The Paris Review

It is wrong to kvell, but according to both Adam Shatz and Yasmine El Rashidi, our poetry editor, Robyn Creswell, has knocked it out of the park with his translation of Sonallah Ibrahim’s modern Egyptian classic That Smell and Notes from Prison. Unlike writers better known in the West, says El Rashidi, Ibrahim “has continuously reinvented the form and language he uses in his work, while probing deeply into the underlying tensions running through Egyptian society. Creswell’s new translation of the novel finally allows English language readers to appreciate these qualities … Despite the differences of syntax between Arabic and English, the translation retains the tone, the vocabulary, and the pared down and staccato rhythm of the original.” We take her word for it. —Lorin Stein

On paper, Sarah Polley’s documentary Stories We Tell and Shane Carruth’s Upstream Color could not be more different, but they made for a nice double feature this past weekend at New Directors/New Films. Both films raise questions about identity and the ownership of memory. Both throw conventional narratives out the window. And when I walked out of each, not all my questions were answered, but maybe that’s the point: life’s complex, and some things unanswerable are still worth exploring. —Justin Alvarez

In Lars Iyer’s Exodus, the friendship between two minor academics, Lars and W., is founded not on shared interest but on a shared sense of failure, self-laceration, and gin. Together Lars and W. bemoan the state of the academy and the seeming impossibility of philosophy, but I laugh loudest when W. bemoans the state of Lars: “‘The true and only virtue is to hate ourselves,’ W. says, reading from his notebook. To hate ourselves: what a task! He’ll begin with me, W. says. With hating me. Then he’ll move on to hating what I’ve made him become. What I’ve been responsible for. Then—the last step—he will have to hate himself without reference to me at all.” For even more Lars and W., also read Spurious, the first book in Iyer’s trilogy. —Brenna Scheving Read More »

Watch a Paris Review interview in action! Thursday, May 17, Paris Review poetry editor Robyn Creswell will interview poet James Fenton (both fellows at the Cullman Center) at the New York Public Library in what will, ultimately, become a part of our legendary Art of Poetry series.

The interview will be followed by a Q & A with audience members.

For details, visit the NYPL’s web site. We’ll see you there.

Yesterday a whole bunch of us got up earlyish to talk shop with Janet Coleman on “The Next Hour.” Click here to hear Maggie Paley (“Terry Southern, The Art of Screenwriting”), Rowan Ricardo Philips (“Heralds of Delicioso Coco Helado”), Leanne Shapton (“Prose Purple”), Matt Sumell (“Toast”), John Jeremiah Sullivan (“The Princes”), Robyn Creswell, and Lorin Stein.

See our editors in action! This Wednesday night, join editor Lorin Stein at the New York Public Library as he discusses the James Family—that’s Henry, William, and Alice—with Jean Strouse, author of the recently reissued biography of Alice James. The fun begins at 7 P.M.

Then, next Thursday, Southern editor John Jeremiah Sullivan will be chatting with Wells Tower about the art of the essay, also at the New York Public Library. Seats are free; don’t miss it!

But first thing’s first: tomorrow, at 7 P.M. at Word Bookstore in Greenpoint, Poetry Editor Robyn Creswell will be on a panel tackling the biting wit and anarchist bent of the novels of Albert Cossery. Come learn more about the books that Creswell calls “hymns to laziness.”

We hope to see you there!

In The Speaker’s Progress, part of the 2011 Next Wave Festival, Sulayman Al-Bassam presents the final installment of a trilogy that reinterprets Shakespeare within the context of the modern Middle East. On Friday, the director talks about the Bard and the current political situation with Robyn Creswell, Arabic translator and Paris Review poetry editor.

To win tickets to this Artist Talk, simply e-mail the subject line “BAM” to contests@theparisreview.org. The first two readers to respond are on their way to Fort Greene! (Two tickets per winner.)

“Shakespeare in the Middle East”
Hillman Attic Studio, Brooklyn Academy of Music
Friday, October 7 at 6 P.M.
$10; $5 for Friends of BAM

Come to Housing Works this evening to hear our poetry editor, Robyn Creswell, talk with New York Times critic (and culture diarist?) David Orr about his new book together with Sam Tanenhaus, Dwight Garner, Laura Miller, and Tree Swenson. On the FSG Web site Creswell gives a preview of their talk.