Posts Tagged ‘Sadie Stein’
November 26, 2015 | by The Paris Review
Call yourself a foodie? Put down that cider-brined drumstick and order your copy of our Winter issue, including our Art of Nonfiction interview with Jane and Michael Stern, whose pioneering Roadfood first got Americans thinking about regional cuisine:
Our grand idea was to review every restaurant in America, which seemed like a really easy thing to do, considering neither of us had ever been anywhere … We just opened a Rand McNally map and said, Piece of cake. Three years later, we were still on the road.
Then there’s our interview with Gordon Lish, in which the editor of Raymond Carver, Don DeLillo, Joy Williams, Barry Hannah, and Harold Brodkey explains how he’s able to tell “shit from Shinola”:
I’ve got the fucking gift for it. Instinct, call it … I don’t go along—but am furious when others don’t go along with me. How can they not revere what I revere? How is it that my gods are invisible to them? It’s inexcusable but, of course, wretchedly expectable. Am I a zealot, a terrorist, out on my own limb? Yes, with a vengeance!
You’ll also find lost translations from Samuel Beckett; new translations by Lydia Davis; new fiction from Lydia Davis, Nell Freudenberger, Andrew Martin, Christopher Sorrentino, and David Szalay; the third installment of Chris Bachelder’s comic masterpiece The Throwback Special; poems by Anne Carson, Henri Cole, Jeff Dolven, Mark Ford, Kenneth Irby, Maureen N. McLane, Sharon Olds, and Jana Prikryl; and a portfolio of Richard Diebenkorn’s sketchbooks.
Get your copy now. And remember that a subscription to The Paris Review makes a great gift—especially when it comes with a free copy of our new anthology, The Unprofessionals. At just $40, it’s the best holiday deal around.
January 11, 2015 | by Dan Piepenbring
Michel Houellebecq defends his controversial new novel, Soumission.
How did the future look from the past? Jason Z. Resnikoff sees the sixties and seventies through 2001 and Alien.
Dan Piepenbring on the demise of R&B groups and the promise of D’Angelo’s new album, Black Messiah.
“Being interesting, at a very basic level, is sort of the point of telling a story in the first place.” Thomas Pierce talks to James Yeh.
Michael Thomson on The Evil Within, a horror video game that breaks all the rules.
Five new paintings by Mamma Andersson.
Ben Mauk visits Berlin‘s art book fair.
October 22, 2014 | by Dan Piepenbring
Tonight at the French Institute Alliance Française, our very own Sadie Stein moderates a discussion called “Obsession & Fantasies: From the Marquis de Sade to Fifty Shades of Grey,” part of the FIAF’s ongoing series on “The Art of Sex & Seduction.”
At what point does a taste for the erotic go from acceptable to perverse? Learn about the impact of the notorious Marquis de Sade on contemporary culture and literature, as well as the current fascination with erotica and kinky sex.
The panelists include Toni Bentley, the author of The Surrender: An Erotic Memoir; Daniel Bergner, the author of What Do Women Want?; and Caroline Weber, a writer and professor at Barnard College. As moderator, Sadie will permit, indulge, censure, steer, and otherwise adjudicate this delicate conversation as she sees fit. Will there be titillating digressions? Psychosexual revelations? Exactly how many of the 120 Days of Sodom will be discussed? Will anyone bring a cat-o’-nine-tails, and if so, will he or she use it? There’s only one way to find out.
The discussion begins at seven. Tickets are available here.
February 12, 2014 | by Dan Piepenbring
This afternoon at one, join our contributing editor (and, of course, daily Daily correspondent) Sadie Stein for a live Web chat with Rebecca Mead, hosted by Jezebel. The topic: What Would Dorothea Do? In honor of Mead’s engaging new book, My Life in Middlemarch, they’ll be discussing, as Sadie says, “George Eliot, Dorothea Brooke, what the novel can teach us today, plus life, love, and, yes, sex in Middlemarch.”
It promises to be a lively and enlightening discussion about a lively and enlightening novel. For my money, whenever I make eyes at someone, which, as you can imagine, is almost constantly, I still think of a line from Middlemarch: “They were looking at each other like two fond children talking confidentially of birds.”
And whenever I confront the dubiety of my future: “Even Caesar’s fortune at one time was, but a grand presentiment. We know what a masquerade all development is, and what effective shapes may be disguised in helpless embryos.—In fact, the world is full of hopeful analogies and handsome dubious eggs called possibilities.”
And whenever I encounter a physically unattractive person: “It is so painful in you, Celia, that you will look at human beings as if they were merely animals with a toilette, and never see the great soul in a man’s face.”
And whenever I’m too hungover to pull up the window shade: “We must keep the germinating grain away from the light.” (I think of myself, you see, as germinating grain.)
If you haven’t read Middlemarch, you still have a few hours to catch up before the chat. In all honesty, though, you should read Middlemarch. Believe the hype. It is the best.
January 6, 2014 | by Sadie Stein
There are going to be some exciting things happening here at the Daily! For starters, after nearly two years of editing the site, I’m going to be shifting my focus to writing: as a contributing editor and sort of house writer, I’ll now be appearing here on a daily (no pun intended) basis!
As to the editorial side, I’m delighted to hand things over to Dan Piepenbring, who has graciously made the westward trek to lend TPR his talents, smarts, and musical acumen. (One of these days I’ll actually get all my perfume bottles, matchbooks, and ink bottles out of his desk.) Watch this space to see the wonders he works.
November 13, 2013 | by Sadie Stein
It was not until I went away to college that I realized how much laundry my mother did. I don’t mean that my family of four generated an unusual amount—none of us changed more than once a day, or had especially extensive wardrobes—or that she stood around an industrial-sized cauldron like Mrs. Buckets in “Cheer Up, Charlie.” Rather, at any given moment, some step of laundry-washing was in process. If the washer or dryer wasn’t running, clothes were being sorted. Large piles of lights and darks littered the hall floor. There was a wicker hamper of some description, in a nook under the linen closet, but things either didn’t make it there or were sorted with such dispatch that they never reached its limbo. And always, always, there was the folding. My parents’ bed was generally covered with a large pile of clean clothes; anyone who happened to be sitting on the bed watching TV would either fold a few napkins in the course of a show (me) or sit atop a mound, occasionally knocking clothes onto the floor (my brother.) Then there was the hand-washing, or those pieces my mother had deemed too delicate for the dryer: there were usually a few of these hanging damply in the bathroom. She did not work full-time back then; one wonders how all the laundry might have gotten done if she had.
It’s not that she was compulsively clean in other ways; if anything, the house was fairly chaotic. Indeed, when we did have guests over, the door to the master bedroom had to be kept rigorously shut because there was so much laundry on the floor. We always had plenty of clean clothes, which is of course nice, but in retrospect I think she washed things too much: towels got frayed and faded long before their times, the knees of our jeans seemed to have unusually short lifespans. She used utilitarian detergents; there was some vague but distinct taboo against fabric softener that made the first sheet I borrowed in the college laundry room feel deliciously illicit.
Her constant laundry-doing was a running joke in the family, as well as something of a mystery. How was there always so much laundry? The mystery only deepened when I moved out on my own and realized that one load a week was sufficient to keep me in clean clothes and sheets, and that the whole process only took a couple of hours. Read More »