Posts Tagged ‘Persia’
September 9, 2013 | by Adam Leith Gollner
What have we not done to live forever? Adam Leith Gollner’s research into the endless ways we’ve tried to avoid the unavoidable is out now as The Book of Immortality: The Science, Belief, and Magic Behind Living Forever. Every Monday for the next three weeks, this chronological crash course will examine how humankind has striven for, grappled with, and dreamed about immortality in different eras throughout history.
During the Middle Ages, every alchemist worth his saltpeter tried to find the philosopher’s stone, the water stone of the wise, the miraculous stone that is no stone. It was the means to transmute base metals into gold and—more importantly—concoct elixirs of immortality.
The word is Arabic in origin: al-kimia, al-khymia, or al-kīmyā. It’s how chemistry begins. Science as we now conceive it did not exist in the medieval period. (The word scientist only became commonplace in the nineteenth century, after Cambridge University historian William Whewell coined the term in 1833.) Instead, there was natural magic and philosophy—and alchemy, the experimental attempt to combine different elements and uncover the factual mysteries of nature. Read More »
March 8, 2013 | by Sadie Stein
February 17, 2012 | by The Paris Review
In you’re in the New York area, tomorrow is the last day to see the unmissable exhibition of rare Emily Dickinson manuscripts and letters at Poets House. This is the first time much of this material has been on view; who knows when it will be again. It’s also worth making the trip to see poet and artist Jen Bervin’s striking quilts, which are stitched according to the symbols and corresponding variant words in Dickinson’s fascicles. —Nicole Rudick
In the early 1930s, the young English poet Basil Bunting taught himself Farsi with a dictionary and a copy of the Iranian national epic, the Shahnameh, given to him by Ezra Pound. (“It’s an easy language,” Bunting explained, “if it’s only for reading you want it.”) The translations he made are collected in Bunting’s Persia, a slim book, including excerpts from the Shahnameh and lyrics like this one by Sa’di:
Without you I've not slept, not once in the garden
nor cared much whether I slept on holly or flock,
lonely to death between one breath and the next
only to meet you, hear you, only to touch ...
I read it on Valentine’s Day. —Lorin Stein
This week I found myself fascinated by the New York City Graffiti & Street Art Project, an experiment by the library of Lewis & Clark college that charts the most interesting examples of street art across the city, sorted by neighborhood, media type, subject, and more. —Deirdre Foley-Mendelssohn
I just stumbled upon this breezy interview with cartoonist Lee Lorenz from last year. Part of The Comics Journal’s “Know Your New Yorker Cartoonist” column, the conversation is an endearing remembrance of a life in pictures, with the added pleasure of some insider gossip. —Josh Anderson
Try Pär Lagerkvist’s The Dwarf for a healthy dose of fiery medieval homuncular misanthropy. Great reading material for long, slow queues, crowded subway rides where even the conductor is exasperated, and angry times in general. —Emma del Valle
Seventeenth-century love letters, Latin bibles, a Shelley manuscript, and English children’s stories: I’ve suddenly discovered the Morgan Library’s blog. —D.F.M.