Posts Tagged ‘science fiction’
October 21, 2013 | by Sadie Stein
“I don’t think ‘science fiction’ is a very good name for it, but it’s the name that we’ve got. It is different from other kinds of writing, I suppose, so it deserves a name of its own. But where I can get prickly and combative is, if I’m just called a sci-fi writer. I’m not. I’m a novelist and poet. Don’t shove me into your damn pigeonhole, where I don’t fit, because I’m all over. My tentacles are coming out of the pigeonhole in all directions.” —Ursula K. Le Guin, the Art of Fiction No. 221
October 8, 2013 | by J. D. Daniels
“To define terms at the outset, this will not be a novel so much as a series of notes toward one. Nevertheless pay attention.” —Barry N. Malzberg, Galaxies, 1975
I began vomiting somewhere over Turkmenistan. But it was not until the second day on the ground in Benares that I became desperately ill, losing a quarter of a pound an hour every hour for forty hours. “I figured you would be all right in the end,” Jamie told me after the ordeal was over. “Then again, I have seen patients die, and that is more or less what it looks like.”
From my India notebook:
A pair of mouse turds on the table. Amazing to think that I ever planned to write about this place. Why not spend ten years becoming better acquainted with my own country. And spend more time with S, you fool, what is it you think life is about. The river priest, dressed in brilliant orange, gives me his blessing, custom-tailoring my reincarnation: “Not come back as parrot, not come back as mosquito, not come back as dog.” Malzberg for TPR: The Falling Astronauts, In the Enclosure, his Kennedy books, Galaxies. Just because I like it doesn’t mean it isn’t crap.
That’s how much I wanted to write my Malzberg thing. And I would have done it, too, if I had lived.
I first encountered Barry N. Malzberg in my twenties during a confused summer spent with David Pringle’s Science Fiction: The 100 Best Novels. Malzberg’s Galaxies was number seventy-seven.
Malzberg—author of Horizontal Woman and The Masochist and Oracle of the Thousand Handsand Screen and In My Parents’ Bedroom and many other books; aka K. M. O’Donnell, author of Final War, Universe Day, Gather in the Hall of the Planets, and so on; aka Howard Lee, who wrote novelizations of the 1970s television series Kung Fu, starring David Carradine; aka Mike Barry, author of Night Raider, Bay Prowler, Desert Stalker, Boston Avenger, etc.; aka Eliot B. Reston, author of The Womanizer; aka Claudine Dumas, author of Diary of a Parisian Chambermaid; aka Mel Johnson, writer of I, Lesbian and Instant Sex and Nympho Nurse and The Sadist and Do It to Me—was unquestionably a hack, God knows. He knew it, too. But what a workhorse! Read More »
August 15, 2013 | by Molly Crabapple
Somewhere, on an NSA server in Utah, there sits an email from Warren Ellis threatening to strangle me to death with my own intestines.
Our all-caching surveillance state is something that might have been thought up by Ellis himself. A writer of novels, comics, essays, and movies starring a machine-gun-toting Helen Mirren, Ellis looks more deeply than most into our potential futures. Born in working-class Southend-on-Sea, he is best known as the writer of the canonical graphic novel series Transmetropolitan. A decade before the Internet-enabled explosion of independent journalism, Transmet corrupted a generation of young reporters, giving them the notion that journalism was the bullet that could “blow a kneecap off the world.” In January, he published bestselling Gun Machine, which exploits genre conventions to explore the ghost cities that exist in both high finance and the minds of the insane. Most recently, Ellis released Dead Pig Collector, a novella about love and body disposal, as a Kindle Single with FSG. He is currently at work on his first book of nonfiction.
We’ve been friends and sometime collaborators for a decade. When I told him I’d like to interview him for The Paris Review, he demanded proof that the editor hadn’t confused him with the violinist Warren Ellis of The Bad Seeds. When Sadie emailed to confirm that she realized he was, in fact, the bestselling author, he wrote me back: “I DIDN’T SAY ‘BEST SELLING’ YOU HORRIBLE INFANT!”
Ellis wears a field hat, drinks very old whisky, and chain-smokes Silk Cut cigarettes. He is forty-five years old.
You’re semi-crack-addicted to information. Whenever we talk, you have a podcast, the Economist, some ambient drone music, and a reader full of links open. Dead Pig Collector was inspired by an article you read on Chinese garbage disposal. Tell me about your information consumption.
This is going to be just another way for you to insist I listen to the sounds of insects having sex and calling it music while you pollute your apartment with the strains of some idiot with a ukulele wailing about consumption and sodomy.
We call that culture. As an Englishman, you wouldn’t understand.
What would you know about culture? You come from the town that gave the world the cronut.
June 26, 2013 | by Sadie Stein
You will be relieved to learn that Arthur C. Clarke’s DNA is going where no man has gone before. Prior to his 2008 death, the science fiction legend graciously donated several strands of hair to NASA’s “first ever solar sail mission into deep space.” The craft, named Sunjammer, after a 1964 Clarke story, will launch in 2014, with hair aboard.
April 9, 2012 | by Sadie Stein
January 24, 2012 | by Karan Mahajan
On December 19, 2011, one of the main characters in Adam Johnson’s new novel, The Orphan Master’s Son, died. His name was Kim Jong Il. Had Kim lived, he might have approved of the impish, devious, and dangerously mercurial simulacrum that Johnson summons in his epic about modern North Korea, published by Random House this month. He may have been less pleased that an ordinary citizen named Jun Do usurps him as the hero of the book—springing from a labor camp in a doomed quest for freedom.
Johnson, who teaches fiction at Stanford’s Stegner Program and grew up in South Dakota and Arizona, has written about characters caught in dystopian settings before (he is the author of a short-story collection, Emporium, and a novel, Parasites Like Us) but never on such a grand scale or in such unfamiliar territory. Earlier this month I caught up with him by phone to ask how he came to write about North Korea, and about the perils of researching a place about which so little is known. Read More »