Posts Tagged ‘news’
October 3, 2016 | by The Paris Review
It’s no secret that we at The Paris Review admire New York Review Books, the imprint known for “rescuing and reviving all kinds of ignored or forgotten works … by writers renowned and obscure” (the New York Times). We’ve interviewed their founder, Edwin Frank. We’ve published their insightful introductions and raved about their translations. We’ve offered to wash their cars, pick up their dry cleaning, and house-sit for them.
Now we’ve decided to formalize the arrangement with a new book club. Sign up and you’ll get a one-year subscription to The Paris Review plus one new book from NYRB Classics every month. That’s four issues of the best new fiction, poetry, and interviews, plus twelve books, bringing you the best new and rediscovered classics: a $260 value, for just $140.
The book club kicks off this month with Ge Fei’s The Invisibility Cloak, a Chinese novel about a fortysomething loser in contemporary Beijing:
He’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall the wind from the north blows through while he gets by, just, by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. He has contempt for his clients and contempt for himself. The only things he really likes are Beethoven and vintage speakers. Then an old friend tips him off about a special job—a little risky but just don’t ask too many questions—and can it really be that this hopeless loser wins?
We’ll be discussing these titles and more here on the Daily in the months to come. We hope you’ll join us in reading along. Subscribe now!
September 16, 2016 | by The Paris Review
Earlier this week, we announced that several of our writers have been nominated for this year’s Man Booker Prize, and more still for the National Book Award in poetry. Now we’re thrilled to report that Chris Bachelder’s novel The Throwback Special—which was serialized in The Paris Review and won our Terry Southern Prize for Humor this year—has been longlisted for the National Book Award. Read More »
August 17, 2016 | by Jeff Seroy
The nonlogic of Dorrance Dance’s ETM: Double Down.
Remember Tom Hanks and Robert Loggia in the movie Big, jumping around a supersize electronic keyboard on the showroom floor in FAO Schwarz? There’s a moment in Dorrance Dance’s ETM: Double Down, just performed at Jacob’s Pillow Dance, that brings this to mind. Seven dancers line up on a keyboard comprising triggerboards all in a row. Triggerboards are, more or less, the uniting principle of ETM: Double Down. They’re musical tiles, perhaps a couple of feet square: both an instrument and a dance floor. Tapping on them with the foot produces notes, or other kinds of sounds, through a computer. During the course of the evening, the sounds and sequences produced by tap dancers on triggerboards are sometimes looped and played back, becoming canons or echoes, overlaying new, “live” sounds. Read More »
August 5, 2016 | by Matthew St. Ville Hunte
How sports taught me to think.
Noam Chomsky once said that he was amazed at the insight and sophistication that the average American brought to the discussion of sports. Chomsky considered this use of brainpower to be a diversion that operated in the service of power. “One of the functions that things like professional sports play,” he said, “is to offer an area to deflect people’s attention from things that matter, so that the people in power can do what matters without public interference.” I guess he is right enough in his way, but for my part I hold with the literary historian Gerald Graff, who has argued that his youthful fascination with sports was not a form of anti-intellectualism, as he once thought. Instead, Graff has come to believe, fandom was a form of intellectual development by other means. Read More »
May 31, 2016 | by Dan Piepenbring
… to bring you some important news about the Paris Review Daily.
As you may have seen, last week marked the end of Sadie Stein’s tenure as our daily correspondent. For two and a half years, with charm and insight, Sadie has brought us her stories: about her family, her childhood, her life as a reader, and, of course, about the truly bizarre personalities one encounters in New York. As she writes in her farewell post, “There are certain kinds of writing—good writing—that are actually better suited to this medium than to print, and translating the personal and fleeting into something public seems to me one of the Internet’s primary gifts.” Her column was a warm, witty reminder of how rich those gifts can be. And remember that before she began, she edited the Daily for nearly two years—all of which is to say that she’s been instrumental in giving this site its voice. We’re sad to see her go.
In sunnier news, we have two new editors joining us at the Review and helping to make the Daily even better (read: dailier). Please welcome our new editor-at-large, Robert P. Baird, formerly of Harper’s, in whose April issue you may have read his piece about a trove of Colombian emeralds discovered off the coast of Key West; and our new associate editor, Caitlin Love, who joins us from the Oxford American. (This means that Caitlin, a lifelong Arkansan, has moved north of the Mason-Dixon for the first time. Early reports indicate that she’s enjoying the bagels.) The Review and the Daily are already the stronger for their expertise. Check back to see the wonders they work.
Starting next month, we’ll welcome a raft of new columnists and contributors, too. Stay tuned.
May 2, 2016 | by Dylan Hicks