The Daily

Posts Tagged ‘sculpture’

The Right Drink for the Conservative Taste, and Other News

August 26, 2016 | by

Drink up your propaganda, kids!

  • Today in farts: there’s a new movie called Swiss Army Man, and it’s full of ‘em. Don’t write it off as stupid. Don’t pretend you’re not seduced by the fusillade of flatulence. There is life in those farts, Annie Julia Wyman writes: “The idea for Swiss Army Man began with a fart joke: a man trapped on a desert island feeds a corpse beans so that he can ride it back to civilization. But a fart joke—like every increment of comedy, however large or small—is a simple encapsulation of Swiss Army Man’s optimism and of the beneficence, the real miracle, which is art … Movies of this kind are highly wrought, spiritually advanced, super-durable versions of the space inhabited by children and old people, by beginners and artists and students, by those of us who are still learning and always will be: that is, by everyone, if they can let the farts in.” 

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The Last Days of Foamhenge

July 26, 2016 | by

Hanover 2810-24

Photo: Brett Hanover.

If you’ve ever taken I-81 north through Virginia, you’ve passed the town of Natural Bridge, in Rockbridge County—home to a ninety-foot limestone arch that extends over a gorge, a geological anomaly probably formed by an ancient underground river. Natural Bridge is an anachronism from the Route 66 era of highway travel, a place where you can pay twenty dollars to look at a rock, eat a rock-themed lunch, and then buy a shot glass illustrated with a picture of that same rock. As any respectable tourist trap must, the town hosts a constellation of other attractions: a petting zoo, a dinosaur/Civil War theme park, and the Natural Bridge Wax Museum (now closed, and former home to a ghoulish Obama tribute). Best of all is the featherlight, faux prehistoric monument known as Foamhenge.

As its name suggests, Foamhenge is a one-to-one scale replica of Stonehenge, made of foam. It is identical to the original, save the flecked gray paint, the accompanying statue of a deadhead-ish Merlin, and the fact that it was erected several millennia later. For the past twelve years, the henge has been the most public of Natural Bridge’s draws, garnering a steady stream of visitors and enough press to be mentioned in the same breath as the area’s actual ancient rocks. Its creator, an artist named Mark Cline, calls it his “foam-nomenon”: the unlikely culmination of his career as a sculptor of roadside attractions. Read More »

Cars Plunge and Lava Flows

June 1, 2016 | by

Ken Price, who died in 2012, is remembered as a sculptor, but he was also a talented illustrator—his ideal day, he once said, would be spent drawing while listening to jazz. More than forty of his drawings are on display through June 25 at Matthew Marks Gallery. “I’ve been drawing since I can remember,” Price said. “I think sculptors learn to draw so that they can see what they’ve been visualizing.”

Ken Price, Car Plunge, 1994, acrylic and ink on paper, 14" x 11 1/4".

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Sculpture in the Landscape

May 16, 2016 | by

The art and life of Mark di Suvero

Mark di Suvero finishing Pyramidian, 1987/1998 at Storm King Art Center, Mountainville, NY, 1998. Photo: Jerry Thompson

Mark di Suvero in 1998 finishing his sculpture Pyramidian, 1987–1998, installed at Storm King Art Center in Mountainville, New York. Photo: Jerry Thompson. © Mark di Suvero.

Three decades ago, long before the development of the High Line, the sculptor Mark di Suvero led an effort to transform an illegal garbage dump in Long Island City into a vast green space devoted to large-scale sculpture. Di Suvero was fifty-three years old at the time, and already a veteran of the public-art movement. During the sixties and seventies, he had taken part in several outdoor sculpture exhibitions—in Cincinnati, Houston, and Grand Rapids—and he later created citywide solo shows of his work across the United States and Europe. By 1980, he was working out of a studio in Long Island City, not far from the four-acre landfill, and it wasn’t long before he was dreaming about alternative uses for the neglected riverfront parcel. In 1986, di Suvero arranged to lease the property from the city for a dollar a year. Working with the Athena Foundation, an organization he had created nearly a decade earlier, he employed members of the community to clean up and replant the site. That fall, the newly christened Socrates Sculpture Park held its first public exhibition, which included work by Vito Acconci, Bill and Mary Buchen, Rosemarie Castoro, di Suvero, and others. Read More »

Marisol’s Marathon Silences, and Other News

May 3, 2016 | by

Marisol, in 1963.

Read and Worn

March 28, 2016 | by

Jeremy May’s book jewelry. Images via My Modern Met.

If you’re like me, the walls of your home are obscured by hundreds, nay thousands, of thick, musty, outdated reference texts: The 1903 Wisden Cricketers’ Almanack. Things to Know About Boll Weevils. Urinalysis and You. A day ago, I would’ve told you the only way to get rid of these books was to burn them. But now I’ve learned that you can turn them into jewelry. It’s easy:

  1. Carefully tear out hundreds of pages and laminate them together.
  2. Using your hands and the same unalloyed will that led you to hoard these books in the first place, form the laminated paper into a ring, bracelet, pendant, or necklace of your choice.
  3. With your safety goggles on, take a power sander to your jewelry and buff it until you achieve a lustrous, glossy finish.
  4. Or just call Jeremy May. He does this for a living and is better at it than you are.

May, an artist based in London, is showing his book jewelry—created using a vastly refined version of the process above—as part of a group exhibition called “Read and Worn: Jewelry from Books,” at New York’s RR Gallery through April 24. You can see more images below and at My Modern MetRead More »