The Daily

Posts Tagged ‘openings’

Time Speeds Up

September 12, 2016 | by

Amy Bennett’s exhibition “Time Speeds Up” is showing in New York at Ameringer McEnery Yohe through October 8. Bennett, who works in Beacon, New York, paints her landscapes after dioramas she’s painstakingly constructed at a 1/500 scale. She carves valleys and rivers into Styrofoam and freckles the map with wooden houses and wiry trees; over time, she adds farmland, grocery stores, and schools. “The creation and gradual alterations of these models allow Bennett to indulge a novelistic sensibility,” Eleanor Heartney writes in an essay to accompany the exhibition. “The settings she selects are precisely those in which the American ideals of freedom and security clash.”

Amy Bennett, Lowlands, 2016, oil on canvas, 40" x 56".

 Read More »

Loose Ankles

September 7, 2016 | by

Caitlin Keogh’s exhibition “Loose Ankles” opens September 8 at Bortolami Gallery. Keogh lives in Brooklyn.

Caitlin Keogh, Loose Ankles, 2016, acrylic on panel, 23" x 17 1/2".

 Read More »

Road Trip

June 15, 2016 | by

Greg Drasler’s exhibition “Road Trip” opens tonight at Betty Cuningham Gallery.

Reservations, 2014, oil on linen, 40" x 44".

 Read More »

Henchman of Chance

June 8, 2016 | by

Daniel Spoerri has been making “trap pictures” since the late fifties. His procedure is simple: he goes to a flea market or a dump, riffles through heaps of trash or near-trash, recovers whatever discarded objects strike his fancy, and hangs them on the wall. Describing himself as “a henchman of chance,” Spoerri is especially drawn to the detritus that remains unsold at the end of a flea market. His latest set of assemblages, “What Remains,” is on display at Galerie Krinzinger in Vienna through July 23. Spoerri’s portfolio with Emmett Williams, “An Anecdoted Topography of Chance,” appeared in our Winter 1966 issue.

Daniel Spoerri, #23 Flohmarkt Wien, April 2016, 2016, assemblage, 47" x 34" x 17".

 Read More »

Echo

May 11, 2016 | by

Miao Xiaochun, Triumph of Death, 2015, acrylic on linen, 13' x 13'.

Miao Xiaochun’s new exhibition, “Echo,” is at Galerie Paris-Beijing from May 12 through June 18. A Chinese digital artist, Xiaochun specializes in what he’s called “algorithmic painting,” recasting work from a religious European tradition—famous canvases from the likes of Bosch or Brueghel—as vibrant, science-fictional virtual worlds. These dreamscapes are “populated,” as the gallery puts it, “by strange cybernetic beings, with no clothes, character, or expression.” See more of his work on Art Radar.
Read More »

Waiting in the Sky

March 30, 2016 | by

Barbara Takenaga’s exhibition “Waiting in the Sky” opens tomorrow at DC Moore Gallery. “They still seem to naturally gravitate,” she said in 2013 of her paintings, “or maybe anti-gravitate, to some kind of explosive/implosive situation. I still love the idea itself of the Big Bang … I feel like I am on this really giant ocean liner and I’ve got this little tiny steering wheel, and I’m turning and turning and turning it, and I’m trying to make a different course for the ship, turning and turning the wheel, and nothing happens. Finally, the thing—me, my attitude, the history of the work, the paintings themselves—because its mass is so big, it starts moving, ever so slowly shifting.”

Barbara Takenaga, Amber, 2015, acrylic on wood panel, 10" x 12".

Read More »