Posts Tagged ‘media’
April 11, 2016 | by Dan Piepenbring
The German photographer Thomas Ruff’s “press++,” showing now at David Zwirner Gallery, comprises space-age images culled from the archival clippings of various American newspapers. Ruff scanned both sides of the original documents and layered them in Photoshop, thus presenting both the photos and the context—the smudges, cropping, commentary, and retouching—that surrounded their initial publication. “I think photography is still the most influential medium in the world, and I have to deconstruct these conventions,” he told Aperture in 2013:
I try to find out how the image was created and in what context—historical, political, or social—the image belongs … There are a lot of different photographs, and different photographs have different intentions. Fine art, medical, propaganda, and of course the most influential image-production machine is advertisement. This transformation, let’s say, of the scientific photography into the art world, or advertising photography into politics (as seen in the last U.S. election)—this modification of images from one intention to another brings about interferences. The image, and the meaning of the image, changes.
“press++” is up through April 30.
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June 5, 2015 | by Dan Piepenbring
- Two centuries ago, book critics were a reliably truculent bunch, their knives always sharpened, their authority indisputable—what happened to journals like Blackwood’s, which had what Karl Miller later called “squabash, bam, and balaam”? “Parody, personality, and headlong jollity summed up the Blackwood's manifesto, while imitation, masquerade, and double bluff lay at the heart of its personality. The contributors, who hid behind noms de plume, imitated both one another and themselves, and passed themselves off as sometimes real and sometimes fictitious characters.”
- When you’re next inclined to wring your hands over the state of mass media, don’t—it’s always been full of down-market sensationalism, and it’s always appealed to our inner morons. Yes, even the New York Times: “Here’s a story from July 7, 1884 that has all the Facebook-ready hyperbole and anthropomorphism of ‘15 Llamas Who Just Do Not Give A Damn’: ‘THE PARROT’S LITTLE JOKE.; HE HIDES HIMSELF FROM HIS MISTRESS AND THROWS HER INTO A FIT OF ANGUISH.’ ”
- The Bloomsbury Group has inspired new novels, a ballet, a TV series, exhibitions, and—lest we forget—an economics prize; it sometimes seems the group’s reputation has never been higher. “But it is not long since the most recent round of Bloomsbury-bashing, a century-old sport often said to have started when the painter Wyndham Lewis fell out spectacularly with Roger Fry, over (of all things) a commission to create a display for the Daily Mail’s Ideal Home show … By the 1950s, Bloomsbury’s unfashionableness was a fact. Writings by the survivors took on an aggrieved and defensive tone: literary critic and broadcaster Desmond MacCarthy dismissed the term Bloomsbury as a ‘regional adjective’; Clive Bell claimed they had never been more than a group of friends; Vanessa suggested Bloomsbury was finished before the first world war.”
- Ah, sweet 1.618, the golden ratio, that ancient proportion of aesthetic bliss, that geometric path to pulchritude—there are those among us who hold it up as the sine qua non of artistic appeal. And yet if you rearrange celebrities’ faces according the ratio, you wind up in the realm of sheer disfigured horror.
- Sam Lipsyte on time travel as a chance to right the world’s wrongs: “the do-gooder package tour, the warn-Pompeii-kill-Hitler itinerary. It’s a dicey proposition, messing with the past. But wouldn’t my intrusions cancel each other out if I brought a teen Hitler to Pompeii just before Vesuvius blew? ‘I’ll leave you here,’ I’d say. ‘The new arts academy is just over that ridge!’ ”
March 23, 2015 | by Dan Piepenbring
A letter, possibly unsent, from P. G. Wodehouse to Don Iddon, March 1954. Iddon, “a sleekly combed English reporter,” wrote a weekly column about life in Manhattan for the Daily Mail. “Many [British] readers,” Time wrote in 1951, “rely on Iddon's hodgepodge of gossip, press-agentry, and political hip-shooting for much of their U.S. news.”
A word for your guidance. Do you realize, you revolting little object, that the copyright of a letter belongs to the writer of it? If you plan to continue your practice of publishing private letters sent to your private address, you are liable to come up against someone who thinks you worth powder and shot—which I don’t—and get into trouble. Read More »
January 26, 2015 | by Amie Barrodale
Adventures in tastelessness at The Onion.
I used to be an editor at The Onion. This was in 2004, when most of the original writers were still there—just a handful had gone off to Hollywood. I was hired by my friend Carol Kolb, who’d just been made editor in chief.
Carol is the funniest person I have ever known. One time we went to a German restaurant together, and our server was a cross-dresser. The cross-dresser was the newer kind. He was a man, dressed as a woman, but I think the polite thing is to use the female pronoun. She didn’t wear any makeup, and she didn’t have styled hair. She wore blue jeans and a shirt from the Gap. Her chin-length red hair was lackluster, and looked a little oily. She was about forty years old, and she behaved like a forty-year-old woman—tired, kind, a little weary.
I went to the restaurant a lot, and for whatever reason, she never confused me, but Carol, I have to say, was uncomfortable. It was as if she couldn’t decide whether this was just a guy who had accidentally put on his wife’s clothes that morning or she was a woman who had just given up all hope. Carol had trouble ordering—she stumbled over her words and couldn’t meet the server’s eye. I noticed she kept looking nervously at the server’s breasts and hips. It wasn’t too big a deal, and the server handled it like a forty-year-old woman would, not taking it personally and not acknowledging that it was happening. When the server walked away, Carol said, “I am so embarrassed. I was acting like somebody from Spencer, Wisconsin.” She made her eyes glaze over as a hayseed’s would if he met Divine. “I was like this!” she said, “I just couldn’t get it together.”
Another joke of Carol’s was to say, on a crowded subway, “Did you hear about Maria’s new boyfriend?” Read More »
December 8, 2014 | by Dan Piepenbring
- “At moments like these prose is a brick through the poet’s window. The fate of the poet is to ignore the broken window and make good use of the brick, and of the draft.” Rowan Ricardo Phillips on being a poet.
- Robert Altman’s The Long Goodbye is enjoying a “cinematic convergence” in New York: “Altman’s comic, poetic, wacked-out adaptation of the Raymond Chandler detective novel will play at three of the city’s leading rep houses—the Brooklyn Academy of Music, the Museum of Modern Art, and Film Forum—in a stretch of eighteen days.”
- Lydia Davis interviews Dan Gunn, one of the editors of Samuel Beckett’s collected letters: “One of the questions in transforming rapidly produced handwriting into print is what to do with anomalies. Is it useful or interesting to show where Beckett makes typos, or where he crosses something out and amends it? Is it worthwhile to show where he misspells a name (as he regularly does, for instance, when he adds a circumflex to the second ‘e’ in the surname of Jean Genet), or confuses a French transliteration of a Russian name with an English one?”
- The New Republic as we know it is dead—and everyone, suddenly, has an unshakably strong opinion about it. “[This] sort of response to the end of the old TNR—the reductive shouting, the polarized tribes, the narcissism of small differences in the progressive media world—provides perhaps the best reason to mourn what TNR once represented.”
- Center-pivot irrigation systems: bad for the planet, good for abstract art.
March 11, 2014 | by Dan Piepenbring
- George Saunders is the first to win the new £40,000 Folio Prize.
- Joe McGinniss is dead, at seventy-one.
- Illustrations from international editions of Don Quixote published in the quixotic sixties.
- “As a teenager, I thought I was the only person who revered Geek Love … Years later, when I was an editor at The Paris Review, I wrote to Dunn, and we became occasional pen pals.”
- Stonehenge may have been a “prehistoric glockenspiel”; it’s made of “lithophones, or rocks that produce notes when struck.”
- “His eyes flit without rest from television screen, to newspaper, to magazine, keeping him in a sort of orgasm-without-release through a series of teasing glimpses of shiny automobiles, shiny female bodies, and other sensuous surfaces.”