Posts Tagged ‘Raymond Chandler’
May 14, 2015 | by Rhys Griffiths
Raymond Chandler the environmentalist.
The wise man, as Biblical lore has it, built his house on the rock, his foolish compatriot on the sand—guidance that mankind has ignored for millennia. In the late nineteenth century, the pioneers, or developers, or “boosters” who founded and promoted Los Angeles as a new “instant city” were among those to lay substantial foundations in what was essentially sand. Not on a desert, exactly—that myth’s been debunked—but perilously close to one, and on the shore of an undrinkable ocean.
Today, it’s not an excess of water—as in the scriptures and children’s song—that threatens Southern California, but a scarcity of it. The state is considering implementing desalination centers. As has been remarked in Europe, the city defines itself against its medieval origins; American metropolises define themselves against the wilderness. In John Fante’s 1939 LA novel, Ask the Dust, his alter ego, Arturo Bandini, revels in his adopted home’s mastery of nature: “This great city, these mighty pavements and proud buildings, they were the voice of my America. From sand and cactus we Americans had carved an empire.” Read More »
March 20, 2014 | by Dan Piepenbring
- “Revenge should have no bounds,” the Bard wrote in Hamlet, and one man, at least, vigorously agrees: when a graphic designer in Bristol failed to receive the gaming console he’d bought online, he sought retribution by sending the scammer the complete works of Shakespeare via text message.
- An early photo of Jason Segel portraying David Foster Wallace indicates that Jason Segel does not very much resemble David Foster Wallace.
- Where are you? You are in your chest. Researchers “asked ten blindfolded adults to use a metal pointer to motion at ‘themselves.’ Most people indicated their upper torso area … ‘the torso is, so to speak, the great continent of the body, relative to which all other body parts are mere peninsulas. Where the torso goes, the body follows.’”
- In a new interview, Ralph Steadman discusses, among other things, his old pet sheep: “It was a mutant sheep, but a local farmer was taking it to slaughter. I adopted her, named her Zeno, or him perhaps—does it really matter? It’s a sheep, after all … I would go to her in the morning for wisdom, for a philosophic message of what to do with the day.”
- John Banville’s new novel resurrects Raymond Chandler’s beloved private eye, Philip Marlowe, raising the question: “At what point does a work of supposed literary merit simply become fan fiction?”
December 31, 2013 | by Robert Moor
In honor of the new year, we are bringing you some of your favorite posts from 2013. Happy holidays!
When I first started working at Kings County Distillery, in the summer of 2010, I was delighted to find the job provided ample time to read. Whiskey making has its own peculiar rhythm. Each batch begins in a flurry, as one juggles a series of tasks like a line cook, but ends in a hush, with little to do but watch the languorous drip of the stills.
This was in the wobbly-legged days of the company’s infancy, before we moved into the grand old brick paymaster building in the Brooklyn Navy Yards. Back then we were based out of a studio space on Meadow Street with wooden floors and five-gallon steel pot stills that had to be emptied, scaldingly, by hand. (This, as our former downstairs neighbors can attest, would prove an unfortunate combination of circumstances.) During that first summer, we worked singly, in nine-hour shifts, so there was a lot of alone time. So, unless one wanted to lose one’s goddamn mind in that little room, one read. Read More »
December 2, 2013 | by Alexander Aciman
A coarse, heavy rain pattered against the side of my cap, echoing like the sound of a rhythmic hailstorm pelting the skulls of sinners. The fumes from a black bog forming around the storm drain, not too subtle and very close behind us, obscured everything. I must have had a bewildered sort of look on my face, which my partner—standing just a few feet in front of me—mistook for fear. An instant later he was on his way over, cigarette floating right above his lip like a perfumed bird working the counter at Macy’s, elbows propped up against the etched glass surface.
The job had an attractive ticket, more than twice what we had ever made and with the promise of a nice bonus if we managed to expedite it. I asked Virgil if it would be possible to get into the municipal building at all. He didn’t answer my question and I didn’t press it; soon enough I would have it figured out on my own. Virgil was the only person to have ever made his way past the two secretaries guarding the county clerk’s files, and at the time he must have been new to the job and under the influence of a particular sort of luck that on occasion comes to the assistance of an ill-equipped dick.
October 28, 2013 | by Sadie Stein
Whom do you read for pleasure?
Anthony Powell. Ronald Knox, both for pleasure and moral edification. Erle Stanley Gardner.
And Raymond Chandler!
No. I’m bored by all those slugs of whiskey. I don’t care for all the violence either.
But isn’t there a lot of violence in Gardner?
Not of the extraneous lubricious sort you find in other American crime writers.
What do you think of other American writers, of Scott Fitzgerald or William Faulkner, for example?
I enjoyed the first part of Tender Is the Night. I find Faulkner intolerably bad.
—Evelyn Waugh, the Art of Fiction No. 30
October 21, 2013 | by Sadie Stein
- Citing health concerns, Alice Munro says she will not travel to Sweden to accept her Nobel in person.
- “For the first time I felt myself in the presence of a talent greater than my own.” The long, strange friendship of Kingsley Amis and Philip Larkin.
- “People are messes, every one of us.” Editor Giancarlo DiTrapano talks Tyrant.
- For its sixtieth anniversary, the Crime Writers’ Association has asked its six hundred writer-members to choose the best crime novel of all time. Agatha Christie, Arthur Conan Doyle, and Raymond Chandler fight it out.
- Speaking of hot competition, the ten most dramatic deaths in fiction.