Posts Tagged ‘meteorology’
June 10, 2015 | by Dan Piepenbring
- Vincent Musetto, a New York Post editor who wrote “the most anatomically evocative headline in the history of American journalism”—HEADLESS BODY IN TOPLESS BAR—has died at seventy-four. “But however lauded it became, it was not Mr. Musetto’s favorite among the many headlines he wrote for the paper. That honor, he often said, went to one composed the next year: GRANNY EXECUTED IN HER PINK PAJAMAS.”
- Let’s pause to remember the golden era of American pharmaceuticals—the turn of the twentieth century, when patent medicine was ubiquitous and any old ailment could help you score some heroin. “If it doesn’t actually cure your cold, the high dose of cocaine might trick you into thinking otherwise.”
- Yesterday marked the 350th anniversary of the Great Plague of London, which claimed some seventy thousand lives. The diary of Samuel Pepys provides a rich account of the events: “From the moment he saw the red crosses on that boiling June day, through September when the death rate peaked at 7,000 a week, and until January 1666 when it began to wane, Pepys chronicled the plague’s progress through narrow alleys and grand mansions. He tells of the pest-houses and pest-coaches, and how the Lord Mayor forbade citizens from going out after dark so that the sick could ‘go abroad for ayre’ and funeral corteges pass through without infecting the healthy.”
- In happier anniversaries: Clueless, everyone’s favorite “adaptation” of Emma, turns twenty this summer; a new oral history tells us how “as if!” and “way harsh” entered the lexicon.
- Who doesn’t love a good pair of sparring meteorologists? In the nineteenth century, one William Redfield had developed a momentous theory of whirling winds, and he was the toast of weathermen everywhere until some hotshot named James Espy tried to derail him. “Not only was Espy’s prose bold, it also had a pompous edge. Academic discourse was governed by the same strict code of gentlemanly civility that dominated intellectual society, from politics to religion. At times Espy seemed waspish and condescending.”
March 5, 2015 | by Dan Piepenbring
Our ongoing quest to personify the weather.
As I write this, the ominously named Winter Storm Thor is bringing his hammer down on the tristate area. Thor is pelting. Thor is dumping. Thor is lashing, coating, and causing havoc. He has an image problem, as all storms do, these days. Led by the heedless call of the Weather Channel, the media has depicted Thor—like Juno, Neptune, and others before him—as a creature of blind wrath, fueled by an amoral, motiveless lust for destruction. If you believe in the banality of evil, then Winter Storm Thor belongs with Eichmann and Iago in your rogues’ gallery.
The Weather Channel has named winter storms since 2012, as part of a dumb and widely impugned media strategy that sensationalizes the weather in a shameless bid for more clicks. “The previous model was: How does weather affect you?” Neil Katz, who runs Weather.com, told The New Republic last year. “Now we’re really asking: How does weather affect everything in the world?” By becoming the very embodiment of vengeance, is one answer. Read More »
March 25, 2014 | by Valerie Miles
The life, times, and meteorological theories of Josep Pla.
“I’ve attended the procession of my country with a match in hand. Not an altar candle, not a torch, not a candlestick, but a match.”
Josep Pla (1897–1981) is a controversial figure in Catalan letters, and a well-kept secret of twentieth century European literature. If Barça is more than just a football club, then Pla—a political and cultural journalist, travel writer, biographer, memoirist, essayist, novelist, and foodie, whose collected works clock in at more than thirty-thousand pages and thirty-eight volumes—was more than just a writer.
Now that his deceptively simple, earthy prose and mordant sense of humor are available to American readers, the best way to read Pla is to curl up with a crisp glass of cava and a few spears of white asparagus. It’s impossible to read Josep Pla and not fall in love with his Mediterranean landscape. His native Empordà, with its mushroom-laced winds and its hint of burnt cork, mesmerizes.
Pla’s most important work, The Gray Notebook, is out now in a graceful translation by Peter Bush; the Daily published an excerpt yesterday. In the spirit of a bildungsroman and the form of a diary, the narrative chronicles 1918 and 1919, two crucial years in young Pla’s life. It captures the raucous energy of a precocious country boy who falls on his feet in the city, full of the spit and vinegar of youth. These were ebullient years in turn-of-the-century Barcelona; the city saw the first roiling curls of the belligerence that would lead to the Spanish Civil War, giving The Gray Notebook a tang of dramatic irony. But Pla’s masterpiece wasn’t actually published until 1966, after he had rewritten and reworked the material from his earlier diaries—a process similar to that of Proust, who returned to material written during Swann’s Way to fashion Time Regained. Read More »