Posts Tagged ‘men’
October 21, 2016 | by Jen George
Revisited is a series in which writers look back on a work of art they first encountered long ago. Here, Jen George revisits Balthus’s painting Thérèse Dreaming.
In Balthus’s painting Thérèse Dreaming, a young girl sits, face turned to profile, arms up, elbows out, hands rested on her head, legs a little open, underwear visible—a sort of clothed, daydreaming, preteen odalisque. She is at home in her youth. She has the countenance of someone who knows other things are coming, eventually. Maybe she knows what, though she probably doesn’t. Not like she needs to—experience comes from being alone in the world, and with time. When asked about the provocative poses of preadolescent girls in his work, Balthus said, “It is how they (young girls) sit.”
When I first saw Thérèse Dreaming, at the Metropolitan Museum of Art, I stopped to sit. Maybe I’d been tired. I had been traveling cross-country with a counterfeit sixty-day Greyhound Ameripass—it allowed for unlimited bus travel within the U.S—and I had been smoking heavily and maybe not sleeping at all. I couldn’t stay all day in the Brooklyn apartment where I’d been sleeping, so most days I went to the Met, looking at art, spacing out, reading, sometimes staring at blank walls. It was inviting, the room and the painting. Thérèse’s skirt was like mine. My hair was longer. I liked her shoes. I liked that she was both in this room and not; she was dreaming, but I couldn’t see where she’d gone. Read More »
August 25, 2016 | by Denise Levertov
August 16, 2016 | by Oliver Lee Bateman
Chasing Amy and the toxic “nerd masculinity” of the nineties.
Kevin Smith’s romantic comedy Chasing Amy, now almost two decades old, was a big deal for my generation of nerds. Back in 1997, all of our dorky interests, from comic books to video games, remained hidden, far from the prying eyes of the American mainstream. To us, the unapologetic fanboy Smith had emerged as something of a nerd culture Shakespeare—the best of us, a man who captured our hopes and dreams in his character’s lengthy, pop culture–laced monologues. Chasing Amy, which concerned sensitive-yet-sleazy Ben Affleck’s pursuit of the bisexual comic-book artist Joey Lauren Adams, constituted Smith’s first serious attempt to tell a meaningful dramatic story against the backdrop of the geek demimonde he’d explored in his previous slacker comedies Clerks and Mallrats. We were supposed to identify with (or at least pity) Affleck’s comic-book penciler Holden McNeil as he tried to come to terms with Adams’ sexual history, which involved group sex and gay sex and all sorts of other activities alien to his own heteronormative experience.
Chasing Amy was always an uncomfortable movie, a film that encapsulated the worst aspects of narcissistic nerd entitlement at its late-nineties peak, but twenty years later I couldn’t even bring myself to finish rewatching it. When it was released, I begged my father to drive me to Raleigh’s Rialto Theatre and left that first showing enraptured, believing that some aspect of my privileged nerdy male “struggle” had been set to film. Kevin Smith was the first director whose scripts I had ever read; before I’d encountered his work, I hadn’t ever considered the form. It helped that Smith was such a dreadful cinematographer, a fact he admits without shame, because it meant his movies were the equivalent of ninety-minute script readings. Yet why, in the course of dreaming about becoming a “Hollywood writer”—whatever that meant—had I lingered over this material? How had it ever resonated with anyone at all, myself included?
The answer was simple but painful: I was one of those stereotypical “guys who liked movies,” and I was stupid. Read More »
August 12, 2016 | by Caitlin Youngquist
“He only knew a drawing was good if it got him hard,” writes Dian Hanson of Touko Laaksonen, better known as Tom of Finland (1920–1991). I’ve been spending my evenings drooling over “Tom’s men,” as they’ve come to be called—famously erotic, fabulously gay, and achingly virile. Tom’s is a métier that worships the male form. Sculpted, brawny bods dress up in archetypically masculine uniforms—men in uniform were a fetish of Tom’s—and frolic across the page to bone.
Since the late fifties, when a (comparatively tame) drawing of his was featured on the cover of the muscle mag Physique Pictorial, Tom and his drawings have risen to an iconic status—and there’s a whole cottage industry of ToF merch, from fire blankets to anal beads, to prove it. But I, bashfully, have only just found him. I owe much of that to Taschen, who have, to mark the quarter century since the artist’s death, published a handful of books comprising much of his delicious oeuvre—a retrospective culminating in the reissue of the Holy Writ of all ToF books, Tom of Finland XXL. Among the collection is The Little Book of Tom of Finland: Cops and Robbers, one of three in the Little Book series, and my favorite of the bunch. Read More »
August 10, 2016 | by Dan Piepenbring
- Ask any Joe on the street and he’ll tell you the best thing about Melrose Place was Heather Locklear. He’d be wrong, though. The best thing about Melrose Place was that it served as a secret gallery space for a collective called the GALA Committee, led by the conceptual artist Mel Chin. By agreeing to work for free, Chin brokered a deal with the show’s producers that gave him essentially carte blanche to insert his art into the show. As M. H. Miller writes, “The project was titled In the Name of the Place, and will be the subject of a retrospective exhibition at Red Bull Studios in New York this fall … Chin said of about 200 works that the group produced, roughly 70 percent were accepted. In one episode, when Alison gets pregnant, she wraps herself in a quilt that has printed on it the chemical structure of RU-486, the morning after pill … In one scene, Kimberly holds a Chinese takeout box, which has written on it, in Chinese characters, the words ‘Human Rights’ and ‘Turmoil and Chaos,’ a nod to the different interpretations among the West and China of the Tiananmen Square protests.”
- If you prefer art that’s unaffiliated with Melrose Place—though I can’t imagine why you would—head to the Whitney for “Stuart Davis: In Full Swing,” which celebrates “the only first-class Cubist to emerge from North America,” Robert Storr says: “From his breakthrough in the mid-1920s until his death at seventy-one in 1964, just as the wave of Pop artists—to whom he gave courage and taught ways of seeing and doing—crested, Davis concentrated single-mindedly on making art quiver with the energy he perceived around him. Jazz was an inherently urban music, but in Davis’s art its pulse could be felt everywhere, from Hudson River docks to small seaport towns in New England where swing bands and bebop combos—not to mention African-Americans—were few and far between.”
- At the Victoria and Albert Museum in London, meanwhile, a show called “The Camera Exposed” features more than 120 photographs with cameras in them. It’s better than it sounds, Simon Willis says: “What emerges from the exhibition is a complicated bond. In one picture, an elderly Paul Strand carries a large box camera in his arms, holding it like an infant jealously guarded. In another Eve Arnold photographs herself in a distorting mirror, her figure and those on the street around her blurred and elongated. It’s a self-portrait that seems to take a wry look at the act of photographing, and how it can record the truth but also bend it out of shape. In fact the show examines not just the relationship between photographers and cameras, but also the guises that cameras have assumed.”
- Advice for male writers: come on, guys, knock it off already, we’ve had this conversation before! “Far too often, very ordinary phenomena like female sexual desire or the onset of puberty are elevated by male writers to something remarkable, frightening. Young women are either the animalistic bearers of the erotic urge, or bodily reminders of how sin enters the world. And other elements of female adolescence not associated with sex—like the intensity of friendships or familial bonds at that stage of life—are left off the page, or reduced to dramatic displays of hormonal cattiness.”
- The Olympics provide a great occasion for fantasizing about space—specifically, for fantasizing about the Olympics in space. But few among us would dare, as Chip Rowe has, to delve into the specifics of space sports: “Modern athletes pride themselves in their ability to withstand boiling temperatures and frozen terrain. But it wasn’t until explorers mapped the planet Gliese 436b that competitors got the chance to tackle both extremes at once. Roughly the size of Neptune, Gliese orbits far closer to its sun than Mercury does to ours, making its surface a balmy 820 degrees Fahrenheit. At that temperature, you’d think the planet would be all gas. In fact, immense pressure in Gliese’s interior compresses water into an exotic phase of ice known as Ice X, in much the way pressure in Earth’s interior turns carbon into diamond. The result is a world cloaked in ‘hot ice’ and bathed in steam. A decade ago, 10 tenacious hockey teams flew the thirty light-years to Gliese for the first of what has become an annual tournament. The flaming puck makes the action easy to follow.”
April 20, 2016 | by Sadie Stein
When I rejoined my husband, the first thing he said was, “I love that perfume!”
“That’s just as well,” I said shortly.
Here’s what had happened: I’d taken refuge from the weather in a shop. Guiltily aware that I wouldn’t be buying anything, I sniffed at a series of perfume stoppers. Some customer in a fishing hat, a pair of white socks with sandals, and a bag with a picture of Liza Minnelli on it was chattering with the saleswoman about the exorbitant price of neighborhood tea and his depression. “Maybe some cologne will help your day,” said the saleswoman. Read More »