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Posts Tagged ‘Paul Holdengräber’

Win Two Free Front-Row Seats: Ben Lerner in Conversation with Paul Holdengräber

September 12, 2014 | by

10-04

The Paris Review has recently published two stories by Ben Lerner, who won our Terry Southern Prize this year: first was “False Spring” (issue 205) and then “Specimen Days” (issue 208). Both are excerpts from his excellent new novel 10:04. If you’ve opened a newspaper or book review in the past month, you’ve likely encountered rhapsodic praise for 10:04. The Wall Street Journal wrote, “Mr. Lerner packs so much brilliance and humor into each episode … this brain-tickling book imbues real experiences with a feeling of artistic possibility, leaving the observable world ‘a little changed, a little charged.’” In The Times, Dwight Garner wrote that Lerner is “among the most interesting young American novelists at present,” and in Bookforum, Christian Lorentzen called 10:04a beautiful and original novel … it signals a new direction in American fiction.” NPR said that it’s “strange and spectacular … Don’t even worry about classifying it; just let Lerner’s language sweep you off your feet.”

And why not let that sweeping happen in person? Next Tuesday, September 16, Lerner will appear at the New York Public Library in conversation with Paul Holdengräber—it’s sure to be an expansive interview, and we’re giving away two front-row seats. (For proof of Holdengräber’s conversational acumen, check out his Art of Nonfiction interview with Adam Phillips, which we published in our Spring issue.)

For a chance to win, retweet our announcement below before three P.M. EST today. We’ll select two winners at random. Bonne chance!

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David Lynch, Hiding in Plain Sight

April 30, 2014 | by

The filmmaker comes to BAM.

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Lynch in 2007. Photo: Thiaggo Piccoli, via Wikimedia Commons

What, in retrospect, did we hope to hear from David Lynch last night? In “a rare public appearance,” the filmmaker appeared in conversation with Paul Holdengräber at BAM, to a sold-out crowd. The people were there. Lynch was there. And so … now what?

It wasn’t as if we expected to walk out with David Lynch decoder rings, finally capable, having listened to him, of educing his films’ meaning. Much of their joy derives from their refusal to cohere. Nor could we reasonably hope to reconcile the work with the man—the gap between the Missoula-born Eagle Scout and the psychosexual Grand Guignol of, say, Blue Velvet has always been pretty difficult to bridge. That’s all part of the Lynch magic, and you can hardly expect a guy to declaim upon the essence of his magic.

So why were we there, then? Did we simply want to see him bodily, to confirm the corporeal existence of a man whose work sometimes seems—extraterrestrial? Sure. But we also presumed we would learn something, anything, about him. Something new, something that qualified as insight: something that might make the whole Lynchian gestalt that much less opaque.

Such was not the case. Read More »

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See a Paris Review Interview: Live!

February 20, 2013 | by

phillips-adam-c-jerry-bauer_vert-8c1df6605407e3f89f50d7e68c97340b40f3458b-s6-c10Called “one of the finest prose stylists at work in the language, an Emerson of our time,” the psychoanalyst and essayist Adam Phillips joins Paul Holdengräber for a live Writers-at-Work interview on Monday, February 25, at the New York Public Library. In the tradition of Paris Review interviews, Phillips will discuss writing, life, and his most recent work, Missing Out: In Praise of the Unlived Life.

See program details here.

To receive a $10 discount off general admission, click here and enter code FRUSTRATION at checkout.

 

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