Posts Tagged ‘New York Times’
October 22, 2013 | by Sadie Stein
September 16, 2013 | by Sadie Stein
August 30, 2013 | by Sadie Stein
May 18, 2012 | by The Paris Review
How often have you read a TV review by a writer of our generation and thought of Susan Sontag? It's never happened to me—until this week, when I read Elaine Blair’s review of Girls in The New York Review of Books. By paying attention to one little sex scene, Blair makes deep arguments about sex scenes in general, the limits of romantic comedy, and the real meaning of sexual freedom. —Lorin Stein
About a decade ago, my friend Mikey loaned me a book he thought I’d enjoy. I’ve only just got around to picking it up. Though I’m a bad friend, he isn’t: the book—Leonid Andreyev’s The Little Angel—is terrific, after a fashion. The stories are intriguing, especially “At the Roadside Station” and “The City," but the translation is rather bad. I’d love to see it revisited by another publisher and translator. I’m looking at you, NYRB Books. And how about Natasha Randall? I loved her translations of We and A Hero of Our Time. —Nicole Rudick
For those with a green thumb and a love of literature, look no further than Writing the Garden: A Literary Conversation Across Two Centuries for an insightful glimpse into garden writing over the last two-hundred years. Lush illustrations color the pages and accompany extensive excerpts from the writings of influential figures of gardening’s past and present, such as Thomas Jefferson, Gertrude Jekyll, and Michael Pollan. Gain a little inspiration for your own beckoning plots, or simply get yourself excited for summer’s peak. —Elizabeth Nelson
April 18, 2011 | by David Orr
The best thing about The Paris Review, aside from the editors’ formidable liquor stash, is the magazine’s sense of history. Sure, there are older American literary journals (The Yale Review was founded, no joke, in 1819), but The Paris Review has had a consistent idea of itself for longer than many publications that predate its debut in 1953. Of course, that consistency makes some aspects of the magazine vulnerable to, oh, for example, parody. But it also makes The Paris Review’s archive a useful tool with which to survey an art—and one’s personal response to that art—over several decades. So for the next month or so, that’s what I’ll be doing for the gracious and impeccably shirted Lorin Stein, and the equally gracious (and presumably impeccably shirted) Thessaly La Force.
Let’s begin at the beginning, which for me was the spring of 1974.
In the poetry world, this was a season of uncertainty and transition, as seasons in the poetry world so often are. The popularity of the “deep image” style associated with James Wright and W. S. Merwin was just beginning to wane; John Ashbery was on the brink of arriving at his full prominence (Self-Portrait in a Convex Mirror would complete the only hat trick in the history of the major poetry awards in 1975); and W. H. Auden, whose hand both stirred and hindered several currents in American poetry, had died only a few months earlier. In fact, Auden is the subject of the “Art of Poetry” interview in the Spring 1974 issue, lending a poignant touch to that meticulously casual series. This being Auden, things get pretty droll pretty quickly:
INTERVIEWER: Do you have any aids for inspiration?
AUDEN: I never write when I’m drunk.
INTERVIEWER: Have you read, or tried to read, Finnegans Wake?
AUDEN: I’m not very good on Joyce. Obviously he’s a very great genius—but his work is simply too long.
December 9, 2010 | by Amanda Hesser
ALL DAY All work, no Internet play.
>1:00 A.M. Time to do some serious reading online. Nah! Read about the Steve Martin imbroglio at the 92nd Street Y. Skip over to a piece on Google and Groupon (best part: Andrew “Mason, Groupon’s chief executive, declined an earlier interview request, adding that he would talk ‘only if you want to talk about my other passion, building miniature dollhouses.’”) Listen to some Beth Orton, which always makes me think of a former boyfriend/jackass, who introduced me to her music—a shame, because I like you Beth!—so I switch to Fleetwood Mac’s “Sara,” a song I love because it scorns the clichéd drum climax interlude. The song builds and builds and never resolves.
Then my surfing goes to a dark place. Read Gawker story on whereabouts of Julian Assange, followed by a New York Times story on the suicide of the suspect in the murder of Ronni Chasen, a Hollywood publicist.
Robert Scoble pulls me from my death spiral. Thank you, man. Listen to his interview with Kevin Systrom, a cofounder of the Internet sensation Instagram. I like listening to company founders tell their stories, although I’m more interested in their tone and salesmanship than what they actually do. Systrom’s was confident, controlling, and mildly dismissive.
Dip my toe into the Times story on obesity surgery. Decide I’d rather think of something besides Lap-Bands before bed … like my to-do list! It’s three pages long and includes items like “Read Wired story on coupons” and “Look up foodie episode of South Park”—plus a whole host of actual work and responsibility, like “Figure out health insurance” and “Sign Addie up for ballet.”