Posts Tagged ‘semicolons’
January 23, 2014 | by Dan Piepenbring
- The return of Girls also means the return of prudish, puzzled critics. As a riposte, six reasons (just six?) that female nudity can be powerful when it’s not sexual.
- What if classic novels were “whorishly titled, optimizing our search engines rather than our imaginations”? (Jane Eyre is a personal favorite: “This Guy Didn’t Tell His Governess About His Secret Ex-Wife in the Attic. What Happened Next Really Burned Him Up.”)
- Fiction in translation is on the rise.
- The British Library’s new exhibition of comic books aims to inspire children to be “naughtier and more rebellious.” Embrace obscenity, kids. Do not eat your spinach. Kill all fascists.
- We live in a time of ever more florid author bios—here are three questions a good bio should answer. (Spoiler: one of them is “Who are you?”)
- Parsing punctuation in Internet initialisms: Is the semicolon in “tl;dr” ironic?
March 8, 2013 | by The Paris Review
When I was a teenager, I had a series of dreams in which I would attempt to do the most banal tasks underwater: eat breakfast, cut my toenails, read a book whose waterlogged pages would always stick together. I never really thought much about the dream’s implications—Was I suffocating under life’s demands? Or was it just something I ate?—until I stumbled on Bruce Mozert’s 1950s underwater photography. Using a self-constructed underwater camera, Mozert spent his career shooting underwater portraits for numerous lifestyle magazines—entirely without digital manipulation. (One Mozert trick was “using baking powder to create the powdery ‘smoke’ coming out of the underwater barbecue.”) Why would a photographer devote his life to such a niche? Some things (like the genesis of my dreams) are better left unanswered. —Justin Alvarez
I’m impressed by a twenty-eight-page examination of “The Endangered Semicolon” in the debut issue of Apology, Jesse Pearson’s new quarterly. It’s disheartening, though, to read that the semicolon is in decline, not least because it is my favorite punctuation mark—a fact that displeased Matt Sumell, who cheerfully rejected the suggested use of semicolons in his story for issue 200 (save two) and who wrote me recently with the sole purpose of informing me that he still doesn’t use semicolons. I pity him and Alexander Theroux, who bemoans in Apology the semicolon’s typographical imbalance (neither a colon nor a period) and its existence as a tentative mark, an “illicit and uneasy compromise.” Let others have the em dash, the period, the showy exclamation point. I’ll keep the semicolon, so adept at capturing a particular cadence, a curt melody. —Nicole Rudick Read More »