The Paris Review Daily

Posts Tagged ‘Ray Bradbury’

Code 451, Psychotic Real Estate

June 26, 2012 | by

  • In what might be the ultimate honor, it has been proposed that the Internet pay tribute to Ray Bradbury. Says The Guardian, “Tim Bray, a fan of Bradbury’s writing, is recommending to the Internet Engineering Task Force, which governs such choices, that when access to a website is denied for legal reasons the user is given the status code 451.”
  • Happy birthday, Yves Bonnefoy!
  • Letters to young poets. (And novelists, playwrights, and journalists!)
  • Buy Bret Easton Ellis’s apartment. If you dare. To spend a lot.
  • It is Audiobook Week, and in its honor, you can win a classic pulp noir.

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    50 Shades of Wednesday

    June 13, 2012 | by

  • Familiar-looking cover art.
  • Bret Easton Ellis wants you to know he is not joking about his desire to adapt 50 Shades of Grey for the screen.
  • (Someone’s already called dibs on lingerie.)
  • How said screenplay might read.
  • Speaking of NSFW: Can you, like Martin Amis, tell which sex wrote which sex scene?
  • Jennifer Benka is the new executive director of the Academy of American Poets.
  • A Ray Bradbury Museum? Maybe ...
  • Speaking of, childhood homes of twenty famous authors.
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    Watch: Ray Bradbury, 1963

    June 8, 2012 | by

    I remember watching Ray Bradbury: Story of a Writer, a 1963 TV documentary, in seventh-grade English class. And for good reason: there’s more good advice for writing and life packed into these thirty minutes than in many a longer (and less entertaining) tutorial.

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    What We’re Loving: All Kinds of Poetry

    June 8, 2012 | by

    Iris DeMent

    When Anthony Heilbut isn’t producing beautiful gospel, he tends to be writingslowlyeither about German modernism or else about the music and musicians he loves. The Fan Who Knew Too Much is the book Heilbut's gospel fans have been waiting for since The Gospel Sound (1972). In this connection, I can’t resist quoting our Southern editor right off the back cover: “Nothing new in the last year gave me as much pure reading pleasure as pages of this book. Heilbut ranges over the culture like a madman, but with a fierce sanity in his eye, debunking myths and erecting new ones. I finished The Fan Who Knew Too Much wondering how, without it, I’d ever thought I understood a thing about America in the twentieth century. Let me ask: Are you familiar with the history of gays in gospel? Or with the early, radio roots of soap operas? Then you too are similarly benighted. Get with this.” Amen. —Lorin Stein

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    Bradbury, Trethewey, and an Android

    June 7, 2012 | by

  • “I am not afraid of robots. I am afraid of people.” Ray Bradbury answers a fan letter, 1974.
  • Natasha Trethewey is named Poet Laureate.
  • Telling tales on the mid-century New Yorker. Just who was Janet Groth’s thinly disguised cad, the Great Deceiver?
  • Protesting New York City library cuts.
  • An Emily Dickinson garden party in Amherst.
  • Controversial words in China and the USA.
  • The android head of Philip K. Dick is terrifying.
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    Fact-checking Ray Bradbury

    June 6, 2012 | by

    I didn’t grow up reading The Paris Review. My earliest encounter with the magazine—I’m somewhat ashamed to admit—came in graduate school, when I stumbled upon an interview with Milan Kundera. (I was writing a paper on translation, and the quote I pulled didn’t even make it into a footnote.) Had you asked me, a year or so later, when I found myself applying for an internship, what the magazine meant to me, I wouldn’t have given you an honest answer. It didn’t mean much of anything to me. I wanted a foot in the door in New York, and The Paris Review’s seemed as good a door as any.

    The latest issue, 191, had closed just before I started, so my first few weeks were quiet. I read submissions, delivered packages, distributed the mail. Then came my first real assignment: We were running an interview with Ray Bradbury, and it needed fact-checking. I volunteered.

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