Posts Tagged ‘Spring Revel’
April 11, 2014 | by Dan Piepenbring
We’re still recovering from Tuesday’s Revel, where some five hundred people gathered to honor Frederick Seidel with the Hadada Award, presented by John Jeremiah Sullivan. Lydia Davis presented Emma Cline with the Plimpton Prize for Fiction; Roz Chast presented the Terry Southern Prize for Humor to Ben Lerner; and Martin Amis, Zadie Smith, and Uma Thurman all read from Seidel’s work. We could say a good time was had by all, but why not let the pictures tell the tale? It was a spectacular evening. You can read accounts of the fun from Page Six, Women’s Wear Daily, and Guest of a Guest. Be sure to take a look at all the photos here, too. See you next year!
Photos by Clint Spaulding / © Patrick McMullan / PatrickMcMullan.com
March 12, 2014 | by The Paris Review
Each year, at our annual Spring Revel, the board of The Paris Review awards two prizes for outstanding contributions to the magazine. It is with great pleasure that we announce our 2014 honorees.
The Plimpton Prize for Fiction is a $10,000 award given to a new voice from our last four issues. Named after our longtime editor George Plimpton, it commemorates his zeal for discovering new writers. This year’s Plimpton Prize will be presented by Lydia Davis to Emma Cline for her story “Marion,” from issue 205.
The Terry Southern Prize is a $5,000 award honoring “humor, wit, and sprezzatura” in work from either The Paris Review or the Daily. This year’s prize will be presented by Roz Chast to Ben Lerner for “False Spring” (issue 205) and “Specimen Days” (issue 208). Both are excerpts from his forthcoming novel 10:04.
From all of us on staff, a heartfelt chapeau!
(And if you haven’t bought your ticket to attend the Revel—supporting the magazine and writers you love—isn’t this the time?)
March 11, 2014 | by Dan Piepenbring
On April 8th, at our Spring Revel, we’ll honor Frederick Seidel with the Hadada Award. In the weeks leading up the Revel, we’re looking back at the work Seidel has published in The Paris Review throughout his career.
“Dayley Island” is the first poem Frederick Seidel published in The Paris Review—it appeared in our twenty-sixth issue, from Summer/Fall 1961, alongside work by Norman Mailer, Thom Gunn, Malcolm Lowry, and Tom Keogh, among many others; there were also interviews with Ilya Ehrenburg and Marianne Moore. (“I have a passion for rhythm and accent, so blundered into versifying.”)
In the sumptuousness of a line like “My slippers / exhale lamé,” “Dayley Island” bears the traces of what would become, to me, a Seidel hallmark: a certain brand of knowing, luxurious weariness. The poem also makes elegant use of one of my all-time favorite verbs, the arrantly unpoetic “winterize.”
But what’s it about, you ask? Well, far be it for me to say. But a brief round of Googling did reveal this amusingly compact summary, from a 1963 edition of The Virginia Quarterly Review: “In ‘Dayley Island’ the slaughter of rabbits on a Maine coastal island becomes associated in the mind of an aging refugee woman psychiatrist with the extermination of her family by Nazi hands.” Sounds like something to add to your Netflix queue. The VQR also notes, approvingly, that “some readers may feel … their decorum outraged” by Seidel’s poems.
Gulls spiral high above
The porch tiles and my gulf-green,
Cliff-hanging lawn, with their
Out-of-breath wail, as
Dawn catches the silver ball
Set in the dried up bird bath
To scare the gulls. My slippers
I was egged on by old age—
To sell that house,
Winterize this house,
Give up my practice...
February 12, 2014 | by Dan Piepenbring
Just when you thought you couldn’t wish for spring any more fervently, news arrives of our Spring Revel. Save the date: on Tuesday, April 8, writers, poets, artists, editors, readers, supporters, eminences, patrons of the arts, bon vivants, and other all-around admirable sorts will convene at Cipriani 42nd Street for a legendary evening. Women’s Wear Daily calls the Revel “the best party in town”; Mary Karr calls it “prom for New York intellectuals.”
This year, we’ll honor Frederick Seidel with the Hadada Award, to be presented by John Jeremiah Sullivan. Lydia Davis will present the Plimpton Prize for Fiction; Roz Chast will present the Terry Southern Prize for Humor; and Martin Amis, Charlotte Rampling, and Zadie Smith will all read. There will be dinner, and cocktails, and unabated merriment, thanks in no small part to our event chairs, Chris Weitz and Mercedes Martinez.
We’d love to see you there! Tickets and tables are available now.
March 21, 2013 | by The Paris Review
Here at 62 White Street, preparations for our Spring Revel are in full swing! Our office is brimming with loot for our guests: limited-edition Paris Review tote bags; archival copies of the magazine; our recent anthology of short stories, Object Lessons; loads of books by Paula Fox, the Revel’s honoree and the recipient of this year’s Hadada Award; and surprises yet to be revealed.
Variously described as “the best party in town” and “prom for New York intellectuals,” the Spring Revel is legendary for a reason. Tuesday, April 9, join Paris Review readers, supporters, and writers at Cipriani 42nd Street for an always unforgettable evening of cocktails, dinner, and revelry. Writer hosts include Hilton Als, Michael Cunningham, James Fenton, Zoë Heller, Lewis Lapham, Katie Roiphe, Leanne Shapton, Wallace Shawn, Zadie Smith, Gay Talese, and many more.
Get your tickets here!
April 12, 2011 | by J. D. Daniels
Our Spring Revel is tonight, April 12. In anticipation of the event, The Daily is featuring a series of essays celebrating James Salter, who is being honored this year with The Paris Review’s Hadada Prize.
Imagine: there is a man who likes to climb mountains. It’s the only thing he likes. Of course he likes women, too, but he won’t put them at the center of his life. “I’m not really a great climber,” he says, “I’m not that talented.” He just loves it more than anyone else does, or can. But he isn’t climbing. His name is Vernon Rand, and he’s bumming around, roofing, picking up work out in Los Angeles.
And then one day, playing father to his girlfriend’s twelve-year-old son, he encounters his old climbing companion, Jack Cabot. That they are lost brothers is admitted outright, but not that Cabot is Rand’s animating force, prophet, bird or devil, tempter sent.
As for Rand, he had had a brilliant start and then defected. Something had weakened in him. That was long ago. He was like an animal that has wintered somewhere, in the shadow of a hedgerow or barn, and one morning, mud-stained and dazed, shakes itself and comes to life. Sitting there [with Cabot], he remembered past days, their glory. He remembered the thrill of height.
That’s all it takes, Cabot’s tapping on the door. That in Rand which loves the mountain stirs.
There was something he had to tell her. He was leaving, she said. She could hardly hear him.
He repeated it. He was going away.
“When?” she asked foolishly. It was all she could manage to say.
“Tomorrow,” she said.