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Posts Tagged ‘Paula Fox’

Paula Fox, Fighting Perfection

April 9, 2013 | by

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Our Spring Revel will take place tonight! In anticipation of the event, the Daily is featuring a series of essays celebrating Paula Fox, who is being honored this year with The Paris Review’s Hadada Prize. The following is excerpted from an essay that originally ran as the introduction to Desperate Characters.

A book that has fallen, however briefly, out of print can put a strain on even the most devoted reader’s love. In the way that a man might regret certain shy mannerisms in his wife that cloud her beauty, or a woman might wish that her husband laughed less loudly at his own jokes, though the jokes are very funny, I’ve suffered for the tiny imperfections that might prejudice potential readers against Desperate Characters. I’m thinking of the stiffness and impersonality of the opening paragraph, the austerity of the opening sentence, the creaky word “repast”: as a lover of the book, I now appreciate how the formality and stasis of the paragraph set up the short, sharp line of dialogue that follows (“The cat is back”); but what if a reader never makes it past “repast”? I wonder, too, if the name of the protagonist, “Otto Bentwood,” might be diffi cult to take on first reading. Fox generally works her characters’ names very hard— the name “Russel,” for instance, nicely echoes Charlie’s restless, furtive energies (Otto suspects him of literally “rustling” clients), and just as something is surely missing in Charlie’s character, a second “l” is missing in his surname. I do admire how the old- fashioned and vaguely Teutonic name “Otto” saddles Otto the way his compulsive orderliness saddles him; but “Bentwood,” even after many readings, remains for me a little artificial in its bonsai imagery. And then there’s the title of the book. It’s apt, certainly, and yet it’s no The Day of the Locust, no The Great Gatsby, no Absalom, Absalom! It’s a title that people may forget or confuse with other titles. Sometimes, wishing it were stronger, I feel lonely in the peculiar way of someone deeply married.

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Paula Fox, Work in Progress

April 8, 2013 | by

Fox-Document

Manuscript page from Paula Fox’s The Coldest Winter.

 

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Paula Fox and the Gift of Understanding

April 5, 2013 | by

paulafoxThis year our Spring Revel will take place on April 9. In anticipation of the event, the Daily is featuring a series of essays celebrating Paula Fox, who is being honored this year with The Paris Review’s Hadada Prize.

When I saw the film adaptation of The Hunger Games last year, I left the theater feeling uneasy about the shaky-cam, blurry, PG-13–sanctioned violence of kids killing kids. It was videogame violence, the sort that disappeared in the span of a moment, not the sort of savagery that hits you in the gut, makes you understand what the cost of violence can be. Weeks later, the film did not sit well with me, lingering as a mediocrity only made palatable by the endless soul of Jennifer Lawrence’s presence onscreen.

And after rereading Paula Fox’s The Slave Dancer, a 1974 Newbery Award–winning children’s novel, I wonder, seriously, what she would make of the glib work aimed at children these days, particularly the uneven aspects of the Hunger Games series—on book and film—a work that puts its characters in thrilling situations and often on the precipice of horrible choices that will define their humanity, but all too often stops and takes the easy way out, in the form of deus ex machinas and conspiracies that go all the way to the top.

Because here’s the thing about Paula Fox’s work: she never takes the easy way out. And in her work for children, she writes with evenness and truth, never lying to children about the horrors of the world. Rather, she gives them the chance to find some light on the other side. Read More »

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Paula Fox, in Plain Sight

April 1, 2013 | by

fox01_bodyThis year our Spring Revel will take place on April 9. In anticipation of the event, the Daily is featuring a series of essays celebrating Paula Fox, who is being honored this year with The Paris Review’s Hadada Prize.

In 1998, which now feels like a Triassically distant time, I was twenty-four years old and on the publishing make. Technically, I was an editorial assistant, but I was making bold, audacious, and sometimes highly presumptuous assistant editor moves. I had some call, mind you. W. W. Norton, the house that employed me, had encouraged me to come up with “ideas” for the paperback committee, which at the time felt like a huge honor. Correction: it was a huge honor. I had a few ideas, most of which, I was gently informed, stank. But one didn’t. This was the idea I had of republishing a thirty-year-old novel about a cat bite (and urban collapse, race relations, gentrification, and New York City) called Desperate Characters. Read More »

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Countdown to the Revel

March 21, 2013 | by

reveltreatsHere at 62 White Street, preparations for our Spring Revel are in full swing! Our office is brimming with loot for our guests: limited-edition Paris Review tote bags; archival copies of the magazine; our recent anthology of short stories, Object Lessons; loads of books by Paula Fox, the Revel’s honoree and the recipient of this year’s Hadada Award; and surprises yet to be revealed.

Variously described as “the best party in town” and “prom for New York intellectuals,” the Spring Revel is legendary for a reason. Tuesday, April 9, join Paris Review readers, supporters, and writers at Cipriani 42nd Street for an always unforgettable evening of cocktails, dinner, and revelry. Writer hosts include Hilton Als, Michael Cunningham, James Fenton, Zoë Heller, Lewis Lapham, Katie Roiphe, Leanne Shapton, Wallace Shawn, Zadie Smith, Gay Talese, and many more.

Get your tickets here!

 

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Save the Date: The Paris Review Revel

January 7, 2013 | by

Variously described as “the best party in town” and “prom for New York intellectuals,” the legendary Spring Revel is legendary for a reason. Tuesday, April 9, Paris Review readers, supporters, and writers will gather at Cipriani 42nd Street for an always unforgettable evening of cocktails, dinner, and revelry. This year we celebrate our sixtieth year in print and honor Paula Fox with the Hadada Award.

 

 

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