Posts Tagged ‘news’
June 9, 2015 | by Dan Piepenbring
I like to root for the underdog, so I’m always comforted to find Satanism in the news. There are, after all, some two billion Christians in the world, and only about a hundred thousand Satanists; if the eternal war between good and evil is a numbers game, then it would seem the good guys have this one in the bag. And yet Satanism persists—pure evil’s got moxie.
The latest coup from the dark arts is Charlie Charlie Challenge, a Ouija Board-ish pursuit in which players—who tend to be, let’s face it, kids and teens—cross two pencils over a piece of paper and attempt to summon a Mexican demon. According to no less reliable a source than the Daily Mail, four Colombian high school students were hospitalized for “hysteria” after playing the game, which set off an international pandemic of DIY voodoo: Read More »
May 20, 2015 | by Lorin Stein
Starting with our Summer Issue, the novelist and critic Adam Thirlwell will join The Paris Review as London editor—our first in ten years. In that time, we’ve been admiring Adam’s fiction and criticism, as well as his editorial work for McSweeney’s. (In 2010, we sent him to interview Václav Havel, alas too late.) We’re not the only ones, of course. Granta chose him as one of its best young British novelists—twice—and he was recently chosen by Salman Rushdie and Colm Tóibín for the E. M. Forster Award, given by the American Academy of Arts and Letters to a young British writer. Despite his much-belaureled youth, Adam is the author of three novels and a study of cross-cultural influence in fiction, The Delighted States.* It seems particularly fitting, therefore, to launch his tenure with our special issue on the art of translation, featuring new work from half a dozen languages.
In the same issue, careful readers will notice another change to our masthead. Susannah Hunnewell, our longtime Paris editor, has been named publisher of the Review. As Paris editor, Susannah interviewed Kazuo Ishiguro, Harry Mathews, Michel Houellebecq, and Emmanuel Carrère; in our new issue, she interviews the translating duo Richard Pevear and Larissa Volokhonsky. A former editor at George and Marie Claire, Susannah began her career as a Paris Review intern, a fact she shares in common with our departing publisher, her husband, Antonio Weiss, who left the Review earlier this year to become Counselor to the Secretary of the U.S. Treasury. (We won’t think of it as losing a beloved publisher or a brilliant foreign correspondent, but as gaining one of each.)
We congratulate Adam and Susannah—and wish them joy in their new hats!
*Full subtitle: A Book of Novels, Romances, & Their Unknown Translators, Containing Ten Languages, Set on Four Continents, & Accompanied by Maps, Illustrations, & a Variety of Helpful Indexes
May 6, 2015 | by Sadie Stein
Even doll partisans—those of us who defend doll life from slander and prejudice and unfair film portrayals—have to admit that they’re sometimes terrifying. Indeed, I think it would be fair to say that the Edison Talking Doll is one of the scariest things ever made by man or demon. You have been warned.
The Edison Talking Doll is just what it sounds like: a doll, with a small phonograph in its body, mass-produced by Thomas Edison’s lab in the 1890s. Although it was a progenitor of Chatty Cathy and a hundred other loquacious toys, the Edison Doll didn’t catch on, for the simple reason that it opened a howling portal to hell. (Well, they claimed the relatively high price was a factor.) While we may assume that the poor sound quality is a result of wear and tear on the original wax cylinders, apparently that’s not the case; as the Thomas Edison National Historical Park’s site explains, “Even with a brand-new, unplayed record, the sound emitted by the talking doll was always distorted and unnatural.”
That’s putting it kindly. The doll … shrieks. It’s like an unearthly Carol Kane screaming in a wind tunnel, trapped in the body of a lifeless totem. Listen at your own risk.
Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.
March 5, 2015 | by Dan Piepenbring
Our ongoing quest to personify the weather.
As I write this, the ominously named Winter Storm Thor is bringing his hammer down on the tristate area. Thor is pelting. Thor is dumping. Thor is lashing, coating, and causing havoc. He has an image problem, as all storms do, these days. Led by the heedless call of the Weather Channel, the media has depicted Thor—like Juno, Neptune, and others before him—as a creature of blind wrath, fueled by an amoral, motiveless lust for destruction. If you believe in the banality of evil, then Winter Storm Thor belongs with Eichmann and Iago in your rogues’ gallery.
The Weather Channel has named winter storms since 2012, as part of a dumb and widely impugned media strategy that sensationalizes the weather in a shameless bid for more clicks. “The previous model was: How does weather affect you?” Neil Katz, who runs Weather.com, told The New Republic last year. “Now we’re really asking: How does weather affect everything in the world?” By becoming the very embodiment of vengeance, is one answer. Read More »
January 6, 2014 | by Dan Piepenbring
- Martin Amis pays elegant tribute to his deceased stepmother, who saved him from an early life as “a semi-literate truant.”
- Chang-rae Lee’s forthcoming On Such a Full Sea boasts the world’s first 3D-printed book cover.
- How to modernize literary classics (even when cell phones and the Internet bring an infestation of plot holes).
- Can great literature really change your life? (Quick answer: probably not, but maybe.)