Posts Tagged ‘New Directions’
September 8, 2014 | by Dan Piepenbring
Tuesday evening at seven, join us at NYU’s Abu Dhabi Institute (19 Washington Square North) where our poetry editor, Robyn Creswell, will appear on a panel called “The Authoritarian Turn: On The State of the Egyptian Intelligentsia.” The panel, sponsored by New Directions and Bidoun, will
bring together a distinguished group of writers and scholars to reflect upon the predicament of the Egyptian intellectual in the year since President Mohamed Morsi’s dramatic fall. From Ibrahim himself to the bestselling author Alaa Al Aswany, countless writers and artists–many of them of historically contrarian bent–have expressed their support for a military-backed government whose abuses and excesses have on occasion surpassed those of the Mubarak era. How to begin to understand the role of the public intellectual in such times?
Robyn appears alongside Khaled Fahmy (American University in Cairo) and Mona El Ghobashy (an independent scholar); Negar Azimi moderates.
January 9, 2013 | by Lynne Tillman
To celebrate the sixty-fifth anniversary of Raymond Queneau’s Exercises in Style, New Directions is relaunching this classic text as an expanded edition. In addition to exercises by Queneau making their English-language debut, this edition also includes new exercises penned by contemporary authors. The following, in the spirit of Queneau, is by Lynne Tillman.
At dinner with so-called intelligent people, during our discussion of the Marquis de Sade, I recognized a common lunacy: the fairy tale of absolute and complete freedom. People don’t know what to do with the freedom they have, I announced, and trounced off, as if insulted. Today, I took a bus, a random bus, no particular number, a white and blue bus, or pale green. No matter, it was a bus, and I took it. First I stood in line, with everyone else, a citizen of a city standing peacefully, waiting for public transport, a condition of urban life. I heard two men, no particular men, or maybe very particular men, but not to me. I took the bus, anyway. The men were discussing their office, where they seemed mad about a woman, and I listened because I could. They described her in broad terms: “She’s got big tits…. OMG, that ass. Shit!” I entered the bus, paid my fare, the driver said nothing, and unencumbered, except by my hopes and dreams and desires, I walked to the back of the bus, my eyes roving, checking for free seats, and there were good reasons why I kept moving, and took the seat I chose, but these are insignificant reasons except to me. I found a seat all to myself, sat down, exhaling freely, and happily, because I celebrate public buses, especially when I have my own seat next to a window, but then the two men, still exclaiming about the woman’s ass and tits, took the seats behind me. Now I felt hindered also by their bulk and hulk, as well as their boisterous voices, bellows about asses and tits, and if I hadn’t known myself as myself, if I didn’t understand the invisible boundaries in which I existed, with my freedom, I would have assaulted the men. I was bigger than both, and freer, and a black belt in karate. Before I had the chance to pummel one or both, because I was at liberty to do what I wanted, even if it meant imprisonment for a day or two, the two men stopped their bellows, and instead turned to watch two other male passengers nearly come to blows, one jostling the other for a seat. Now the three of us, the tits and ass men and myself, alarmed by this altercation, became a community of sorts. Suddenly I heard a rip, certainly a rent of some kind, which made a decided sound in the air. The man, who had jostled the first for a seat, now watched by the newly formed society of the three of us, took that prized seat. Oh, I thought, oh, and wondered what my two companions thought. It was a strange day, and one has such strange freedoms; for I could have ridden that bus the entire day—until it ended its journeys, or until the bus driver informed me that I had to get off. Any number of possibilities presented themselves to me, I could even have fought him to remain! But thinking it over, I watched all the people I had known, in a sense, on the bus, as they removed themselves from it. I was alone again with my thoughts, not bothered by anything, and, when the bus stopped near a park, one I had never visited, I leaped off violently. Again, the driver said nothing, but now I took his silence to mean assent and even understanding, and walked toward the park and into it through its wide gates, and sat down, this time at a café, where I discovered that the man who had been jostled on the bus, earlier in the day, was being advised by another to patch his overcoat, a dark brown parka, the same one he had worn on the bus. A piece of fabric hung on its hem. It may have come down during the altercation. Now I thought, he’s having an alteration, and wondered if this linguistic association occurred to him as well. Here we are, I remember thinking, in a great chain of being, and he could think whatever he wanted. I pretended not to notice him, naturally.
© 2013 by New Directions.
Lynne Tillman is the author of several novels and short story collections, most recently Someday This Will Be Funny.
December 12, 2011 | by David Zax
On a recent Sunday evening, in a lounge at the Jane Hotel in Manhattan, the writers Kurt Andersen and Anne Kreamer enacted before an audience the final pages of The Adventures of Mao on the Long March, a 1971 work of literary pastiche by the author Frederic Tuten. Andersen played the role of Chairman Mao, sitting for a fictitious interview. “Have you seen Godard’s La Chinoise?” asked Kreamer, playing his interlocutor. “Have you seen Dali’s Mao/Marilyn?” “Chairman Mao, perhaps I might ask your opinion on birth control.” Tuten himself, a septuagenarian in a black blazer, sat at the front of the room, beaming with happiness at the event held in his honor.
If you have not heard of The Adventures of Mao, you would not have been out of place at its marathon reading. Indeed, some of those who gathered to participate in the reading—a roster including Lydia Davis, Wallace Shawn, Walter Mosley, John Guare, and Edmund White—admitted to having had only a glancing familiarity with the novel or its author. Yet The Adventures of Mao, about, as the title suggests, the Chinese dictator’s rise to power, has always had its advocates; Susan Sontag called it “soda pop, a cold towel, or a shady spot under a tree for culture-clogged footsoldiers on the American long march.” In 1972, the book achieved that pinnacle of literary attention, the John Updike New Yorker review. Analyzing the novel’s five distinct modes—textbooklike history of the Long March; ample direct quotation from the likes of Hawthorne, Melville, and Fenimore Cooper; passages of literary parody of authors such as Kerouac and Malamud; “normal novelistic substance—imaginary encounters and conversations”; and, finally, that extended interview with Chairman Mao—Updike declared the resulting sum “an intelligent, taut, and entertaining change from conventional novels.”
Despite Mao’s champions over the decades—New Directions embalmed it as one of its classics in 2005—the event at the Jane Hotel was in some ways an unlikely one. It had all begun in the Strand Bookstore, where three men in their twenties stumbled upon the book and brought it to their book club. Read More »