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Posts Tagged ‘Robert Motherwell’

Flowers for Hitler

October 19, 2016 | by

Valais, Switzerland, as depicted in the University of the New World’s Winter 1971–72 General Bulletin.

In 1973, I took a brief sabbatical from college to study in Switzerland at the University of the New World. I still have the small red course catalog somewhere. It was a school started by visionary hustler Al de Grazia, who had been a professor at Brown and … well, you should see what they offered: a faculty that included Allen Ginsberg, John Fahey, Ornette Coleman, Robert Motherwell, Immanuel Velikovsky, John Cage, Ram Dass, twenty-four-hour music rooms/art studios/libraries. There were stalls set up on the quad promoting it.

The university was situated in a tiny canton just outside Sion. The university was actually situated somewhere deep in the recesses of Professor DeGrazia’s mind. There was no university. It was, to be charitable, a work in progress. There were no libraries or music studios or art studios. There were no classrooms. There were no dormitories. There were no teachers. There were only a handful of students—mostly from Antioch—and we were all housed in rooms in a nearby ski lodge. From this distance I can’t tell whether it was a scam or a pipe dream. I had to humbly ask to be readmitted to Brown, and Dean Hazeltine was sympathetic but let me dangle in the wind for a few weeks just … well, just to give me time to reflect. 

It turned out to be an interesting time. Read More »

Boston: See Our Prints at Harvard Square

August 15, 2016 | by


Since 1964, The Paris Review has commissioned a series of prints and posters by major contemporary artists. Contributors have included Andy Warhol, Helen Frankenthaler, Louise Bourgeois, Ed Ruscha, and William Bailey. Each print is published in an edition of sixty to two hundred, most of them signed and numbered by the artist. All have been made especially and exclusively for The Paris Review. Many are still available for purchase. Proceeds go to The Paris Review Foundation, established in 2000 to support The Paris Review.

Through September 15, our readers in Boston and Cambridge can head to Aesop Harvard Square, at 49 Brattle Street, where seven of our favorite prints are on display:

Aesop consultants will be available to provide tours. Read more here.

Andy Warhol, 1965, silkscreen.

Jane Wilson, 1924–2015

January 15, 2015 | by

Jane Wilson, Frozen Fields, 2004, oil on linen, 30 x 36 inches. Courtesy of DC Moore Gallery, New York.

Jane Wilson, Frozen Fields, 2004, oil on linen, 30" x 36". Courtesy of DC Moore Gallery, New York.

Last month, I got a peek at a private collection of work by the painter Jane Wilson. Tucked away in a Midtown East town-house office are a handful of her diminutive watercolors and a very large oil painting depicting one of Wilson’s characteristic landscapes—a sweeping, hazy view of a sliver of land and a limitless sky.

Last fall, I saw a host of such paintings in Wilson’s show at DC Moore Gallery. Yet there’s a difference between admiring her evocative landscapes—or, more precisely, skyscapes—in a gallery setting and discovering them in a secret spot, where, I imagine, they exist for their owner as a private portal, an escape—out of the office, out of the city, out of one’s own life. Imagine sitting in a darkened, quiet office and looking up at Wilson’s plush, golden altocumulus clouds or at the purple and blue striations of storm clouds over a teal sky or at the dappled, cobalt blue of twilight. Where couldn’t you go? Read More »


The Making of Motherwell

December 6, 2012 | by

If you love beautiful books, check out this marvelous video from the Dedalus Foundation, in which we see the production of Robert Motherwell Painting and Collages: A Catalogue Raisonné, 1941–1991.