Posts Tagged ‘photography’
July 18, 2014 | by Amitava Kumar
I first noticed Harry Roseman’s art while dropping off my shirts at the dry cleaner near my home. It is a photograph of the wall in the dry cleaner on which the photograph hangs. Roseman had taken the picture because the sun had thrown on the wall the shadow of the shop’s neon sign. The name is spelled in outline on the drab wallpaper: Gladmore Cleaners. The picture hangs in the same spot where the shadow had fallen.
Then I noticed another one. Shirts under plastic covers and suspended from white, metal hangers form a line behind the register. Each shirt has a yellow slip attached to it. My own shirts hang there, ready for pickup. When the owner moves a section of shirts aside, a large photograph comes into view: a tight composition of the scene that has just been disturbed—all the shirts in their neat row.
Gladmore Cleaners in Poughkeepsie, in upstate New York, is owned by a Korean couple, Jongwon and Insoon Chung. In the recent past, Roseman has added their portraits to the collection in the store. High up above the counter is a photograph of the Chungs. They are standing at the counter, Insoon in more formal attire and without her glasses, Jongwon beside her wearing his customary white cotton vest.
This picture appears in another photograph of the Chungs taken by Roseman. The second picture hangs on the wooden wall beneath the counter where Insoon has her register. The scene is repeated here—the photographer and his subjects both keep their places from the first photograph—except that in the later picture, the Chungs are smiling and wearing brighter colors. Read More »
July 17, 2014 | by Dan Piepenbring
The Guardian, Beautiful/Decay, and others have featured unnerving photos from Rebecca Litchfield’s Soviet Ghosts: The Soviet Union Abandoned: A Communist Empire in Decay, which documents the photographer’s travels to the ruins of the Soviet Union. The series examines how and why communities are abandoned, but this isn’t mere ruin porn; there’s an aspect of political subversion here, as Litchfield faced radiation exposure, arrest, and interrogation to secure these pictures, which include decommissioned locomotives, dilapidated military bases, and an abandoned sanatorium, many of them now deemed secret by the state. A more sensationalistic publisher might’ve subtitled the book, THE UNBELIEVABLE PHOTOGRAPHS THE FORMER USSR DOESN’T WANT YOU TO SEE! As Litchfield explains,
We maximized our stealthiness, ducking and diving into bushes and sneaking past sleeping security. But on day three, our good fortune ran out as we visited a top-secret radar installation. After walking through the forest, mosquitoes attacking us from all directions, we saw the radar and made our way toward it, but just meters away suddenly we were joined by military, and they weren’t happy …
See more photos here.
June 26, 2014 | by Dan Piepenbring
- For seven years in the sixties, Dennis Hopper disappeared from Hollywood. What was he doing? Attending the Fonda-Vadim nuptials, hanging around LA’s Love-In, watching Martin Luther King Jr. speak, and photographing all of it.
- Today in brave souls and/or fool’s errands: “I’m drinking everything mentioned however peripherally in every Pynchon book and jabbering a bit about what it’s like … So what is Chivas Regal like? I’m tempted to say that a screaming comes across the tongue.”
- Amazon is demanding concessions from publishers that are tantamount to “assisted suicide for the book business” …
- … And a new, “fiercely independent-minded” book, The Everything Store, reminds of Amazon’s considerably less-incendiary early days: “Bezos hired writers and editors who supplied critical advice about books and tried to emulate on Amazon’s website ‘the trustworthy atmosphere of a quirky independent bookstore with refined literary tastes.’” Years later, these people were replaced by an algorithm called AMABOT, which, given the meaning of amatory, sounds sort of like an animatronic sex doll.
- But it must be said: “When Anne Campbell of the Open University in Scotland looked at how students used Kindle readers and paper books, she found that the electronic devices promoted more deep reading.”
- Soon before her seventieth birthday, a woman named Sandy Bem found that her mental faculties had deteriorated enough that she wanted to take her own life—so she planned her suicide with her family. “We looked at the calendar and said, ‘OK, if it’s going to be next week, what day is it going to be?’” her husband said. “I wouldn't have had it any other way,” her daughter said.
June 12, 2014 | by Dan Piepenbring
- Charles Wright will be America’s next poet laureate. “I really don’t know what I’m supposed to do … But as soon as I find out, I’ll do it.”
- Donna Tartt’s The Goldfinch is the literary novel of the moment—but it is any good? Many, including our own Lorin Stein, respond with a resounding no. “A book like The Goldfinch doesn’t undo any clichés—it deals in them … Nowadays, even The New York Times Book Review is afraid to say when a popular book is crap.”
- “Every moment of serious reading has to be fought for, planned for … A prediction: the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel … will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up.”
- A portfolio of Arthur Tress’s photographs, from the late sixties and seventies, of children at play in Coney Island: “Tress spoke with children about their dreams—often nightmares that involved falling, monsters, that buried alive scenario—and would then photograph them experiencing it in a safe, staged setting.”
- New! From the makers of “Frank Sinatra Has a Cold,” it’s “Morrissey Has an Infection.”
May 27, 2014 | by Jason Fulford and Leanne Shapton
Iris Garden is a 2013 book that combines John Cage’s stories with William Gedney’s photographs—including several of the composer himself—with an ingenious design evoking Cage’s affinity for chance. The stories and photographs were selected by the photographer Alec Soth: twenty-two of the stories are from Cage’s series Indeterminacy, conceived in 1959, which featured stories of varying length, each intended to be read aloud over the course of one minute; and forty-four photographs from the William Gedney archive, shot from the 1950s to 1989 and housed at the David M. Rubenstein Rare Book & Manuscript Library at Duke University.
Leanne Shapton and Jason Fulford are the founders of J&L Books.
Leanne Shapton: As soon as I started flipping through this book, I thought, I’m so happy art publishing allows for this. It’s a strong book, but it’s quiet and subtle, and the design would never make any marketing department happy.
Jason Fulford: The book comes completely apart, literally. Even the endpapers slide out, and the cover can be unfolded—so you can read it in any order. It reminds me of how my Hasselblad disassembles. You can take all of the pieces apart and lay them out on a table.
LS: I went to the back of the book and read Cage’s statement, which helped me “read” the book. He wrote: “My intention in putting these stories together in an unplanned way is to suggest that all things—stories, incidental sounds from the environment and by extension, beings—are related, and this complexity is more evident when it is not oversimplified by an idea of relationship in one person’s mind.”
JF: Cage stays with you your whole life. You keep coming back to things you loved about him when you were fifteen, and they still relate to you at forty. Actually, I guess I probably learned about him in my twenties. Did I ever tell you a story about Lee Elickson, the American filmmaker who lives in Amsterdam? When he was fourteen or fifteen, he had a chance to meet John Cage. He brought an empty sheet of music and asked Cage to sign it. Cage asked, What are you gonna do with it? So Lee had to think fast and said, After you sign it I’ll put it on the forest floor for a week, let nature make its marks, and then have it performed by an orchestra. So Cage was like: Oh, okay. Lee still has the paper, but he hasn’t found an orchestra yet to perform it. Read More »
May 23, 2014 | by Dan Piepenbring
- Jane Austen read her own reviews, and took scrupulous notes: “Austen appears to have compiled the reactions of her readers from letters, hearsay, and direct conversations and recorded them on a set of closely written pages around 1815, before her death at the age of forty-one, two years later.”
- From now till June 21, you can apply for a residency with Write A House, a new program with a terrific mission: to renovate homes in Detroit and then to give them, permanently, to writers. One of those writers may be you.
- “Dogs have a kind of moral code—one long hidden to humans until a cognitive ethologist named Marc Bekoff began to crack it … If three dogs are playing and one bites or tackles too hard, the other two are likely to give him the cold shoulder and stop playing with him, Bekoff says. Such behavior, he says, suggests that dogs are capable of morality, a mindset once thought to be uniquely human.”
- Today in artificially intelligent cyborg assassin news: “a team of scientists destined to doom us all has developed the first bionic particles fusing organic materials and synthetic semiconductors, in a project they openly admit is ‘inspired by fictional cyborgs like the Terminator.’”
- “In 1835, the Finnish linguist Elias Lönnrot published The Kalevala, a compilation of traditional epic poetry. In his home country, The Kalevala is now considered to be one of the most important works of literature of all time … Five photographers traveled to Kainuu in Northeast Finland, the birthplace of The Kalevala, and explored the mythology through contemporary photography.”