Posts Tagged ‘psychiatry’
October 7, 2015 | by Dan Piepenbring
From the psychiatrist R. D. Laing’s transcripts of his sessions with Edith E., a young woman he took on as a patient in 1954 and later wrote about in The Divided Self. Laing, who was born on this day in 1927 and died in 1989, is remembered for his progressive thinking on sanity and madness. He struggled to make sense of Edith, whose schizophrenia was so abstruse that on paper it amounted to “an intolerable mass of incoherent data.” To draw her out, he tried to react to her comments as spontaneously as possible, sometimes addressing himself to a doll he’d brought in. Edith admitted to hearing voices that instructed her to disrobe or to go to a certain subway station, where she would, one voice said, see someone beaten to a pulp; she talked at length about mouths, tonsils, and sucking, and once claimed that her mother had cut her into pieces and that Laing was her “new, good mother.” The case is discussed in further detail in Alan Beveridge’s Portrait of the Psychiatrist as a Young Man, a study of Laing’s early work from which the following exchange is taken.
EDITH I’ve no tongue. I’ve a tongue but it’s not my actual tongue.
LAING You have a tongue in your mouth anyway.
EDITH Yes, I’ve a tongue in my mouth, but it’s not my actual tongue. I’ve no actual tongue. Read More »
April 16, 2015 | by Dan Piepenbring
If Thomas Pynchon writes systems novels, Steve DiBenedetto makes systems paintings—paranoid, erratic, vaguely interconnected. His latest exhibition, “Mile High Psychiatry,” up through Saturday at Derek Eller Gallery, has an air of zany premonition to it that put me in mind of Pynchon’s Tyrone Slothrop, who in Gravity’s Rainbow predicts rocket attacks with his erections: a carnal dowsing rod. There’s some of that rollicking terror in DiBenedetto’s paintings. You better figure this shit out, they seem to taunt, before your head explodes. (Fittingly, one of the more splattered numbers is called We Blew It.)
DiBenedetto’s earlier work was fixed on helicopters, Ferris wheels, and especially octopi. Those figures are still here, but abstracted, sometimes almost runic, surrounded by formidable blasts of texture and noise. Take the Cannolis and Good Mystic vs. Bad Mystic vs. Tom Carvel conjure brains on the brink of meltdown. Sam Chinita and Biodynamic Radiation have lurid pustules of color, thick enough almost to be popped, like zits. Much of the time you can talk about these paintings as you’d talk about something half buried in your backyard: they seem not just encrusted but mulched in paint and grime. Even the gallery’s release speaks of “scraps and globs and stabs and billows,” to say nothing of “prelinguistic slime.” That release, which I suspect DiBenedetto wrote himself with some relish, is weird enough to quote at length. He says of one painting: Read More »
January 16, 2014 | by Sadie Stein
I like my psychiatrist, but I often find that occupying fifty minutes with an account of my tedious life feels like a high price to pay for responsible prescription.
“Do you try to make him laugh?” my dad asked, when he picked me up from my first-ever appointment. “Do you want to be his favorite patient?” (My dad visited a therapist briefly in the 1970s, hence his expertise.) I explained loftily that this was a medical situation and not like that at all, and that the doctor had been amazed that with my family history I had never been treated before. Then I admitted that yes, of course I wanted to be his favorite.
“When I saw my guy,” said my dad, “I sang to him.”
And he began to sing, very beautifully, to the tune of the Love Story theme,
Dog food is the king
I wish it weren’t but I can’t do anything
It’s so damn good it even makes the sparrows sing
And grown men weep and angels cry.
There was a moment of silence.
“What did he do?” I asked.
“He made me turn around so I wasn’t playing to his reaction all the time and had to actually engage.” Read More »