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Posts Tagged ‘NPR’

Fasten Your Seatbelts, It’s Our Winter Issue

December 3, 2013 | by


The flight attendant on the cover of 207 does not deceive you: this issue is a ride and a half. For your reading enjoyment we offer:

Geoff Dyer on the art of nonfiction—and why he hates that rubric:

I don’t think a reasonable assessment of what I’ve been up to in the last however many years is possible if one accepts segregation. That refusal is part of what the books are about. I think of all them as, um, what’s the word? … Ah, yes, books! I haven’t subjected it to scientific analysis, but if you look at the proportion of made-up stuff in the so-called novels versus the proportion of made-up stuff in the others I would expect they’re pretty much the same

Edward P. Jones on the art of fiction:

People say, Did you grow up thinking of yourself as this or that, blah blah blah. These middle-class or upper-class kids, maybe three or four times a week they’d have a doctor over, they’d have an engineer over, they’d have a writer over, and they’d get into a conversation with the writer and all of a sudden realize, Oh, I think I want to be a writer. That didn’t happen to me. That doesn’t happen to the rest of us.

Plus! The first installment of a novel by Rachel Cusk. New fiction from J. D. Daniels, Jenny Offill, Nell Freudenberger, Ottessa Moshfegh, and Lydia Davis, and the winner of the NPR Three-Minute Fiction Contest.

Plus, poems by Kevin Prufer, Susan Stewart, Hilda Hilst, Charlie Smith, Monica Youn, Sylvie Baumgartel, Emily Moore, and Linda Pastan.

And did we mention a portfolio of nudes by Chuck Close?

We realize you have choices when it comes to quarterly reading, and we thank you for choosing The Paris Review.

Subscribe now!



Radio Silence

October 2, 2013 | by

Highway 51 Bridge Between Wagoner And Coweta

I am driving west on Highway 51. It’s Tuesday, the day before Indie’s ninth birthday, and as I pass the city limits of Stillwater on my way to Oklahoma City, I switch from the Sinatra station, the one playing “I’ll Be Seeing You,” to the seventies station, the one playing Marshall Tucker Band’s “Heard It in a Love Song.” I’m gonna be leavin’ at the break of dawn. I rarely listen to the song now, though sometimes when Indie is in the car, I’ll let it play, even sing along, assume the next time she asks me why he left, I can say, “You know that song, the one about the guy who never had a damn thing but what he had, he had to leave it behind?” She’ll know the song. So many times, when she’s singing along to Ambrosia or Bread, Jackson Browne, especially America, in the car, I ask her how she knows all the words to those long-ago songs, and she always has the same answer, “You sing all the time.” He used to tell me that, too. I change the station to NPR.

I recognize a familiar voice:

The American family has changed. The nuclear family in the house across the street is still there, but different kinds of families live on the block, too: unmarried parents, gay parents, people who choose not to have children at all and, of course, single parents.

A new Pew Research poll asked Americans about these trends and found almost 70 percent believe that single women raising children on their own is bad for society.

Of course, there is a wide array of single mothers. Some women choose to raise children by themselves. Others find themselves without a partner through divorce or abandonment. But when seven in ten believe this is bad for society, it makes you wonder.

So we want to hear from single mothers today. How do people treat you? Tell us your story. 800-989-8255 is the phone number. Email us, You can also join the conversation on our website. Go to Click on TALK OF THE NATION.

I grip the steering wheel and glance at my cell phone in the cup holder. I keep my eyes out for a rest stop. Read More »


The “American Idol of Microfiction” Gets a New First Prize

September 11, 2012 | by

How fast can you tell a good story? Three times a year, NPR’s “Three-Minute Fiction” challenges listeners to send in the best stories they can write—and read out loud in less than three minutes. So far, more than 45,000 contestants have taken the challenge. It is, in the words of host Guy Raz, the “American Idol of microfiction.”

This Saturday kicks off a new round of “Three-Minute Fiction” with guest judge Brad Meltzer. And with a new first prize—publication in The Paris Review. That’s right: the winner will appear in our Winter issue. So sharpen your pencils, eliminate your unnecessary words, and get ready to write.

Click here for details—then tune in to All Things Considered this Saturday (5 P.M. EST) to hear the rules for the latest round.




Psychos, Pencils, and Fines

August 8, 2012 | by

  • This terrific German blog gives the pencil its due (and, perhaps, then some).
  • In a time when e-books outsell their paper counterparts, NPR wonders whether cover design is a dying art.
  • In a gesture of either great magnanimity or great desperation, the Chicago Public Library waives all fines.
  • Movies you may not have known were inspired by books. (In the case of Psycho, probably because Hitchcock tried to buy up all the copies so there’d be no “spoilers.”)
  • On the one hand, we take issue with some of the rankings on this list of the hundred greatest young-adult novels. On the other, it’s encouraging to know kids are voting. (At least, we hope that’s the explanation.)
  • In obligatory Fifty Shades of Grey news, author E. L. James is curating an album of the classical music featured in the trilogy. (For the uninitiated: in addition to being the world's youngest billionaire and most accomplished lover, Christian Grey is also a world-class musician.)
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    Things We Love: Vallejo, Factory Records, and ‘The Lonely Doll’

    April 27, 2012 | by

    Trilce, by the Peruvian modernist César Vallejo, is a book of poems I’ve read (the verb is probably too strong) with much enjoyment and little comprehension. Vallejo’s Spanish has almost nothing in common with the language I learned at school, but its obscurity is addictive: I keep going back to the poems. So far as we know, Vallejo gave only one interview; it has now been translated, for the first time, into English by Kent Johnson. Vallejo’s repartee isn’t as baffling as his poems, but it’s almost as enjoyable. —Robyn Creswell

    The lost César Vallejo interview should be paired with Paul Muldoon’s translation of “Piedra negra sobre una Piedra blanca,” which is probably the best English version of Vallejo’s most famous poem. Muldoon calls it “Testimony”:

    I will die in Paris, on a day the rain’s been coming down hard,
    a day I can even now recall.
    I will die in Paris—I try not to take this too much to heart—
    on a Thursday, probably, in the Fall.
    It’ll be like today, a Thursday: a Thursday on which, as I make
    and remake this poem, the very bones
    in my forearms ache.
    Never before, along the road, have I felt more alone.
    César Vallejo is dead: everyone used to knock him about,
    they’ll say, though he’d done no harm;
    they hit him hard with a rod
    and, also, a length of rope; this will be borne out
    by Thursdays, by the bones in his forearms,
    by loneliness, by heavy rain, by the aforementioned roads.

    —John Jeremiah Sullivan

    Read More »


    On Tour with The Magnetic Fields: Part 1

    March 27, 2012 | by

    I’ve worked for the band the Magnetic Fields for the past ten years and have sold their merchandise on every tour since they released i, in 2004. Their latest tour, for their new record, Love at the Bottom of the Sea, began last week, and, as is my wont, I’ve been taking notes. After a warm and fuzzy show in Hudson, New York, the first completely positive experience in Philadelphia in recent memory, and a very quick trip to Minehead, England, for All Tomorrow’s Parties, the Magnetic Fields took the Tour at the Bottom of the Sea to Austin, Texas, for their first-ever appearance at South by Southwest, the juggernaut music festival that turns the entire city into a beer-and-taco-stained pair of jeggings. Half the band and crew flew in from New York, and the other half from Boston, meeting up in the Dallas-Fort Worth airport for the puddle jumper to Austin. We shared the plane with several members of the E Street Band, which made Sam Davol (cello) quiver with excitement. When we landed, the steamy Texas air relaxing our synapses, Sam asked E Street violinist Soozie Tyrell for her autograph, and I made a proclamation: in Austin, I was going to find a) Bruce Springsteen or b) Timmy Riggins, my very favorite fictional character on Friday Night Lights, played by heartthrob and Austin resident Taylor Kitsch. I find that wishes are more likely to come true when spoken aloud. Read More »