920 Saturday Evening Post, on a series of letters he exchanged with his younger sister. It was, appropriately, the kickoff to his iconic chronicling of the flapper era—when the story begins, the eponymous heroine is a dowdy wallflower, and everyone has long hair. Bernice becomes popular with an audacious “line”: she entices boys with the prospect of daringly bobbing her hair while they watch. But when a rival calls her bluff, Bernice is forced to submit to the shears. And then, the brutal fallout. Read More »