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Posts Tagged ‘police’

Doing Hard Time

August 12, 2016 | by

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Tom of Finland, 1984, graphite on paper. All images courtesy of Taschen. © 2016 Tom of Finland Foundation.

“He only knew a drawing was good if it got him hard,” writes Dian Hanson of Touko Laaksonen, better known as Tom of Finland (1920–1991). I’ve been spending my evenings drooling over “Tom’s men,” as they’ve come to be called—famously erotic, fabulously gay, and achingly virile. Tom’s is a métier that worships the male form. Sculpted, brawny bods dress up in archetypically masculine uniforms—men in uniform were a fetish of Tom’s—and frolic across the page to bone.

Since the late fifties, when a (comparatively tame) drawing of his was featured on the cover of the muscle mag Physique Pictorial, Tom and his drawings have risen to an iconic status—and there’s a whole cottage industry of ToF merch, from fire blankets to anal beads, to prove it. But I, bashfully, have only just found him. I owe much of that to Taschen, who have, to mark the quarter century since the artist’s death, published a handful of books comprising much of his delicious oeuvre—a retrospective culminating in the reissue of the Holy Writ of all ToF books, Tom of Finland XXL. Among the collection is The Little Book of Tom of Finland: Cops and Robbers, one of three in the Little Book series, and my favorite of the bunch. Read More »

Unconventional, Part 7: Party Time with Dick Gregory

July 25, 2016 | by

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Throughout the summer, Nathan Gelgud, a correspondent for the Daily, has been posting a weekly comic about the writers, artists, and demonstrators who attended the contested 1968 Democratic National Convention. Catch up with the whole series here. Read More »

Attack of the De-Constructivists, and Other News

June 15, 2016 | by

Rusakov Workers’ Club in Moscow by Konstantin Melnikov, 1927–28.

  • In Moscow, meanwhile, constructivist landmarks are suddenly slated for demolition as Russians struggle to decide which parts of their past are worth preserving: “ ‘They operate by ticking boxes, but you cannot judge a building in this way,’ says Marina Khrustaleva, an expert on constructivism … ‘By the 1930s, [constructivist buildings] were already rejected for being insufficiently decorative and too western,’ says Khrustaleva. During perestroika, she adds, the architecture was associated with the worst of the Soviet past … Russians’ bad memories of the 1920s, [Alexandra] Selivanova suggests, keep them from appreciating early Soviet architecture. ‘People associate this period with hunger and social experiments,’ she says. Stalinist architecture is more popular: ‘It’s festive and reminds people of the propaganda films of the 1930s and 1950s, which still make an impact today.’ ”
  • And while we’re on comedy: “Punching up and punching down are relatively new pop-political terms … So it should come as no surprise that they have become entangled with our current national panic over political correctness, which, apparently, not only has created a ‘humor crisis,’ but also is why we can’t properly fight terrorism, control immigration, or make unruly college students read Alison Bechdel and eat faux bánh mì. Western democracy itself hangs in the balance, depending on who happens to be lecturing you at the moment … The question it raises—Who has the moral authority to punch down?—is a messy one, and one rarely asked of those who appear to punch up.”

Baxter Week, Day Four

May 26, 2016 | by

By overwhelming demand, we’re back with more Baxter. To mark the release of his new book Almost Completely Baxter: New and Selected Blurtings, we’re running two of Glen’s drawings every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.

Almost Completely Baxter txt revised final crx.indd Read More »

Baxter Week, Day Two

May 24, 2016 | by

The saga continues. To celebrate the release of Glen Baxter’s Almost Completely Baxter: New and Selected Blurtings, we’re running two of his illustrations every day this week. Almost Completely Baxter spans four decades of “Colonel” Baxter’s work, drawing from such books as The Billiard Table Murders and Blizzards of Tweed. “Baxter’s comic realm—the space between image and text, between perplexity and the mundane—is a locale where uncertainty emerges as weird and weirdness recedes into uncertainty,” Albert Mobilio wrote recently in Bookforum. “The funny arrives as a slow-motion detonation that seems to dissipate as quickly as it boomed.” Baxter’s short stories appeared in The Paris Review’s Winter 1972 issue; a portfolio, “It Was the Smallest Pizza They Had Ever Seen,” followed in Summer 1985.
Almost Completely Baxter txt revised final crx.indd Read More »

Stolen Glasses

February 29, 2016 | by

Click to enlarge individual panels.

stolenglassesitlte Read More »