Posts Tagged ‘Mona Simpson’
January 15, 2015 | by Dan Piepenbring
- Mona Simpson (a Paris Review alumna) remembers Robert Stone: “He’s certainly not sentimental about the counterculture, or for that matter about much else … In a sense he’s definitely writing about our confrontation with other cultures and what that does to the souls and psyches of the people who are doing that, who are not necessarily the people who plan to do that.”
- Whatever became of the Pinkertons? The history of the nineteenth century’s premier “national detective agency”: “During the early 1890s, the Pinkertons, as they were more commonly known, had boasted a force of 2,000 active operatives and some 30,000 reserve officers. By comparison, the United States Army, which for decades had been primarily concerned with fighting Native Americans in the West, had fewer than 30,000 officers and enlisted men assigned to active duty. To their enemies—usually the labor unions—the Pinkertons were a private militia at the beck and call of industrialists, bankers, and other agents of capitalism. The state of Ohio outlawed the Pinkertons for fear that they could form an army outside the purview of the American government.”
- Cangrande della Scala, an Italian nobleman and patron of Dante, died under mysterious circumstances in 1329; many have wondered if he was poisoned. The key to the mystery: his mummified feces.
- Francine Prose was reading an e-book edition of Vanity Fair, until she got the news that e-book retailers can see what percentage of your books you’ve finished: “As soon as I get home, I’m putting away my e-book and opening my volume of Thackeray. I will happily bear its weight … I don’t like the feeling that a stranger (electronic or human) is spying on my sojourn in Vanity Fair. Whether or not I finish a book will be a secret between me and my bookmark, and someday my grandchildren may be interested (or not) to see when I quit dog-earing the corners of the pages.”
- “What can political cartoons do beyond messages of solidarity? We might look at how Arab cartoonists have responded to their own local and national conflicts … When Westerners were decapitated in Syria this past August, cartoonists made light of the Islamic State’s campaign of terror … While the world recoiled with revulsion at the executions, cartoonists unveiled imagery that shocked in order to shame the Islamic State jihadis and other extremists. This is offensive. This is also Muslims critiquing Muslims. Beheading cartoons are an answer to anti-Muslim chatter, and that vapid intonation of ‘Where are the moderate Muslims?’ They’re drawing.”
August 20, 2013 | by Justin Alvarez
Now we’re making it really easy for you! For those readers who were unable to catch James Salter, Mona Simpson, Lorin Stein, and John Jeremiah Sullivan discussing The Paris Review’s sixtieth anniversary on Charlie Rose, are you ever in luck! You can now watch the full segment below (sans introductory interview with Yelp founder Jeremy Stoppelman). Yes, we’ve given this a lot of ink, but what can we say—we’re proud!
If you have issues with the video, click here to watch.
August 19, 2013 | by Sadie Stein
If you weren’t able to catch James Salter, Mona Simpson, Lorin Stein, and John Jeremiah Sullivan talking The Paris Review’s sixtieth on Friday night’s Charlie Rose (or, like some of us, were forced to watch it in closed caption), you’re in luck! Tonight, the show airs again on Bloomberg TV at 8 P.M. and 10 P.M. EST.
August 16, 2013 | by Justin Alvarez
Tune in tonight to Charlie Rose for a conversation with editor Lorin Stein, James Salter, Mona Simpson, and John Jeremiah Sullivan on the sixtieth anniversary of The Paris Review. Trust us, it’s an engaging interview—even Kevin Spacey agrees.
The show will air at 11 P.M. on PBS, but check your local affiliate to confirm the time.
April 16, 2013 | by Jeffrey Eugenides
Every year, at our Spring Revel, we give three honors: the Hadada Prize, the Plimpton Prize, and the Terry Southern Prize. This year, Jeffrey Eugenides presented the Plimpton Prize to Ottessa Moshfegh.
The Plimpton Prize for Fiction is a $10,000 prize awarded to an author who made his or her debut in our pages in the previous year. Moshfegh had two stories in the Review: “Disgust” (issue 202) and “Bettering Myself” (issue 204).
Nothing is harder for a writer than getting published for the first time. The road from the bypass to the byline is paved with misery. In fact, it’s not even paved—that’s the problem: you’re stuck knee-deep in a bog, and no one cares if you ever get out.
Of equal difficulty, on the other side of the equation, is the task of finding an unknown writer. Reading through the slush pile is like looking for tigers in the jungle: they’re camouflaged not only by their stripes but their surroundings. An editor has to be unflaggingly alert and discerning, alive to any perceptible movement in the shadows. Read More »
October 22, 2012 | by Sadie Stein
Los Angeles friends! Please join us tomorrow as we celebrate the art of the short story at the Hammer Museum! Author Mona Simpson, Paris Review editor Lorin Stein, and yours truly will discuss literary life and read selected stories from the new Paris Review anthology Object Lessons, with Q&A to follow. Event details here.