In honor of the master of the creepy story, Shirley Jackson, we bring you this incredibly misleading pulp paperback cover. It must have led to some really disappointed —or freaked out—readers. Also: who is this demon lover of which they speak?
- Encyclopedia Brown author Donald J. Sobol has died at 87.
- When Edith Wharton penned erotica.
- 8-bit illustrations of short stories’ opening lines.
- Peculiar pulp art.
- “Don’t deny the change. Direct it wisely.” How best to employ libraries.
Did you know that Jennifer Egan was robbed by a motorcyclist in Spain at the age of twenty-two? That when she was little, she wanted to be a doctor, but then she tried to be an archeologist? That she’s written exactly one celebrity profile and it’s of Calvin Klein? And that she received a gratuitous amount of CK1, which she wore until it ran out? That her first apartment in New York City was on West 69th Street but she has also lived on East 7th Street (between First Avenue and Avenue A) and West 28th Street (between 6th and 7th Avenues), but now she lives in Fort Greene? That she wrote her first (and unpublished) novel while studying abroad at Cambridge? That she was a reader for The Paris Review? That she writes her first drafts by longhand? And her second?
I have Jennifer Egan fever. I caught it at the beginning of last year, when I read “Ask Me if I Care,” a short story of hers that The New Yorker had excerpted from her then-forthcoming novel, A Visit from the Goon Squad. I read the other two stories The New Yorker had published on my iPhone while getting a pedicure. It’s a banal admission only worth recalling because I remember sitting in the salon’s lounge long after the polish had dried and it was time to leave—I had to read it all, right then and there. After that, I read every single story she published, every novel she had written, every interview I could get my hands on. (I knew the obsession was bad when I started picking through the Amazon reviews.)
Egan’s prose is stunning, funny, sexy—cool. Her stories reference Black Flag and the Dead Kennedys. She can write about an attractive kleptomaniac on a first date, a topic that seems dangerously cliché, and yet, by the end of opening paragraph, you’re hooked. She’s transparent about her writing process; honest about what she borrows and what she invents. It’s not that she “beat” Jonathan Franzen, though I see why some feel the need to pit the two authors against one another. And it’s not that she’s perfect—I have yet to encounter someone who liked The Keep—but maybe that’s also part of the appeal.