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Posts Tagged ‘Orhan Pamuk’

Dreaming in Welsh

September 18, 2012 | by

Hiraeth.

It’s pronounced “here-eyeth” (roll the “r”) and it’s a Welsh word. It has no exact cognate in English. The best we can do is “homesickness,” but that’s like the difference between hardwood and laminate. Homesickness is hiraeth-lite. A quick history lesson is a good idea before a definition: in 1282 Wales became the first colony of the English empire. Because England eventually ruled half the globe, we all know its first colony by the name the colonizers gave it: Wales, which means “Place of the Others,” or “Place of the Romanized Foreigners.”

So that’s how the Welsh—the original Britons—became “foreigners” on their own island. Talk about a semantic insult. To Welsh speakers Wales is Cymru (pronounced Kum-ree): home of the Cymry, or fellow countrymen. But not too many schoolkids outside Llandysul know that. Arthur—the once-breathing chieftain, not Merlin’ s once-and-future pal—lived around the time the name “Wales” stuck, in the sixth century. He tried to hold back the English (really the Saxons) and failed. Then in 1282 Llywelyn failed too. He was the last Welsh-born Prince of Wales, aptly named The Last, and he was killed in battle by soldiers of Edward I. After that Wales became a subject state. Since then time’s centrifuge has spun it to the margins of history. Wales is a poor, rural place of mountains and ribboning hills with empty underground pockets where its coal used to be, but which, miraculously, has clung to its birthright language. Twenty years ago Welsh was spoken by eighteen percent of the population, mainly elderly folk in isolated areas. Today twenty-two percent speak it, including a burgeoning segment of young professionals who’ve helped create things like Gweplyfr (Facebook) and Twitr (Twitter).

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Lunch Poems, Mixtapes, Beats

May 30, 2012 | by

  • Spend your lunch at MoMA with Frank O’Hara’s Lunch Poems, written while O’Hara worked at the museum.
  • The name says it all: Gladwell title generator.
  • Elif Batuman visits Orhan Pamuk’s Musuem of Innocence, with eye-opening results.
  • Ask Maira Kalman. She’ll answer questions live!
  • Watch the trailer for On the Road.
  • A literary mixtape for … the brain? Eyes?
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    Jack London Advises; Baboons “Read”

    April 13, 2012 | by

  • Slate weighs in on the e-book case: “The DoJ’s action effectively robs publishers of the ability to price their own products and robs other retailers of any hope of competing effectively with Amazon. Hence the DoJ has all but guaranteed a future in which readers end up with fewer well-edited books—both physical and electronic—and in which writers feel less free to speak against concentrated power.”
  • Here is an igloo made of books.
  • Baboons reading … remedially.
  • We have a title: J. K. Rowling’s adult debut will be titled The Casual Vacancy.
  • Nobel laureate Orhan Pamuk’s Istanbul Museum of Innocence (which started as a novel) opens later this month.
  • The challenge of culling books.
  • Jack London did not sugarcoat it for a young writer.
  • David Sedaris: “Throughout my 20s and early 30s—my two-books-per-week years—I did most of my reading at the International House of Pancakes.”
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    A Week in Culture: Jacques Testard, Editor

    February 9, 2011 | by

    DAY ONE

    11:45 A.M. I’ve just landed in Delhi. I’m here for the Jaipur Literature Festival, starring Orhan Pamuk, J. M. Coetzee, Richard Ford, and Candace Bushnell. I haven’t been in Delhi for close to three years. The Commonwealth Games have left their mark: the new airport terminal is gigantic, crisp, and shiny. I step outside into the crowd and am greeted with silence. A few years back fifty drivers would have competed for my custom but now they wait in an orderly fashion. My father, who has lived in Delhi for close to a decade, picks me up. Our driver is a Hindu; Ganesh stickers adorn his windscreen.

    3:00 P.M. I have an afternoon in the city and have decided to revisit the old town. I go to the Jama Masjid, a legacy of Delhi’s Mughal past. An auto-rickshaw drops me off a few hundred yards away, and I walk up the central walkway toward the towering minarets and white-marble domes, carefully treading my way past the crouching lepers and stray cows. The mild January weather tempers the overwhelming olfactory experience that is India. A man with hennaed hair tells me the mosque is closed for prayers. He asks me if I want to visit a haveli hidden out in Old Delhi. He says it is bigger than the Jama Masjid and has a magical tree hovering in its central courtyard. It will cost me five hundred rupees. I decline.

    5:15 P.M. I’m in Khan Market at the Full Circle bookshop. Books are cheaper in India. I’m looking for David Foster Wallace’s Infinite Jest. The girl at the till has not heard of it. She recommends Shantaram by Gregory David Roberts. I decline, this time politely. I forgot how much time one spends declining in India.

    8:20 P.M. My father and I visit the Nizamuddin Dargah before dinner. Nizamuddin, a thirteenth-century Sufi saint, is buried here. Millions visit every year. To get there one has to walk through a maze of alleys among scores of bearded pilgrims and rose-garland vendors. The pilgrims buy the flowers and deposit them on the holy man’s grave. Everyone wants to sell me flowers or look after my shoes while I step into the shrine. Pilgrims sit in rows singing Sufi songs. It is colorful, convivial. Children run freely, friends and families chat happily on the periphery. I imagine that churches in medieval Europe would have felt similarly chaotic. We must be the only non-Muslims. Most people don’t seem to notice us and those who do smile and hold out their hands in greeting.

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