Posts Tagged ‘Rowan Ricardo Phillips’
October 22, 2013 | by Sadie Stein
Last night posed a geographical dilemma for poet, Daily contributor, and Paris Review softball outfielder Rowan Ricardo Phillips. We had known for a while that Rowan was due to receive the 2013 PEN/Joyce Osterweil Award for Poetry for his collection The Ground. But when we learned he was also the recipient of a 2013 Whiting Writers’ Award, on the same evening, and several blocks northwest, we wondered how exactly he’d work the geography. In the end, it was tight; when the PEN Awards started, Rowan was not onstage with the other recipients. But he finally arrived, was there to accept his second award of the evening, and both times made impressive extemporaneous remarks, somehow seamlessly working in Catalan, Shakespeare’s sonnet 116, and heartfelt tributes to his mother and wife, between thank-you’s to editors, publishers, and friends. All in all, a good night’s work! Hearty congratulations to Rowan and all the evening’s talented honorees.
September 6, 2013 | by Sadie Stein
August 14, 2013 | by Sadie Stein
Many congratulations go out to our frequent contributor and sometimes outfielder Rowan Ricardo Phillips, whose book The Ground has just won the 2013 PEN/Joyce Osterweil Award for Poetry. The Osterweil “recognizes the high literary character of the published work to date of a new and emerging American poet of any age and the promise of further literary achievement.” Judges cited his work’s “vivid images and rhythms, its fully present, personal voice, its lightning-bolt sincerity.” We heartily concur.
December 19, 2012 | by Rowan Ricardo Phillips
The most common score in basketball is 2-0. It tends to be the point of departure from which thousands upon thousands upon thousands of basketball games subsequently differentiate themselves. Yes, of course the game can break its goose eggs with a three-pointer from behind the line, or the enduring “and one” basket and free throw, or it can begin with one of two free throws made after a personal or technical foul. 1-0, 3-0: as far as basketball scores go these are baroque figures: one bland, one grand. But 2-0. One basket made inside the arc with no response yet from the other team. It’s the primordial moment of the game in motion. The opening bell. The icebreaker.
Twenty seconds into last night’s game in Madison Square Garden, when Raymond Felton dribbled hard to his left, flattened out from the left elbow of the lane, dropped his shoulder as though heading full-steam on an angle toward the hoop, and then, instead, took a sudden step backward, elevated, and rattled in a fifteen-foot jump shot, the New York Knicks led the Houston Rockets by the pristine score of 2-0. The crowd cheered. I watched and couldn’t help but wonder: Would tonight be Felton’s night? I have trouble recalling another ballplayer with Felton’s knack for being both mercurial and dependable always and at the same time. He can shoot you out of a game you have no business losing. He can shoot you to a victory against the best competition. Yet, as strange as this must now sound, he basically plays the same game every game. He always looks to run the offense. And he rarely turns the ball over (a trait he should get far more credit for). Read More »
June 8, 2012 | by Sadie Stein
When Anthony Heilbut isn’t producing beautiful gospel, he tends to be writing—slowly—either about German modernism or else about the music and musicians he loves. The Fan Who Knew Too Much is the book Heilbut's gospel fans have been waiting for since The Gospel Sound (1972). In this connection, I can’t resist quoting our Southern editor right off the back cover: “Nothing new in the last year gave me as much pure reading pleasure as pages of this book. Heilbut ranges over the culture like a madman, but with a fierce sanity in his eye, debunking myths and erecting new ones. I finished The Fan Who Knew Too Much wondering how, without it, I’d ever thought I understood a thing about America in the twentieth century. Let me ask: Are you familiar with the history of gays in gospel? Or with the early, radio roots of soap operas? Then you too are similarly benighted. Get with this.” Amen. —Lorin Stein
April 24, 2012 | by The Paris Review
This Thursday, join us at NYU’s Lillian Vernon Creative Writers House for an evening of new fiction and poetry from The Paris Review, hosted by editor Lorin Stein. The event, part of NYU’s Creative Writing Program Reading Series, will feature readings by recent contributors, including Adam Wilson, author of Flatscreen (and winner of our Terry Southern Prize) and Rowan Ricardo Phillips, author of the poetry collection The Ground.
For details, visit the Reading Series Web site.