Posts Tagged ‘Norway’
October 23, 2014 | by Colin Dickey
Grief and adventure on the path to the North Pole.
For two weeks in the summer of 2013, I traveled around the Norwegian archipelago of Svalbard as part of the Arctic Circle Residency, proceeding up the west coast of the main island, Spitsbergen, and making landfall at tiny settlements and untrammeled beaches at the edge of the known world. At one point, our course took us into a small fjord where we sailed past an abandoned mining town called Blomstrandhalvoya; a research station, Ny-Ålesund, on the opposite shore; and, farther in, two massive glaciers, Kongsvegend and Kronebreen, twin ice masses sliding slowly into the fjord.
The glaciers hug a promontory butte that stands in defiance to these ice sheets, though they are both slowly wearing it away. In a struggle imperceptible to human eyes, the glaciers grind relentlessly against the rock face, carving their inexorable history into its striated face. They could win against this rock, wearing it down over eons into a plain or even a valley, but instead they’re ceding the battle, retreating backward. At some point in the future the promontory will be an island, as the glaciers recede and allow water to spill in behind them.
The sound you hear when you put ice cubes into warm (but not hot) water—that subtle but quick crackling—is the sound all around you in the summer fjords near glaciers. There is ice everywhere in the water, the size of your fist and the size of small islands, and because the water is only a few degrees above freezing, the ice cracks slowly, abundantly. It takes a moment to understand what you’re hearing, because it’s so constant and so low in the air—this soft crackle, like static over a radio.
Next to the noise, there is the wind. Strong, persistent, a wall of bitter blue. Constant: no slack, no gusts, as if from an electric fan. It is utterly cold and utterly fierce. You gaze into the white at the edge of the glacier that gives way slowly to its interior blues, blues of a depth for which there is no word, buffeted by the wind, which streams steadily and directly into you. Read More »
May 13, 2014 | by Lorin Stein
For the last two years, a small group of American writers and critics has convened in Oslo for a series of informal lectures, interviews, and discussions. Dubbed the Norwegian-American Literary Festival, this unlikely gathering has introduced packed houses to the likes of Donald Antrim, Elif Batuman, Lydia Davis, Sam Lipsyte, and John Jeremiah Sullivan, and—on the American side—has helped spread word of contemporary Norwegian masters including Karl Ove Knausgaard, Joachim Trier, and Turbonegro.
Now, for one night only, The Paris Review is proud to welcome the Norwegian-American Literary Festival to New York.
On Wednesday, May 28, join us at Chez André in the East Village to hear Claire Messud and James Wood in conversation with the Norwegian novelist Linn Ullmann, followed by rare musical performances by James Wood and John Jeremiah Sullivan. Liquid refreshments will be served.
Admission is free, but space is limited—reserve tickets for you and one guest now by e-mailing us at rsvpNALF@theparisreview.org.
April 3, 2014 | by Dan Piepenbring
- Spotted in the Times: our very own Sadie Stein (and her apartment) paying tribute to Laurie Colwin.
- A German publisher wants to print Wikipedia—all 4,484,862 articles of it. The omnibus “would fill a bookcase that’s 32 feet long and 8 feet high. But not everyone thinks it’s a good idea.” I can’t imagine why.
- Have we failed to utilize effective incentivizing techniques to promote greater linguistic clarity? In other words, are we losing the war against jargon?
- The photographer Nancy Warner takes wistful pictures of abandoned farmhouses on the Great Plains.
- In 1937, Richard Nixon applied to be a special agent in the FBI. He was not accepted. In a letter of recommendation, the dean of Duke Law School wrote that Nixon was “one of the finest young men, both in character and ability, that I have ever had the opportunity of having in classes.”
- Want fast Internet? Go to the darkest depths of Norway, where there are more polar bears than people.
December 26, 2013 | by Jesse Barron
All this week, we are bringing you some of your favorite posts from 2013. Happy holidays!
Of the two people who have written books called My Struggle, Karl Ove Knausgaard is the less notorious. In Scandinavia, where the tradition of memoiristic writing is less prevalent and self-exposing than it is in America, he wrote, for three years, twenty pages a day about himself, his friends, his wife, and his kids. When the first of the six books was published, reporters called everyone he’d ever met. It sold half a million copies.
But unlike most literary controversies, this one’s less interesting than the work that provoked it. Knausgaard has written one of those books so aesthetically forceful as to be revolutionary. Before, there was no My Struggle; now there is, and things are different. The digressiveness of Sebald or Proust is transposed into direct, unmetaphorical language, pushing the novel almost to the edge of unreadability, where it turns out to be addictive and hypnotic. A man has written a book in which a man stays at home with his kids, and his home life isn’t trivialized or diminished but studied and appreciated, resisted and embraced. An almost Christian feeling of spiritual urgency makes even the slowest pages about squeezing lemon on a lobster into a hymn about trying to be good.
Book One ends with that impossible thing: an original metaphor for death. The last sentence of this interview may do the same for writing. Read More »
June 5, 2012 | by Elisabeth Donnelly
The best films scramble your brain, changing you slightly. You emerge from the dark with new, blinking eyes, adjusting to a different world. It’s why for many of us a good movie is a small miracle, worthy of devotion. So far, Norwegian director Joachim Trier has made two such small miracles, Reprise and Oslo, August 31st. Two sharp films that, when I saw them, settled down into some small part of me, changing the way I thought about youth, ambition, and the meaning of life, if only for a night.
I suspect the films of Trier speak particularly to anyone with literary ambitions, anyone who knows what it’s like to be besotted by a work of art and anyone who wants to create something strong and beautiful and true. The director has an uncanny eye for the worries of sad young men afflicted with dreaminess about art and ideas, the same sort of disease written about in Walker Percy’s The Moviegoer or Richard Ford’s The Sportswriter. His exuberant, French New Wave–influenced debut, Reprise, is the story of two boyish twenty-something writers wrestling with literary ambitions and madness. Reprise is charming, formally daring, and focused on youthful folly; in Oslo, August 31st, the folly is over, and it’s time for the morning after.
February 6, 2012 | by Adam Wilson
My name wasn’t on the list. When I told her I was with The Paris Review, the woman in charge gave a can’t-be-bothered shrug and stuck me on the red carpet between a correspondent from the socialite party blog Guest of a Guest and a reporter from The New York Daily News. The two were in deep discussion about a monthly gathering for gay men over six foot two.
“The Tall Gay Agenda, you’ve seriously never heard of it?”
“But I would never get in—I’m only 5'9''!
“It’s not just for tall gays, it’s in celebration of. Admirers are welcome!”
I was eavesdropping hard, announcing my dorky heterosexuality by wearing a backpack, revealing my red-carpet naïveté by not carrying a recording device and mumbling the name of my publication.
“Shouldn’t you be, like, hanging out with The Observer or something?”
The occasion was a screening and gala to celebrate Lilyhammer, a quirky new series starring Steven “Little Stevie” Van Zandt (of Sopranos and E Street Band fame). Stevie plays a former New York mobster removed to rural Norway after ratting out his boss and joining the Witness Protection Program. The show, which premiers today through Netflix’s Play at Home streaming service, is the company’s first foray into original programming.
Prophetic bloggers have buzzed about the inevitability of this move for years: Netflix is coming, and the masters of pay cable are terrified. Two roads diverged in a wood, and I—I streamed the whole thing. Read More »