The Paris Review Daily

Posts Tagged ‘Spotify’

Babyish Handwriting, Malarkey

October 15, 2012 | by

  • Is Spotify for books coming?
  • University of Missouri Press gets a reprieve!
  • Abraham Lincoln: the inexhaustible subject.
  • Speaking of the presidency: a guide to malarkey.
  • “A bit sad and even a little babyish”: a handwriting expert analyzes the penmanship of Lady Gaga, Barack Obama, and Prince William, among others. (Spoiler: the quote refers to the leader of the free world.)
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    Staff Picks: The Unseen Bestiary, The Avoidance of Love

    August 26, 2011 | by

    From ‘Monstrorum Historia,’ by Ulisse Aldrovandi, 1642.

    Just in time for Borges’s birthday, Lindsey Carr is curating a collaborative art project documenting creatures that have never been seen. The project, The Unseen Bestiary, a sort of DIY Book of Imaginary Beings, is soliciting brief descriptions to accompany Carr’s drawings. —Mackenzie Beer

    I’m rereading Stanley Cavell’s great essay on King Lear (and everything else), “The Avoidance of Love,” in preparation for what I’m told is another great essay, by Mark Greif, in the new issue of n+1. (Some lifetime subscription that turned out to be!) —Lorin Stein

    I’ve been slowly working through the strikingly lyrical essays in City Dog this summer, so I was excited to see new poems by W. S. di Piero in the fall issue of ZYZZYVA. Something about them reminded me of the end of summer. “Starting Over” perfectly evoked that late-August feeling of everyone coming home: “here you are the nothing / that is the place, / and all the places are you, / none of them yours to keep.”  —Ali Pechman

    I just learned everything I know about Batman from intern Cody, who puts the super back in superheroes. —L.S.

    Since I realized that Spotify has such a great collection of Alan Lomax recordings, I’ve been totally hooked. —Sadie Stein

    Moving books around in my house, I rediscovered my copy of Boulevard Transportation, a collaboration between Rudy Burckhardt and Vincent Katz. The former’s photographs—framing and juxtaposing country and city streets, architectural elements, faces—and the latter’s poetry—casual glances and delighted observations—are perfectly suited to each other. On one spread, Burckhardt’s closeup of reeds waving against sun-dappled water is set opposite this from Katz: “I put bare / feet to Terra / swim in the lake / all day long / there is nothing / to do / listen to wind in the trees.” —Nicole Rudick

    I was one of those lame kids without a rock collection, but Léonard Rosenthal, famed 1920s Parisian jeweler and author of The Kingdom of the Pearl, has reformed me. If you aren’t sold on reading about rocks, check out the Edmund Dulac illustrations that originally accompanied the text. —M.B.

    I’ve always felt more like a New Yorker than a Californian, but this video is amazing. — A.P.

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