Posts Tagged ‘poets’
February 18, 2014 | by Elizabeth Hoover
In her third book of poetry, All You Do Is Perceive, Joy Katz moves between narrative, lyrical, and meditative language, making meaning from the switches in register. Her images—a newborn, a lynched man, a woman’s mastectomy scar—are dependably urgent and resonant.
The book begins with a poem about bringing home an adopted baby as ashes from the World Trade Center settle over Brooklyn. “The woundable face of a boy” fills the speaker with terror and awareness. Other poems wrestle with the conventions of the baby as an image—Katz is intent on portraying motherhood without succumbing to sentimentality. To resist preciousness, she invents “endearments” for her baby: “my bus, my tarmac.” In Katz’s work, beauty and glamour twine with danger. An “ambulance dazzles like a cocktail ring”; a speaker befriends a holocaust and takes it to a movie; the sounds of a newborn “run over her like mice.”
A former Wallace Stegner and National Endowment for the Arts fellow, Katz lives in Pittsburgh, Pennsylvania, where she teaches in the graduate writing program at Chatham University.
Tell me a little bit about the origins of All You Do Is Perceive.
The title of the book is a little accusatory. OMG, all Joy does is perceive. Meaning—ask my husband—no one got to the grocery store again. On my kitchen counter, there’s a cooking magazine opened to a self-help article, “How to Savor a Moment.” I needed help figuring out how not to savor a moment—how to move through time, seeing in an ordinary, not-intense way.
From my son, I learned a deep, meditative seeing. I watched him looking at his own hands or at a little car or something. For hours. Maybe it was ten minutes? Or days at a time. I was trapped with a small baby, but I was in a trance state, like a heroin high. It was addictive. My book’s epigram comes from Bishop George Berkeley, who says, roughly, I exist because I perceive. You exist because I perceive you. Writing the poems, I came to think that regarding is a form of love, but the regarding is not necessarily accurate. In the poems, people are always misperceiving one another. But misperceptions are a part of being alive to others. You don’t need truth or beauty. All you do is perceive. That’s all you need to have loved and lived fully. Read More »
January 29, 2014 | by Dan Piepenbring
- A woman has been sentenced to read Malcolm Gladwell.
- Speakers of English may be unusually ill-equipped to describe smells. Our language lacks, for instance, a word meaning “to have a bloody smell which attracts tigers.”
- At the intersection of art and commerce, poets sell potato chips. Poets sell iPads. Poets sell jeans and family vacations.
- “We will likely make great selfies—but not until we get rid of the stupid-sounding, juvenile, treacly name. It rankles and grates every time one reads, hears, or even thinks it. We can’t have a Rembrandt of selfies with a word like selfie.”
- Live like your forebears. Adhering to Ben Franklin’s rigorous schedule allowed this young man to “pick out a pretty fly outfit,” among other efficiencies.
July 17, 2013 | by Sadie Stein
July 16, 2013 | by Sadie Stein
May 16, 2013 | by Sadie Stein
“A thinking woman sleeps with monsters.” —Adrienne Rich, from “Snapshots of a Daughter-in-Law”
May 2, 2013 | by Sadie Stein
- Day Jobs of the Poets.
- Have you seen James Patterson’s personally-funded “book industry bailout” ads?
- By a hair, print still trumps digital in the UK.
- “How I overcame snobbery to self-publish an e-book.” One man’s story.
- Gillian Flynn: “That’s exactly my goal: to make spouses look askance at each other.”