Posts Tagged ‘Paul Cézanne’
December 2, 2014 | by Sarah Moroz
Two centuries after the Marquis de Sade, a French exhibition traces his influence.
The Marquis de Sade died two hundred years ago today, on December 2, 1814. To mark the bicentennial, Annie Le Brun, a French academic and writer, has curated a sprawling show in the Marquis de Sade’s name at the Musée d’Orsay in Paris. The exhibition, “Attaquer le soleil” (“Attacking the Sun”), takes its name from a snippet in The 120 Days of Sodom, and it traces “the revolution of representation” occasioned by Sade’s unbridled lasciviousness: how his ideas about desire and violence seeped into the cultural zeitgeist and into some of the most seminal art created during and after his lifetime.
It seems tenuous, at first, to link Sade to a whole host of artistic traditions—traditions that didn’t necessarily need his help to see society as a holding cell, for teeming vices, impulses, and cruelties, all barely contained by etiquette. During a conference introducing the exhibition, Le Brun clarified her premise: “We didn’t try to illustrate Sade—on the contrary, the propos of Sade illuminates the violence that exists deep within at the moment of mythological, historical, religious painting … everything that Sade addresses was there before, and will of course continue after.” What Sade tapped into, and what’s elevated in the exhibition, is what Le Brun calls the “exaltation of passions” and the “vertigo of excess”—mixed, of course, with “flagrant atheism.” Read More »
June 30, 2014 | by Dan Piepenbring
- The Irish poet and novelist Dermot Healy has died at sixty-six. “I think of him as someone who lived on the edge, in some way … He lived on the very edge of County Sligo, the edge of Ireland—the edge of Europe, you might say. In some ways he lived on the edge of the literary community, but in certain ways he was central to the community he shaped around himself, especially in the northwest of Ireland. And it was the rough edge of his work, which in some ways was so distinctive, which attracted his readers.”
- And the poet Allen Grossman has died at eighty-two; “poetry is a principle of power invoked by all of us against our vanishing,” he once said.
- In happier news, astronomers have discovered the biggest diamond in the universe: it “weighs approximately a million trillion trillion pounds … Nobody has actually seen this gigantic diamond, not even through a telescope … the star’s invisibility is a key part of the circumstantial case for its existence.”
- Cézanne’s “paintings of apples confused critics and art enthusiasts alike. People were astonished that apples could look so ugly, and be so poorly painted. Some thought Cézanne’s still lifes were actually a joke, or an insult.”
- On elevators (and the people in them): “You can only send yourself as a message successfully if you remain intact—that is, fully encrypted—during transmission. That’s what elevator protocol is for. Or so we might gather from the very large number of scenes set in lifts in movies from the 1930s onwards … Desire erupts, or violence, shattering the sociogram’s frigid array. Or the lift, stopped in its tracks, ceases to be a lift. It becomes something else altogether: a prison cell to squeeze your way out of, or (Bernard suggests) a confessional.”
November 26, 2013 | by Sadie Stein