Posts Tagged ‘Nathaniel Mackey’
April 17, 2015 | by Dan Piepenbring
- Though thousands of tweeting bibliophiles would have you believe there’s no such thing as too many books, there may be, in fact, a book surfeit: “It’s hard not to feel that we are in an era of massive overproduction. Just when we were already overwhelmed with paper books, often setting them aside after only a few pages in anxious search of something more satisfying, along came the Internet and the e-book … The idea is hardly new. In the Dunciad, 1742, responding to what he already saw as a deafening chorus of incompetent poets, Alexander Pope spoke of ‘snows of paper’ providing space for the ever more widespread publication of the ‘uncreating word.’ ”
- Elizabeth Bishop and Thom Gunn were fast friends—“I’ve met some of the poets—and the only one I still really like is Thom Gunn,” she wrote in a letter to Robert Lowell—but their first meeting was inauspicious. “I answered the phone one day and there was a very nice man I didn’t know … who asked me to come and have drinks with him and Elizabeth Bishop,” Gunn wrote. “Elizabeth had just moved to San Francisco. So I went over and … Elizabeth was drunk out of her mind. We made polite conversation all evening while Elizabeth occasionally grunted out a monosyllable.”
- On “the syntax and scansion of insanity” in King Lear: “This horrible, tragic figure is built up from a series of syllables set on the page … his rage and sorrow change dramatically from the first act to the last. The character is the language, and what we see over the course of the play is the utter destruction of that character.”
- On the poet Nathaniel Mackey’s pursuit of “the long song,” an antidote to the age of brevity: “Mackey seeks moments that defy ordinary time. He admires jazz improvisers who stretch a song’s boundaries as they perform … He happily remembers a John Coltrane show that consisted of one long song … ‘The long song, whether in music or in poetry, increasingly appeals to me … it creates what I call fugitive time—time that really is a flight away from the ordinary, from quotidian time, profane time.’ ”
- Ariana Reines talks to a beautiful old woman. Ariana Reines goes through a Charles Bowden phase. Ariana Reines is afraid: “For a week I’ve been wondering, how will I write for The Poetry Foundation, I said I would write for The Poetry Foundation, & with all that I do write the thought of putting anything on the internet ever again still fills my mouth with ash. I’ve lost all desire to publish & even more, all desire to perform.”
May 9, 2014 | by Dan Piepenbring
- BREAKING: FLAUBERT NOT A REALIST, SAYS EXPERT TESTIMONY
- Nathaniel Mackey has won the Ruth Lilley Poetry Prize: a cool $100k. Don Share, editor of Poetry magazine, says, “The poetry of Nathaniel Mackey continues an American bardic line that unfolds from Whitman’s ‘Leaves of Grass’ to H.D.’s ‘Trilogy’ to Olson’s ‘Maximus’ poems, winds through the whole of Robert Duncan’s work and extends beyond all of these. In his poems, but also in his genre-defying serial novel (which has no beginning or end) and in his multifaceted critical writing, Mackey’s words always go where music goes: a brilliant and major accomplishment.”
- The rise and fall of the conventional romance novel: “By the seventies, Harlequins became known for their lush language, which often evoked settings that sounded like Thomas Kinkade paintings: ‘The rolling tide of summer grass had engulfed the small meadow in a sweet-smelling flood of lambs’ tails, coltsfoot, feverfew, the drifting pollen from them like pale yellow dust on Linden’s bare arms as she lay full length among them.’” Now self-published erotica, much of it hardcore enough to make your average Harlequin heroine blush, have eaten into sales.
- We take our refrigerators for granted, but history reminds of the glories inherent in artificial refrigeration, which used to blow people’s minds.
- Google now offers a street view of the Grand Canyon: “On the virtual river you can fast-forward downstream, avoiding the soaking rapids and searing sun, putting in and taking out as you please. But part of the Grand Canyon experience is surrendering to the flow of the river and committing to the journey. Anyone who has traveled in canyon country knows how much the terrain can change in a matter of seconds during an afternoon rainstorm, or in the hours between noon and dusk, as sunlight glistens and fades upon the canyon walls. To these subtle but vital gradations, Google’s roving digital eye remains conspicuously blind.”