Posts Tagged ‘readings’
May 12, 2016 | by Sadie Stein
Although she died in 1982, at the age of ninety, Djuna Barnes seems to have recorded her voice on only a few occasions. The tape below was made in her Patchin Place home in 1971. Barnes is best known for Nightwood, her modernist classic, but she had a long and thriving career as a journalist and in the avant-garde literary scene. Her body of work, including The Book of Repulsive Women, Ryder, and The Ladies Almanack, spans aestheticism, Dada, and high modernism. Her books are deep, often challenging, and crucial. Read More »
March 23, 2016 | by Sadie Stein
It goes without saying that James Baldwin was a legendary speaker—a preacher turned orator turned public intellectual who knew the power of words. But hearing him never ceases to shock. Very little can be added to this mesmerizing recording of Baldwin reading from his 1962 novel, Another Country. Answering a prompt for The New York Times Book Review about why his book had become so popular, Baldwin wrote, Read More »
March 15, 2016 | by Dan Piepenbring
Late last year, I saw John Ashbery give a reading at Pioneer House, in Brooklyn. At one point, he read a prose poem by James Tate, who died last summer. It was, Ashbery said, Tate’s final poem—so incontrovertibly final, in fact, that it had been discovered in the poet’s typewriter soon after his death. What Ashbery went on to read was terrific: as I recalled, it opened in a comic mode, riffing on all these bogus feats Tate claimed to have accomplished that year (hot-dog-eating contest winner, arm-wrestling contest winner, et cetera) and building to a quiet, rueful meditation on aging.
It seemed almost too perfect to have been plucked unedited from a typewriter, so much so that I wondered, in passing, if maybe it were a sly, prankish tribute. I knew, or I thought I remembered, that Ashbery and Tate had been close. “He has developed a homegrown variety of surrealism almost in his own backyard,” Ashbery had written of his friend in 1995—a variety in which we find “something very like the air we breathe, the unconscious mind erupting in one-on-one engagements with the life we all live, every day.” The poem Ashbery had read was so rich with those “eruptions” that I knew it had to be Tate’s.
I’m happy to say that Tate’s final poem appears in the Spring issue of The Paris Review, along with four new poems by John Ashbery. Below you'll find a photo of the poem as it was found in Tate’s typewriter. His last line, given the circumstances, has a new resonance. What are the chances? Read More »
March 14, 2016 | by Dan Piepenbring
The Paris Review hasn’t been headquartered in Paris since 1973—a cause of immeasurable confusion over the years. But this week, for once, our name makes sense: our editor, Lorin Stein, is in the City of Light. Though he’s not, to my knowledge, reviewing anything there, he’s speaking at two free events, and we invite our Parisian readers to attend.
On Tuesday, March 15, Lorin joins Russell Williams and Nelly Kaprièlian at the American University of Paris for a panel called “Translating Houellebecq.” They’ll discuss the global reception, significance, and challenges of Michel Houellebecq’s Submission, which Lorin translated into English last year. The talk will be held in Room C-104, located in the AUP Combes building, at six P.M.; those looking to attend should write firstname.lastname@example.org to register.
On Thursday, March 17, Lorin and David Szalay appear in conversation at Shakespeare and Company. Szalay is the winner of this year’s Plimpton Prize, awarded for his novellas Youth, from issue 213, and Lascia Amor e siegui Marte, from issue 215. Their talk begins at seven.
We urge our French readership to join Lorin before he returns to New York and The Paris Review resumes its life as a misnomer.
January 5, 2016 | by W. D. Snodgrass
From “Dabbling in Corruption,” an essay by W. D. Snodgrass, in our Spring 1994 issue. Snodgrass was born on this day in 1926; he died in 2009. Here, he recalls seeing Robert Frost read at a Washington D.C. poetry conference in October 1962, when the Cuban Missile Crisis was at full tilt. Frost was eighty-eight then, and, as Snodgrass writes, “obviously in his last months”; he died the following January.
Our luncheon with Jacqueline Kennedy that day was suddenly canceled—rumor had it she was in a cave somewhere in a western state. Soviet ships carrying nuclear missiles were steaming toward Cuba; American war ships were steaming toward them. If they met in mid-Atlantic, World War III would almost certainly begin; Washington would be wiped out in hours …
By the time [of Frost’s reading], I was even more drunk and … did not dare register what was happening until a day or so later. Frost began, as he almost never did, by reading someone else’s poem: “Shine, Perishing Republic” by Robinson Jeffers. The title alone might have outraged his audience but they were so preconditioned to reverence that nothing else could reach them. Moving to his own poem, “October,” he drew special attention to its relevance for the current autumnal crisis:
November 19, 2015 | by Dan Piepenbring
We’ll be celebrating The Unprofessionals, our first anthology of new writing in more than fifty years, tonight, November 19, at BookCourt, where Emma Cline, Kristin Dombek, and Cathy Park Hong will read from their selections in the book. The event is free and begins at seven P.M. See you there!
The Unprofessionals: New American Writing from The Paris Review features thirty-one stories, poems, and essays by a new generation of writer. The Atlantic calls it “a dispatch from the front lines of literature.” “A new generation of American writers is not only keeping American literature alive but restoring the excitement of it,” says Jonathan Franzen, “and The Paris Review, despite its age and pedigree, is at the forefront of the renaissance.”