Posts Tagged ‘New England’
August 19, 2016 | by Dan Piepenbring
- Today in nomenclature: having lived for years in total ignorance of the Transatlantic Trade and Investment Partnership (TTIP), I was at last moved to pay attention, because the names of our cheeses—the entire foundation of our nation’s fragile relationship with dairy—are in jeopardy. Mark Hay explains: “Deep within the bowels of the treaty, there’s one clause that could have a profound effect on everyday American life — by making it illegal for U.S. cheese makers to use common names rooted in regional European culinary traditions like feta, muenster, or parmesan … And the U.S. has officially pushed back, arguing that EU producers can just file trademark applications for protection in the U.S. Just like under the EU’s system, this would prevent people other than the trademark holders or licensed users from labeling their cheese with specific names in America … But for Europeans that’s not enough; the trademark for Parmigiano-Reggiano doesn’t extend to parmesan, which to them is a synonym, not a generic genus term.”
- People love to be protected from rattlesnakes—that’s just so typical of us! But no one asks about the snakes. Do they want to be protected from the people? We’ve been murdering them with impunity for centuries now. It’s time to make amends. And so I give you Rattlesnake Island, a new snake place. Christopher Benfey writes, “Timber Rattlesnakes, nostalgically recorded in local place names like Rattlesnake Gutter … and Rattlesnake Knob, once thrived in New England. Not anymore. They have been wholly exterminated in Maine and Rhode Island, and it is estimated that not more than two hundred survive in a few disparate colonies … Under the circumstances, it seemed reasonable to conservationists and herpetologists to find an uninhabited island, outfitted with the belowground dens essential to snake survival in the winter, and slowly introduce a small colony of rattlesnakes, one by one, equipped with monitors to track their location. Mount Zion is large enough, at 1,350 acres, that snakes, according to experts, ‘would have little motivation to leave.’ ”
- Elif Batuman has been reading Psychobook, a new collection of what can only be described as vintage psychological tests. The book is designed for many things, but not to make its readers feel sane: “No less than the many tests in its pages, Psychobook is itself a kind of inkblot, certain to evoke different emotions and associations from different people. For this reader, one recurring sensation was that of a deeply American beleaguerment, with some Eastern European overtones. I thought again and again of the immigrant woman, landing like Kafka’s hero on American shores after a long and, one feels, psychically taxing boat ride, facing the first of many new puzzles in a strange new land … It’s not immediately clear why this book exists, but it would probably look great in a therapist’s waiting room.”
- Today in junk that might also be art—or, at least, junk that you could soon own: Tekserve, a computer-support shop not far from the Review’s offices in Chelsea, ended its twenty-nine-year run this week. As a kind of progenitor of the Apple store, the business amassed a lot of obsolete technology over the decades, and now you can buy that stuff at auction. Have you had your eye on a Philco Predicta TV? An early “magic lantern” slide projector? A Braille display processor? A Nagra 4.2 portable mono tape recorder? Or perhaps the storied “Mac Museum,” “which comprises thirty-five computers that represent the development of Apple from 1984 to 2004”?
- Since 1982, the London Review of Books has had featured writers from all over the world for their Diary column. Until this week, no one could say which corners of the globe, exactly, had been represented in the LRB’s pages—but now they’ve gone ahead and marked all eight hundred of their contributors on a map. Note the presences, of course, but also the absences. No one has ever filed a diary from Mongolia or Indonesia, for instance—book your flights now and refine your pitches from thirty thousand feet.
February 4, 2016 | by Ira Sadoff
February 4, 2016 | by Sadie Stein
I am fully and intensely aware that plants are conscious of love and respond to it as they do to nothing else. —Celia Thaxter
Last year, I picked up a book called An Island Garden by Celia Thaxter. I’m not interested in gardening—I can’t keep a plant alive—but I’d loved her Among the Isles of the Shoals, a sort of informal travelogue. An Island Garden conjures the same passion for a remote and challenging and fiercely beloved place. It evokes a sense of belonging, too. Read More »
December 14, 2015 | by Sadie Stein
More and more I enjoy seeing the herds go home at sunset or a little before—I amuse myself studying the faces of the cows and there are so many different expressions on them: the intellectual cow, the woman’s rights (or rather the cow’s rights) cow, the peasant cow, the grand duchess cow, the lesser nobility and the cows who would be charwoman if they were humans. And most of them remind me of people I have met. —Eleanor Pray, 1909
Last week, I received a letter from a reader named Birgitta Ingemanson. She’d read a piece of mine from last month in which I mentioned the doldrums that one can sail into when one is between books. These inter-book periods are restless times, and the transition from one world to another can be a challenge. If the book you finished was good, you mourn its loss. Conversely, a bad book can make you gun-shy. What if the next one’s no good, either? Birgitta wrote, “The thought came to me to send you the enclosed book, with the following simple suggestion when the in-between time strikes again: ‘Try this.’ ” The book was one she had edited: Eleanor L. Pray’s Letters from Vladivostok, 1894–1930. Read More »
November 12, 2015 | by Dan Piepenbring
- In 1650, William Pynchon—Thomas’s earliest colonial ancestor—published The Meritorious Price of Our Redemption, a small quarto volume about, you know, God and stuff, which caused a hell-storm of controversy in Puritan New England: “To leading officials in the government of Massachusetts Bay, however, this was an insidious text, an exercise in heresy—one the Puritan clergy believed capable of throwing their young and vulnerable colony into irreversible chaos. Pynchon, a prominent layman with a devoted constituency, was charismatic enough to inspire a movement similar to the Antinomian debacle that had nearly brought the colony to its knees in the previous decade … In addition to the burning of Pynchon’s book, the General Court also commissioned a theologian named John Norton to write an official rebuttal … The General Court accepted [Pynchon’s] contrition, though the magistrates did demand he appear before them again the following October. They set bail at £100. This time, Pynchon absconded.”
- Imagine what it must’ve felt like to be the scribe who invented page numbers. Or title labels. Or spine titles. A physical book is an efficient device, but to look at the history of bookbinding is to see how momentous and hard-won these modest advances were, as Erik Kwakkel writes: “The early history of displaying a book’s title and author on the outside is long and winding: first the information was found on the front or back, then on the fore-edge, and finally on the spine. This order is no coincidence, because it roughly reflects another development, namely how books were stored: first flat (Early and Central Middle Ages), then upright with the fore-edge facing the reader (Later Middle Ages), and finally with the spine facing outward (Early Modern period). Judging from surviving book bindings, the history of the dust jacket actually starts surprisingly late. After all, the earliest traceable specimens date from the fourteenth century.”
- Punk, which began as street fashion, has completed the final step in its transformation from ethos to consumerist movement: now it’s just street fashion again, and we’re left to wonder if there was ever really anything to it. “Forty years after Television’s legendary residency at CBGB, the world is awash in punk. In the last twenty months, former Village Voice rock critic and punk champion Robert Christgau wrote a memoir about his downtown New York youth, Kim Gordon published her memoirs, Viv Albertine published hers, Richard Hell released the paperback edition of his, Patti Smith released the follow-up to her National Book Award–winning memoir, and HarperCollins signed Lenny Kaye, Smith’s guitarist, to write a memoir of his own. Ramones fans can look forward to a forthcoming Martin Scorsese–helmed biopic and a documentary promising new footage of the seminal band, whose last founding member perished in 2014 … As punk pushes into its fourth decade, its rules, aesthetic, and parameters are still murky at best. Does punk retain any meaning at all?”
- On the connection between writing and running: “Writers, like runners, often like the idea of their pursuit more so than the difficult work. The appeal of a running regimen is how the miles not only condition the body, but free up a space for the creative mind … Since I’ve returned to distance running, I’ve changed the way I think about writing. Writing exists in that odd mental space between imagination and intellect, between the organic and the planned. Runners must learn to accept the same paradoxes, to realize that each individual run has its own narrative, with twists and turns and strains.”
- The Paris Review’s intern Joshua Maserow on J. M. Coetzee: “Coetzee doesn’t hate truth. In fact, he yearns for it (transcendental, objective truth). The truth just doesn’t seem all that comforting or that accessible. We must search for our truths but won’t find them. He wears two hats: that of the hopeful Platonist (‘our engagements are with a constantly changing interplay between shadows (fictions) and the real’) but also that of the weary pragmatist (‘the more a person has been offered sympathetic fictions of herself, the more easily she will be able to live within the fiction(s) she holds herself’).”
October 26, 2015 | by Dan Piepenbring
Hawthorne’s scariest story.
“Even his bright gildings,” Herman Melville once wrote of Nathaniel Hawthorne, “play upon the edges of thunder-clouds.” This was in “Hawthorne and His Mosses,” an 1850 appreciation in which Melville reputed the notion that Hawthorne, fifteen years his senior, was merely “a sequestered, harmless man”:
this great power of blackness in him derives its force from its appeals to that Calvinistic sense of Innate Depravity and Original Sin, from whose visitations, in some shape or other, no deeply thinking mind is always and wholly free … At all events, perhaps no writer has ever wielded this terrific thought with greater terror than this same harmless Hawthorne … this black conceit pervades him, through and through.
In the reductive churn that comes with canonization, this “black conceit” seems to have washed off Hawthorne—Melville’s nickname for him, “the Man of Mosses,” hasn’t exactly stuck. We have better Moss People: your Poes, your Lovecrafts, your Shelleys and Stokers. Hawthorne, the thinking goes, is too puritanical to be truly spooky. (Imagine the groans you’d get from reading a bit of The Scarlet Letter around a late October campfire.) But his story “The Ambitious Guest” is scarier than anything in Poe, and its dark romanticism makes no recourse to haunted houses, death masques, black cats, supernaturally sustained heartbeats, or any other genre trope. It’s just about a weary traveler and a nice family who open their home to him. Read More »