Posts Tagged ‘Richard Nixon’
August 1, 2016 | by Nathan Gelgud
July 25, 2016 | by Nathan Gelgud
February 16, 2015 | by Dan Piepenbring
Abraham Lincoln, John Quincy Adams, and Jimmy Carter all published collections of poetry—and I don’t mean to diminish their stately, often tender contributions to arts and letters by what follows. But the simple fact of the matter is, their poetical efforts pale in comparison to Richard Nixon, who was, and remains, the most essential poet-president the United States of America has ever produced.
The Poetry of Richard Milhous Nixon, a slim volume compiled by Jack S. Margolis and published in 1974, stands as a seminal work in verse. Comprising direct excerpts from the Watergate tapes—arguably the most fecund stage of Nixon’s career—it fuses the rugged rhetoric of statesmanship to the lithe contours of song, all rendered in assured, supple, poignant free verse. Below, to celebrate Presidents’ Day, are four selections from this historic chapbook, which has, lamentably, slipped out of print. Read More »
April 3, 2014 | by Dan Piepenbring
- Spotted in the Times: our very own Sadie Stein (and her apartment) paying tribute to Laurie Colwin.
- A German publisher wants to print Wikipedia—all 4,484,862 articles of it. The omnibus “would fill a bookcase that’s 32 feet long and 8 feet high. But not everyone thinks it’s a good idea.” I can’t imagine why.
- Have we failed to utilize effective incentivizing techniques to promote greater linguistic clarity? In other words, are we losing the war against jargon?
- The photographer Nancy Warner takes wistful pictures of abandoned farmhouses on the Great Plains.
- In 1937, Richard Nixon applied to be a special agent in the FBI. He was not accepted. In a letter of recommendation, the dean of Duke Law School wrote that Nixon was “one of the finest young men, both in character and ability, that I have ever had the opportunity of having in classes.”
- Want fast Internet? Go to the darkest depths of Norway, where there are more polar bears than people.
August 12, 2013 | by Ann Beattie
Like every other person in school, I hated footnotes. That was what you’d be quizzed on and lose out, having watched the soaring bird while forgetting the gnat. They were a trap. Boring. Even the texts were boring (I thought then, along with my teachers being bizarre). I’m not kidding about this: to avoid classroom giggling (or worse), my high school English teacher referred to Melville’s book as “Moby Richard.”
Of course, now I’m a convert. Recently, there’s been a trend for writers to footnote fiction (Nicholson Baker; Tim O’Brien)–it’s the idea of footnotes as a continuation of the text, or, sometimes, perhaps a preemptive strike, using the gnat-gems to discourage academic pedants.
I’ve just finished reading (belatedly—it was published in 2007) a book I love, The Grand Surprise: The Journals of Leo Lerman, that wouldn’t be the same book without the footnotes, though they are not Lerman’s, but made by his former assistant, Stephen Pascal (apparently, with help from Lerman’s nearest and dearest, Richard Hunter and Gray Foy), when Pascal put the book together posthumously. In a certain world (primarily New York), at a certain time (from the forties on through 1993), there was hardly anyone Leo didn’t know, or know of, and that is in large part why he had the career he did, at Vogue, Mademoiselle, etc., which were not then the magazines they’ve become. Here, I must digress and say that along with a new enthusiasm for footnotes, I also love the use of brackets. Consider this, from Lerman’s book (brackets added by Pascal), about a once much-discussed writer who resists paraphrase but whose reputation always existed in anecdote, so what the hell: “[Writer Harold] Brodkey came to Diana Trilling bringing [his] forty-page manuscript written in ‘defense’ of her, against critics of her Mrs. Harris. He insisted she read this; she retaliated with the first chapter of her memoir. Harold then told Diana that she had no taste, she lived with ‘mail-order’ furniture, and a collection of ‘cheap’ third-rate drawings and Japanese woodcuts typical of academe house furnishings. He ended, as he left, saying out of nowhere, ‘Give my love to Leo Lerman!’” Read More »