Posts Tagged ‘soccer’
March 3, 2016 | by Homero Aridjis
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me...”
An excerpt from The Child Poet.
One Saturday toward noon in January 1951, three friends and I made our way home after playing soccer. The milky rays of a nearly white sun ploughed the damp earth, and our shadows moved neatly beneath our soles each time we lifted a foot to take a step. When we reached my house I waved goodbye to my friends. Without replying they continued on their way.
My solitary steps echoed along the sunlit corridor; my parents were at the store. And then I went into my brother’s room, although I hadn’t meant to go in … A shotgun someone had lent him was propped against the wall. As if moving by their own accord, my hands reached for it. I walked to the backyard and climbed onto a pile of bricks that were being used to build the new kitchen. There was no one around; the bricklayer and the peon were having lunch in the old dining room.
Standing on the bricks, I saw some birds alight on the sapodilla tree next door, to be momentarily covered by the branches … Until they returned to the air, over my head, high in the blue above … And without wanting to, I aimed the shotgun at them and fired, not intending to kill a single one.
I watched with relief as they all flew on until they were lost in the distance. But as I let the shotgun drop the butt hit the bricks and the second shell fired into me. Such was the blow I felt from the shots that I thought infinity had entered my belly. Read More »
October 23, 2015 | by Sadie Stein
A friend drew my attention to a news story. It concerned the German-born footballer Bastian Schweinsteiger and his lawsuit against a Chinese company. It seems the company, Dragon in Dream, is selling a doll that bears a more than passing resemblance to the Manchester United midfielder. The suit may sound frivolous, but check out the side-by-side comparison. Also, there’s this:
The figurine comes in several outfits—including a version with a steel helmet, white winter jacket and woollen gloves, and another in a typical army uniform, complete with the “Wehrmachtsadler” insignia, an eagle with a swastika above the right breast pocket.
July 15, 2014 | by Rowan Ricardo Phillips
The World Cup doesn’t end so much as it slips back into itself.
As soon as the whistle is blown one last time, the recaps, the nostalgia, and the smart surmises begin. But then, a day later, after the last team has returned to its home country and the cheers of hundreds of thousands of euphoric fans, the specifics start to stretch beyond the immediate recall they enjoyed during these June and July days. The locations and stadia whose names were on the tip of your tongue begin to hang back as you go forth with your life. You’ve suddenly forgotten the name of that player you didn’t know on that team you weren’t familiar with—the player you’d enjoyed so much that you’d learned to pronounce his name perfectly. Or, if you’re American and have grown through this tournament to love the game, the world may suddenly seem farther away again. The excuses to strike up a conversation with a stranger dwindle. The news of the rest of the world starts with the Middle East again. And left to fend for themselves, the details of your World Cup experience begin to connect their own dots.
Mario Götze—the brilliant, young, attacking midfielder who scored the winning goal for Germany with seven minutes remaining in extra time in the final in Rio de Janeiro, after Argentina enjoyed the clearest chances in the game—becomes Andrés Iniesta, the brilliant, young, attacking midfielder who scored the winning goal for Spain with four minutes remaining in extra time in the final in Johannesburg, after the Netherlands enjoyed the clearest chances in the game.
The thirteenth-ranked 2014 USA team, which showed significant improvement by qualifying after winning one game, drawing one game, and losing twice in Brazil, becomes the fourteenth-ranked 2010 USA team, which showed significant improvement by qualifying for the second round after winning one game, drawing two games, and losing one.
The reigning World Champion, Spain, bowing out meekly in the first round of this 2014 tournament, becomes the reigning World Champion, Italy, bowing out meekly in the first round of the 2010 tournament.
July 14, 2014 | by Jonathan Wilson
How apt that the Brazilians are living off Schadenfreude: after the debacle against Germany and a little extra humiliation from Holland, all Brazil’s fans seemed to want was for Germany to prevent Argentina from victory dancing on the beach at Copacabana. Believe me, I get it. As a lifelong supporter of Tottenham Hotspur FC in the English Premier League, much of my soccer pleasure in the last half-century, sadly, has derived only from misfortunes experienced by Arsenal FC, Tottenham’s arch rivals. In the years 1960–1962, Tottenham was clearly the superior team—since then, not so much. Like Brazil and Argentina, the two clubs are neighbors, and Arsenal, like Brazil, has the larger fan base and more money.
But I want to tell you, Brazilians: Schadenfreude (yours and mine) is unhealthy. It mocks the meat it feeds on. Brazil (population two hundred million) is in a much better position that Argentina (population forty-one million) to do something to transform its lackluster team into world-beaters. They need look no further than Germany, where, over a twenty-year period, an entire system from youth soccer up was revamped in the wake of defeat and disappointment to produce the superior team that yesterday won the World Cup in style: a triumph that not a soul would deny they deserved. Is this why the U.S. keeps spying on Deutschland? Looking for the blueprint that will take us to number one? Or are we simply after Angela Merkel’s recipe for Schwarzwälder Kirschtorte?
The sun set behind Christ the Redeemer, and then Argentina went down, too. Lionel Messi won the Golden Ball for best player in the tournament (not that he cared), but it could just as easily have gone to Arjen Robben or Bastian Schweinsteiger or Javier Mascherano. After two overtime games in five days, Messi looked, at times, as if he were walking through treacle. When, as the final minutes ticked away, he stepped up to take his last do-or-die free kick, he was already a forlorn figure; that ball was going wide, or over the bar, and everyone in the Maracanã knew it. Messi’s problem? He was too much on his own, dropping ever deeper, as if a retreat into the shadows of his own half would conjure a Di María to run back up the field with him. In his most successful years, Pelé was surrounded by players of great genius—Garrincha, Tostão, Jairzinho, and Rivelino—individuals with talents that didn’t quite match the master’s, but enabled them to provide stellar support. While Mascherano was a beast in the Argentine defense, Messi had no one quite at the level required for his game to shine at its brightest. He’ll have to return to Barcelona for that.
Of course, there’s always the feeling that he should have been able to do it on his own—a feat Maradona is believed to have accomplished in World Cup 1986, when he scored or assisted on ten of Argentina’s fourteen goals. But, even with the great Lothar Matthäus on board, the West Germany that Argentina beat in that final was not at the same level as Germany 2014, the first team to win a major international championship since the fall of the Berlin Wall. Where Germany is concerned, everyone reaches for the engineering metaphors—it’s knee-jerk—and, this time around, it doesn’t apply. Okay, Germany is well coached: Is this why Ian Darke, the English ESPN/ABC commentator, described Jogi Löw as resembling a Bond villain? Baffling. The team played with a smoothness not like that of a well-oiled machine, but more like that of the movements of choreographed dancers. It looked like art out there, not industry. Certainly Mario Götze’s lovely goal from André Schürrle’s cross was full of grace: one swift movement, chest to foot to back of net. Götze’s father is a professor of computer science at Dortmund University. His son’s goal may be the best thing that has happened to academia this century.
I’ve watched fourteen World Cups, and 2014 is the best I can remember since 1970, bites and all. And now we move on to Putin-land, where Russia (population 146 million) will take on their greatest rivals, the eleven courageous young women of Pussy Riot.
Jonathan Wilson’s work has appeared in The New Yorker, Esquire, The New York Times Magazine, and Best American Short Stories, among other publications. He is the author of eight books, including Kick and Run: Memoir with Soccer Ball. He lives in Massachusetts.
July 10, 2014 | by Rowan Ricardo Phillips
Argentina and the Netherlands played yesterday’s second semifinal. That’s as much as should be said about the match, which forced us to appreciate what this World Cup has been, while remembering what it could have been. Throughout 120 minutes of football, there was first, last, and above all an air of safety that had been refreshingly absent from most of the games thus far—and with that absence came gifts of goals and good play. But yesterday, there was so much at stake: safe passage to a World Cup final. Since both teams are middling, professional, and graced by the presence of once-in-a-lifetime, left-footed talents, they took no risks—no playing the ball patiently through the midfield, no attempts at a tactical surprise. It was a game of chicken, and a penalty kick shoot-out was the inevitable collision.
Or: Argentina and the Netherlands played yesterday’s second semifinal. That’s as much as should be said about the match, which forced us to rue what this World Cup could have been, and to remember it exactly as it was. Throughout 120 minutes of football, there was an air of danger in every movement that put to the sword the careless attacking and defending we’ve seen in all the games thus far—we’ve suffered own gifted goals and poor play for it. But yesterday, there was so much at stake: safe passage to a World Cup final. Since both teams are fairly stout and battle-tested—graced by the presence of not only once-in-a-lifetime, left-footed talents, but a host of other complimentary stars—they went forward intelligently instead of rashly. They avoided over-elaborating in the middle of the pitch and followed their tactical plans to the letter. It was as though the game was played in a labyrinth, and a penalty kick shoot-out was the inevitable way out.
Football games between sides with history between them seem to exist in a multiverse—everything that has happened between them happens here simultaneously. All outcomes exist at once. Hence, Argentina versus the Netherlands in the São Paulo of 2014 is Argentina versus the Netherlands in the Marseille of 1998 is Argentina versus the Netherlands in the Buenos Aires of 1978. The weight of history is in the thickness of the air: young men run into each other with the anxiety and ache of memories that are not theirs, and the colors of their shirts become portals. No competition is barnacled by its past like a World Cup. Two sides significantly better than Brazil—but neither of which had ever defeated Brazil—capitulated in the round of sixteen and in the quarterfinals, more to the canary-yellow shirts than to the players who wore them. (We know what happened afterward.) Read More »
July 9, 2014 | by Jonathan Wilson
O Lachryma Cristi, what has happened to our weepy Brazilians? Since day one of this tournament, it seems, they have been in tears. As the technical director Carlos Alberto Parreira reported, “They cry during the national anthem, they cry at the end of extra-time, they cry before and after the penalties.” The sports psychologist Regina Brandão was rushed in, but failed to stem the flow; then it was the Pressure! The Pressure! A nation’s hopes, et cetera, et cetera.
And now this 7-1 pasting, the iconic gone-viral boy in the crowd, glasses pushed up, fingers pressed to eyes, sobbing into his Coca-Cola cup; and somewhere else not too far off, the pretty girl with tears streaming down her cheeks, rivulets slowly obliterating the Brazilian flags she had painted there. Wherever you look, buckets: David Luiz crying; Oscar, his face pressed down soaking someone’s shoulder. Cry me a river—the river cried turned out to be the Amazon. Meanwhile, the Germans never shed a tear, although Mesut Özil looked as if he might cry when Bastian Schweinsteiger yelled at him for missing an easy opportunity to put goal number eight past Júlio César. Lighten up, Bastian!
And now the hundred-foot-high concrete Christ the Redeemer that stands with arms outstretched, gazing over Rio from the peak of the Corcovado mountain, has been photoshopped with its hands to its face, a meme for the ages. Read More »