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Posts Tagged ‘Plimpton Prize’

Beauty, Truth, and The Girls: An Interview with Emma Cline

July 19, 2016 | by

Emma Cline.

Emma Cline’s debut novel, The Girls, may be loosely based on the Manson murders, but it isn’t really about Manson at all—it’s about the women around him, those attracted to life at the edge of the world. Though the book circles around the blunt facts of Manson’s crimes, it sidesteps the particulars, reducing him to a pitiful, failed musician named Russell whose only talent is tending to his wilting garden of devotees. Instead of dwelling on him, the novel follows fourteen-year-old Evie Boyd, who’s increasingly enthralled by one of the older girls in Russell’s circle.

Cline, a winner of The Paris Review’s Plimpton Prize, writes with the kind of beauty the painter Agnes Martin once described as “an awareness in the mind.” “Marion,” Cline’s story in the Review’s Summer 2013 issue, opens with the line, “Cars the color of melons and tangerines sizzled in cul-de-sac driveways.” The Girls is set against a dreamy, at times abstracted, California landscape. Her descriptions shimmer on the page: trying to mimic a girl she admires, Evie stands straighter, “holding my head like an egg in a cup”; a teenage boy’s room reeks of masturbation, “a damp rupture in the air”; girls are “swampy with nostalgia.”

Though she’s encouraged by the warm response The Girls has received, Cline eschews the public eye. “I’m used to the isolated part of writing, the part where you’re doing a lot of work alone, in solitude,” she told me. When we spoke on the phone last month, she’d just landed in LA for a reading. I asked her how long she’d be out West. “Just another week or so,” she said, “and then I’m at large.” Read More »

Pictures from Our 2016 Spring Revel

April 8, 2016 | by

Lydia Davis

Our Spring Revel was this Tuesday, and we have the pictures to prove it.

Hundreds convened at Cipriani 42nd Street to honor Lydia Davis with the Hadada Award. She received it from her high school classmate Errol Morris—“We played in the high school orchestra together,” she explained, “and he played the cello, and I played the violin. And I don’t know how well he played the cello, but I know I didn’t play the violin very well. So we were promising young musicians together.” Morris expressed a particular fondness for her essay on translating Madame Bovary, calling it “one of my favorite things ever.”

Davis’s speech was entirely improvised—or nearly entirely. She’d found herself “scrawling little notes in very small handwriting on a jiggling train” to New York, she said. Her husband, Alan Cote, attempted some encouragement, she told the crowd: “ ‘You know, Lincoln wrote the Gettysburg Address on the train.’ And I told him, Yes, that was probably easier.”

John Guare took the stage to award Chris Bachelder the Terry Southern Prize for Humor. Bachelder regaled the crowd with a story of the Review’s fact-checking prowess—suffice to say he’ll never again forget which pole the penguins come from. (Hint: not the North Pole.) He told us,

One of the paradoxes of the writing life is that, as you gain experience, you actually have fewer paths forward, and fewer habitable stances, and one stance that I find currently habitable is a kind of grave playfulness. And that’s a stance, among others, that The Paris Review supports and has always supported. And I think you can take that from a guy wearing a suit holding a model airplane.

David Szalay received the Plimpton Prize for Fiction from Rachel Kushner. “He may be new to me, and to the pages of The Paris Review,” she said, “but he’s a fully developed writer, whose wisdom, skill, and precision, whose sardonic wit, all come through wonderfully, leaving no awkward seams of labor or vanity.”

Take a look at the photos below—and we hope to see you next year!

Photos by Clint Spaulding / © Patrick McMullan / PatrickMcMullan.com Read More »

David Szalay Wins Plimpton Prize; Chris Bachelder Wins Terry Southern Prize

March 8, 2016 | by

Every April, at our Spring Revel—you have your ticket, don’t you?—the board of The Paris Review awards two prizes for outstanding contributions to the magazine. It’s with great pleasure that we announce our 2016 honorees, David Szalay and Chris Bachelder.

David Szalay.

The Plimpton Prize for Fiction is a $10,000 award given to a new voice from our last four issues. Named after our longtime editor George Plimpton, it commemorates his zeal for discovering new writers. This year’s Plimpton Prize will be presented by Rachel Kushner to David Szalay for his novellas Youth, from issue 213, and Lascia Amor e siegui Marte, from issue 215.

 

Chris Bachelder.

The Terry Southern Prize is a $5,000 award honoring “humor, wit, and sprezzatura” in work from either The Paris Review or the Daily. It’s named for Terry Southern, a satirical novelist and pioneering New Journalist perhaps best known as the screenwriter behind Dr. Strangelove and Easy Rider. Southern was a driving force behind the early Paris Review, as is amply demonstrated in his correspondence. This year’s Southern Prize will be presented by the playwright John Guare to Chris Bachelder for his comic masterpiece The Throwback Special, a novel serialized in our past four issues.

Recent winners of the Plimpton Prize include Wells Tower, Ottessa Moshfegh, and Emma Cline; Elif Batuman, Mark Leyner, and Ben Lerner have received the Southern Prize. The Review began awarding prizes to its contributors in 1956. Click here for a full list of past winners, including Philip Roth, David Foster Wallace, Christina Stead, Denis Johnson, and Annie Proulx.

Congratulations to Chris and David from all of us at the Review! We look forward to seeing you at this year’s Revel, on April 5 at Cipriani 42nd Street.

Get Your Tickets to Our Spring Revel

March 2, 2016 | by

Tickets and tables are available now for our Spring Revel, to be held Tuesday, April 5, at Cipriani 42nd Street—please join us for the Review’s annual gala and our biggest night of the year!

This year, we’re honoring Lydia Davis with the Hadada, our lifetime-achievement award. Lydia’s history with the Review began in 1983, when we published her story “Break It Down”; she’s since contributed some of our most beloved stories, including “If at the Wedding (At the Zoo),” “Ten Stories from Flaubert,” and, most recently, “After Reading Peter Bichsel.” James Wood has written that her Collected Stories is “one of the great, strange American literary contributions.” Presenting Lydia with the Hadada will be the filmmaker Errol Morris—her old high school classmate. Read More »

Atticus Lish Wins Plimpton Prize; Mark Leyner Wins Terry Southern Prize

March 3, 2015 | by

2015plimptonsouthernleynerlishprize.jpg

Left, Atticus Lish; right, Mark Leyner

Each year, at our Spring Revel, the board of The Paris Review awards two prizes for outstanding contributions to the magazine. It is with great pleasure that we announce our 2015 honorees.

The Plimpton Prize for Fiction is a $10,000 award given to a new voice from our last four issues. Named after our longtime editor George Plimpton, it commemorates his zeal for discovering new writers. This year’s Plimpton Prize will be presented by Hilary Mantel to Atticus Lish for his story “Jimmy,” from issue 210—an excerpt from his novel Preparation for the Next Life

The Terry Southern Prize is a $5,000 award honoring “humor, wit, and sprezzatura” in work from either The Paris Review or the Daily. Perhaps best known as the screenwriter behind Dr. Strangelove and Easy Rider, Terry Southern was also a satirical novelist, a pioneering New Journalist, and a driving force behind the early Paris Review. This year’s prize will be presented by Donald Antrim to Mark Leyner for “Gone with the Mind,” a story from our new Spring issue.

Hearty congratulations from all of us on staff!

(And if you haven’t bought your ticket to attend the Revel—supporting the magazine and writers you love—isn’t this the time?)

Emma Cline Wins Plimpton Prize; Ben Lerner Wins Terry Southern Prize

March 12, 2014 | by

Screen Shot 2014-03-13 at 11.16.43 AM

Photo of Emma Cline by James Williams; photo of Ben Lerner by Matt Lerner

Each year, at our annual Spring Revel, the board of The Paris Review awards two prizes for outstanding contributions to the magazine. It is with great pleasure that we announce our 2014 honorees.

The Plimpton Prize for Fiction is a $10,000 award given to a new voice from our last four issues. Named after our longtime editor George Plimpton, it commemorates his zeal for discovering new writers. This year’s Plimpton Prize will be presented by Lydia Davis to Emma Cline for her story “Marion,” from issue 205. 

The Terry Southern Prize is a $5,000 award honoring “humor, wit, and sprezzatura” in work from either The Paris Review or the Daily. This year’s prize will be presented by Roz Chast to Ben Lerner for “False Spring” (issue 205) and “Specimen Days” (issue 208). Both are excerpts from his forthcoming novel 10:04.

From all of us on staff, a heartfelt chapeau!

(And if you haven’t bought your ticket to attend the Revel—supporting the magazine and writers you love—isn’t this the time?)

 

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