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Posts Tagged ‘Peter Matthiessen’

A Field Guide to the Ass-End of Hell

December 30, 2014 | by

We’re out until January 5, but we’re re-posting some of our favorite pieces from 2014 while we’re away. We hope you enjoy—and have a happy New Year!

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Reading Peter Matthiessen in the Everglades.

377299_t607

I first encountered Peter Matthiessen in a hurricane, with the roof-flown certainty that we’d never meet again. Just passing through, the memory blurs at 135 mph. I was in the Bahamas reading Killing Mister Watson, sweating out a Category 4, trying to concern myself with an Everglades outlaw who produced excellent cane syrup and, in the wake of his murder, a bunch of conflicting yarn-burners. I only made it through the beginning, apparently no further than E. J. Watson himself, ventilated by thirty-three neighborly slugs upon stepping off his boat and into his own lore. This just after the hurricane of 1910 had wasted Chokoloskee. Announced by a comet, the storm upchucked the marl, catapulted Watson’s infant son through the mangroves, and, as Matthiessen had it, “blew the color right out of the world.”

My hurricane merely blew the color out of the TV. With an earful of low-pressure williwaw, I had problems getting all those Watson thoughts inside my head, preparing to duck shard as the windows bowed, wondering if the author’s next word would be my last. Kind of a morbid, if not meteorologic, approach to one’s literature, imagining the final line that accompanies you and your velocity into the whateverafter, joining LeQuinn Bass (last words: “Well, shit”), the Owl Man of Deep Wood (“Finish it”), Belle Starr (a screech—she was shot in the back, off her horse), and whomever else Bloody Watson managed to ether before it was all said and blown away. The last thing you’d want to read should be the first. Read More >>

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Classified

November 10, 2014 | by

matthiessenestate

The crowd at Peter Matthiessen’s estate sale.

In early April, Peter Matthiessen, the beloved cofounder of The Paris Review, died at eighty-six. Last week, I received an e-mail from my mother, containing a link to the following announcement:

SAGAPONACK
THE ESTATE OF THE LATE
PETER MATTHIESSEN
RENOWNED AUTHOR &
NATURIST*

A treasure trove of artifacts and mementos. Both indigenous and from the 4 corners of the Earth.

Artisanal pottery, vintage typewriters, vast assortment of books, many annotated paintings, prints, photography and posters. Vintage LP collections in original portfolios, Early 20th century American piano table, 19th century French country dining table, additional chairs, tables, chests, beds, headboards, bedding, cookware, tableware, table linens, vintage luggage, toys and games, Vermont casting grill, teak picnic table, and much more!

Children under 10 must be closely attended by an adult. Please be respectful of neighbors when parking.

The subject line of the e-mail read, “Of course, we’ll be there!” (My parents live just down the road.) Read More »

To Learn Something

September 10, 2014 | by

This remembrance of our founding editor, Peter Matthiessen, originally appeared in the Summer 2014 issue of Hotchkiss Magazine; we’re grateful to the staff and to Lewis Lapham for allowing us to publish it.

Matthiessen 1945 (1) copy

Peter Matthiessen in the 1945 Misch, the Hotchkiss School’s yearbook.

I first encountered Peter Matthiessen in the summer of 1949, on a beach at Fishers Island where he soon was pointing out the sights to be seen if one had the wit to see them—seven or eight species of seabird inshore and offshore, the likely change in the weather inferred by the wind veering around to the south, the Latin name for a nearby snake or crab, the probable catch in the hold of a trawler bearing east by north on the far horizon.

The meeting had been called by my godmother and Peter’s father, long-abiding friends whose houses on the island were a short distance from one another; by both parties it was thought that Peter could tell me what to look out for at the Hotchkiss School, from which Peter had graduated in 1945 and at which I was a member of the class embarking upon its lower middle year. I was fourteen, Peter seven years older, a senior at Yale tormenting himself with the ambition to become a writer of important books. Literature in those days was understood to be a noble calling, the high and not easily traveled road to light and truth.

The first question put to Peter about Hotchkiss proved to be the last. He didn’t wish to discuss what he deemed to be an ornamental pillar of the bourgeois status quo, and so as the afternoon went on (many fish to be seen and named, further sightings of sandpipers and gulls) I was surprised by the likeness of his interests and turns of mind to those of Mr. George Van Santvoord, the headmaster of the school with whom Peter seemed to share not only a love of words and nature but also the courage to lead an examined and examining life. Before the day was done I’d compounded the likeness of Mr. Van Santvoord with that of the druid, Merlyn, in T. H. White’s The Sword in the Stone, one of the books on the school’s list of suggested summer reading. By the time I returned to the lamps being lit on my godmother’s sundeck, it had occurred to me that Peter’s teachings on the shore of the Atlantic Ocean not only resembled those of Mr. Van Santvoord’s to the Hotchkiss woods squad but also those that under the walls of Camelot Merlyn had vouchsafed to the young King Arthur: Read More »

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A Little Circus

May 5, 2014 | by

American Masters’s Plimpton! Starring George Plimpton as Himself premieres nationally Friday, May 16, on PBS. The network has released a few short clips in advance, and they paint a pretty picture of life at the Review under the Plimp’s tenure. The portion above finds Robert Silvers, Jonathan Dee, and others reflecting on Plimpton’s business acumen—or triumphant lack thereof—and the relaxed tenor of his leadership. “I think it meant a lot to him to have this kind of camp,” Silvers says. “It was a whole little world, you might say. And he was the king of it. And he was a ringmaster, you might say, of a little circus there.”

Below, Peter Matthiessen, who died last month and who had been the last living founder of the Review, discusses the magazine’s ambitions—its approach to fiction and poetry, and its early coups with interviews.

 

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A Field Guide to the Ass-End of Hell

May 1, 2014 | by

On reading Peter Matthiessen in the Everglades.

377299_t607

I first encountered Peter Matthiessen in a hurricane, with the roof-flown certainty that we’d never meet again. Just passing through, the memory blurs at 135 mph. I was in the Bahamas reading Killing Mister Watson, sweating out a Category 4, trying to concern myself with an Everglades outlaw who produced excellent cane syrup and, in the wake of his murder, a bunch of conflicting yarn-burners. I only made it through the beginning, apparently no further than E. J. Watson himself, ventilated by thirty-three neighborly slugs upon stepping off his boat and into his own lore. This just after the hurricane of 1910 had wasted Chokoloskee. Announced by a comet, the storm upchucked the marl, catapulted Watson’s infant son through the mangroves, and, as Matthiessen had it, “blew the color right out of the world.”

My hurricane merely blew the color out of the TV. With an earful of low-pressure williwaw, I had problems getting all those Watson thoughts inside my head, preparing to duck shard as the windows bowed, wondering if the author’s next word would be my last. Kind of a morbid, if not meteorologic, approach to one’s literature, imagining the final line that accompanies you and your velocity into the whateverafter, joining LeQuinn Bass (last words: “Well, shit”), the Owl Man of Deep Wood (“Finish it”), Belle Starr (a screech—she was shot in the back, off her horse), and whomever else Bloody Watson managed to ether before it was all said and blown away. The last thing you’d want to read should be the first. Read More »

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The Original E-Book, and Other News

April 7, 2014 | by

floppy disks

  • As obituaries and touching remembrances of Peter Matthiessen poured in this weekend, The New Yorker made some of his travel writing available to nonsubscribers—specifically “Matthiessen’s mesmerizing account of his journey, by ship, to the Amazon and throughout the wildernesses of South America.”
  • Tales of Faulkner in Hollywood: “‘Abandon hope, all ye who enter here.’ The quotation from Dante is what Faulkner considered a fitting road sign for drivers to see as they crossed the border into California.”
  • Before Americans loved baseball, we gathered to take in another grand national pastime: competitive walking. It was, if you can believe it, even stranger and blander than it sounds.
  • The irredeemably cheery mascots on cereal boxes are staring directly into your child’s soul, experts say. “Researchers found that children’s cereals are typically placed on the bottom two shelves and the mascots deploy ‘a downward gaze at an angle of 9.67 degrees.’”
  • For the origins of the e-book, look to the floppy disk. Specifically, look to Peter James’s Host, a novel published on two disks in 1993. It “has now become a historical artifact, accepted into the Science Museum's collection as a very early electronic novel.”
  • Archipelago Books turns ten.

 

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