The Paris Review

New York Police officers are seen under a news ticker in Times Square in New York, April 16, 2013. (REUTERS/Brendan McDermid)

Some terrorist attacks become cultural obsessions, while others are forgotten completely. There were three bombings in New York City in 1975, none of which I’ve ever heard talked about, each of which would probably shut down the city if it happened now. In January, Puerto Rican separatists set off dynamite in Fraunces Tavern in downtown Manhattan, killing four businessmen—the same number of fatalities, incidentally, that led us to close the airspace over Boston last week. In April, four separate bombs went off in midtown Manhattan on one afternoon, damaging a diner and the offices of several finance firms. The worst one came in late December, when a package of dynamite exploded in the baggage-claim area at LaGuardia Airport, killing eleven.

These were underground disturbances, moments of disorder that helped warp the culture, even if they weren’t absorbed or even remembered. In 1975, Don DeLillo was thirty-nine, living in the city, possibly beginning work on Players, his fifth novel and his first about terrorism. Long before it became obvious, DeLillo argued that terrorists and gunmen have rearranged our sense of reality. He has become better appreciated as the world has come to resemble his work, incrementally, with every new telegenic catastrophe, every bombing and mass shooting. Throughout DeLillo’s work we encounter young men who plot violence to escape the plotlessness of their own lives. He has done more than any writer since Dostoevsky to explain them. Read More »

People who live in New York might agree that there is very little reason to find yourself between Fourteenth and Forty-Second Streets unless you absolutely have to. Go past Union Square, and you’re liable to bump into everything from confused tourists to people selling knockoff Louis Vuitton and Fendi bags worse than the ones you can purchase on Canal Street in Chinatown. The twenties into the thirties can look like a never-ending row of scaffolding at certain stretches, with C-grade delis and fast food chains hidden beneath, leading you finally to the terrifyingly bright lights of Times Square.

For the better part of the decade in which I’ve lived in New York, this experience is probably what has kept me from the middle of the city. But when I moved from Brooklyn into Manhattan, and started taking daily walks up the various avenues from the West Village to an office on Twenty-Eighth,  I began to learn the history of certain buildings I passed along my way: admiring the townhouse at 28 E. Twentieth Street where President Theodore Roosevelt was born; the splendor and history of Gramercy Park; the row of buildings in the Flower District that seems unremarkable, until you realize that this block of Twenty-Eighth between Fifth and Sixth was once known as Tin Pan Alley, and filled the American Songbook. With each block, the twenties became more and more magical, especially on the days when I managed to avoid the crowds scuttling down the sidewalks—those less hectic New York days when I could look up and admire the various gargoyles and the golden dome of the Sohmer Piano Building. The architecture of the twenties distracted me from my daily grind, but it was on an evening trip to the grocery store that the area I once shunned suddenly took on an entirely new meaning. That night I noticed the red plaque on a doorway next to a Starbucks at 14 W. Twenty-Third Street that read, “This was the childhood home of Edith Jones Wharton, one of America’s most important authors.” Read More »

We’re out this week, but we’re re-posting some of our favorite pieces from 2012 while we’re away. We hope you enjoy—and have a happy New Year!

George Leonard Herter ran a sporting-goods store in Waseca, Minnesota, by day and self-published bizarre cookbooks, travel guides, and hunting books by night. I fell into Herteriana six years ago, after reading about him in an article on out-of-print cookbooks. I was promised “the origins of women’s panties, the best time of year for eating robins and meadowlarks, the effects of menstruation on mayonnaise-making and the unheralded kitchen pioneering of Genghis Khan, the Virgin Mary and Stonewall Jackson,” though this barely scratches the surface of the strange world of George Leonard Herter. I immediately started collecting his books. Happily for me, Herter was prolific. I am now the proud owner of the three-volume Bull Cook and Authentic Historical Recipes and Practices (volumes two is delightfuly subtitled Plus Famous Restaurants and Night Clubs of the World ), How to Make the Finest Wines at Home in Old Glass or Plastic and Jugs for as Little as 10¢ a Gallon, The Truth about Hunting in Today’s Africa and How to Go on Safari for $690.00, and several others. I picked up George the Housewife, one of my favorites, at Bonnie Slotnick’s cookbook store in New York a few years ago.

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You see things differently when you’re in love. Two outpatients from a methadone clinic slap each other on the corner. A goiter rides the crosstown bus. We attend a dinner party; none of the dogs have tails. Men in the map room of the New York Public Library surveil passing breasts. Nights slip by. I sit on the curb outside a magazine launch and watch a famous author pour cold water down a woman’s arm. “Don’t be jealous,” my companion says impatiently, cupping his own elbows. “He’s only applying a temporary tattoo.”

I was in love and then I wasn’t, and sometime during the drifting gray interim I was told by a bookseller friend to read Renata Adler’s 1976 debut, Speedboat, a novel that had long been out of print but was absolutely, he insisted, worth the trouble of the search. I did not know whether this recommendation was meant to be sympathetic or encouraging, but I found it on eBay in two minutes, for three dollars. My friend was correct, as booksellers usually are; it was as though the novel had outstretched arms and I fell in.

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I spent the night in Coney Island and there are no mermaids on Mermaid Avenue right now, but the machinery of New York’s recovery from Hurricane Sandy is everywhere to be seen. The streets teem with Con Edison and Verizon workers fixing overhead wires. One out of three buildings has some kind of light—from either portable generators or power lines. Relief workers, professional and volunteer, hand out goods to needy residents. A FEMA distribution center in a church parking lot includes a bank of Chase ATMs that shine like blue and white corporate beacons. Police cars sit, blue and red lights flashing, at almost every intersection, on the look out for looters and other bad actors. The weather remains on everyone’s mind—another storm is predicted today, less severe than Sandy but not insignificant, with a four- or five-foot swell. Ordinarily, that would not breach the seawall, but the fear is that the damage from Sandy has left this neighborhood much more vulnerable to another flood. In fact, the FEMA center and the temporary police headquarters packed up and moved in anticipation.

Coney Island, the sharp southwestern corner of Brooklyn, was hit hard by Sandy. Read More »

I moved to New York for graduate school. I was in my mid-twenties, and what do we do when we’re in our mid-twenties? We move to New York with very little money and very high hopes. Like many, I entered into the nexus of love and wealth and fame looking for a piece of the glistering and transmutable dream itself. In short, I was here to write a book.

But standing on the threshold of this dream, I began to panic. I thought, I have arrived, and thought nothing of how far I had to go or what it would take to get there. I could see downtown Brooklyn from my window, and most days my impression of New York came from inside my bedroom. Outside, the sidewalks were cobbled and uneven, and the houses and apartments looked like replicas of the houses and apartments I’d watch on TV.

I’d lived in Brooklyn less than a month but had already settled into an inexplicable depression I’d nicknamed The Darkness. I couldn’t leave my apartment, except to attend class in Manhattan two nights a week. Sitting on the F train, I felt sure no one could lived in New York without a constantly replenished supply of antidepressants, courtesy of some kind of pharmaceutical Fresh Direct. Read More »