Tag Archives: R. Crumb






  • Arts & Culture

    On the Shelf


    Zora Neale Hurston, 1938. Photographer: Carl Van Vechten.

    A cultural news roundup.

  • RIP, John Christopher.
  • Brighten your day! The world’s most beautiful bookstores.
  • Book (review) clubs.
  • The Rings of Saturn, coming to a theater near you.
  • Their Eyes Were Watching God, coming to a radio near you.
  •, coming to a store near you?
  • R. Crumb (among others) turns the Western canon into graphic novels.
  • David Foster Wallace’s keeper shelf.
  • Mona Lisa’s double.
  • Pirates of Lexicon Valley.
  • Bloomsbury Group antics: expensive.
  • “If you come, so what? If you don’t come, so what? Will Turkey lose prestige?” Auster v. Erdogan.
  • The museum of human gullibility.
  • “12 Globe-Shaped Foods. Top 10 Famous Buses. 40 Culturally Relevant Birds. 13 High-Tech Steampunk USB Flash Drives.” Why we like lists.
  • Tags
  • The Culture Diaries

    A Week in Culture: Dan Nadel, Publisher, Part 2


    This is the second installment of Nadel’s culture diary. Click here to read part 1.


    I realize this journal is meant to be cultural, but I swear, a ton of my daily doings are more like the “business” of culture. Or like being the janitor of the business. Or something. That’s what I did for most of the day until I went to Penn Station to pick up Brian and Christopher. A couple sandwiches later, we were en route to a bookstore in Williamsburg, where the guys did a stock signing. This is when authors sign a stack of books so customers will, hopefully, buy them faster.

    Then it was dinner with Gary Panter, his wife, Helene Silverman (designer of many of my books), and their daughter, Olive. The two dudes love Gary as a spiritual north star of sorts, and Gary has, after thirty-five years, finally found artistic progeny he can be proud of. It’s a lovefest.

    We always look at stuff together. Piles of stuff. Today’s piles consisted of books and ephemera by Jack Kirby, Mike Kelley, Willy Fleckhaus, Heinz Edelmann, Irwin Hasen, Troy Brauntuch, and Moebius.

    Stray thought: The problem (or, flipped, the pleasure) of being involved with a funky little subculture like comic books is that you have to deal with a level of absurdity so high that it’s like the gods are constantly fucking with you just for kicks. In other words, ninety percent of the “serious” books on the topic have introductions by TV stars or are filled with absurd claims of greatness. Rarely are comics left alone to be a medium unto itself.


    I really admire good publicists. This week, oddly, I’m just a pale imitation of one, but it’s hard to both hustle these books and the authors and also, y’know, think about them, too. Or, uh, think about anything else at all.

    Morning finds the guys asleep on my living-room floor. They’re both kinda tall, so they take up an absurd amount of space in the room. Over coffee and tea we have a friendly nerdfest in the morning discussing something Dan Clowes recently said to the effect of reconciling himself to the reality of comics history. Which is to say, understanding that there are few thoroughly “great” works or artists to be found, as in film or literature. There aren’t many Jim Thompsons or Philip Dicks to “rediscover” and tout as transcending their genres. Instead, we pick through the bins for a great storytelling device or wonky approach to drawing, or some freakishly good art-text combo by a hack, picking our pleasures and fascinations within a single comic book or even just an eight-page story.

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  • Arts & Culture

    Variations of R. Crumb


    R. Crumb is the subject of the first Paris Review Art of Comics interview. “I used myself as a character in the introductory page of the first few issues of Zap Comix, showed myself in a wacky cartoon, R. Crumb, the cartoonist.” His self-portraits, like the artist, have aged well.


  • A Letter from the Editor

    Summer Issue 193


    You might be familiar with the oeuvre of Caitlin Roper as The Paris Review’s resident tweeter. In between tweets, Caitlin is managing editor of the Review. For the summer issue Caitlin has surpassed herself—valiantly stepping in as interim editor between Philip Gourevitch and me. Issue 193 is her editorial handiwork. —Lorin Stein

    It’s been thrilling to put together an issue, and to do it with my sharp, talented colleagues, Christopher Cox and David Wallace-Wells.

    It’s strange now to see this issue, which we’ve been working on for a few months, finally sprout legs and amble out into the world to meet its readers. There’s a story, “Rhonda Discovers Art,” by Katherine Dunn, that I can’t wait for you to read. I think passionate fans of Geek Love will not be disappointed; Dunn is still as twisted and as genius as she was in 1989.

    The summer issue also includes a stunning portfolio by Jeff Antebi of bonfires shot at night in Port-au-Prince, Haiti. He says, “the fires seem almost like sentient creatures coming alive of their own free will, and staying awake as long as they care to.”

    Did you know that R. Crumb saw God in a dream in 2000? It’s true. He talks to Ted Widmer about his vision, his work habits, his influences—from early TV to Norman Rockwell, LSD to Donald Duck—in the first Art of Comics interview in our fifty-seven-year history. I won’t rattle off the entire TOC, but I hope you enjoy the issue. It’s full of surprises.