Posts Tagged ‘mascots’
November 26, 2014 | by Sadie Stein
As fans of holiday ephemera know, there are several primary genres of weird, old-timey Thanksgiving cards. There is the Greedy Child. There is the Doomed Turkey. There is the Turkey in Vehicle, which is sometimes a corncob car. There is the Anthropomorphic Root Vegetable. It hardly needs saying that Thanksgiving pinups are a thing unto themselves. Sexy Pilgrims, under-dressed squaws, and women cooking in lingerie and filmy cocktail aprons are all fairly ubiquitous.
By far, my favorite subgenre is that of the Urbane Turkey. This foppish specimen is usually in evening dress, so as to indicate his couth. Needless to say, he sports a top hat. Sometimes a monocle or a cigarette. All in all, he has the trappings of a big-screen, rich nincompoop, which I suppose added a certain glee to his consumption.
The Urbane Turkey is not always complacent. Sometimes he’s a sharp. He’s in the know. This Urbane Turkey is the turkey who knows where to find the best feed and the keenest peahens. As befits his man-of-the-world air, he smokes a cigar; and his citified duds are less Union Club than pool hall. This tom doesn’t take any wooden nickels; he sees the way the wind’s blowing and he’ll be out on the next train, before the axe is even sharpened. He doesn’t need pardoning; he makes his own luck.
You don’t need me to point out how alienated we are from our food sources, to general detriment. Certainly, there couldn’t be anything less urbane than the case of shrink-wrapped butterballs (or even free-range heritage birds) that greets us come late November. I guess it would be easy to say that as a result, we have less respect for our food. But on the other hand, we also don’t dress it in outfits and mock it.
June 2, 2014 | by Dan Piepenbring
- Envisioning the brick-and-mortar bookstores of tomorrow: “Wide steps double as seating and lead down to a bar and a stage, where a writer performs—‘authors will become more like rock stars’—or a ‘book wizard’ explains the craft of making books. The book you make might be one by the writer on stage, something you’ve written yourself, or any other text the robots conjure up.”
- “I think poetry has really rather connived at its own irrelevance and that shouldn’t happen, because it’s the most delightful thing … We have lost the sense that poetry sits halfway between prose and music—that you can’t expect to read it like a novel. We are quite used to downloading an album and listening to certain tracks … poetry needs to be consumed in that way.”
- On Tolkien’s 1926 translation of Beowulf, which was finally published last month: “The literary landscape has changed since then in a way that Tolkien would have neither expected nor accepted: he now towers in fame over Beowulf. Last year, Penguin repackaged its Michael Alexander translation as one of five ‘classic [stories] that inspired J R R Tolkien’s The Hobbit.’ but far more people will read the book for Tolkien’s sake than for Beowulf’s.”
- “Though their obsolescence has been prophesied at various points, neighborhoods remain a vital—perhaps the most vital—way of thinking about the modern city.”
- A 1959 promotional comic touts the glories of atomic energy through Reddy Kilowatt, everyone’s favorite grinningly electric asexual mascot: “I’m a real, live wire and I never tire. Yes, sir—I’m a red-hot shot. I can cook your meals, turn the factory wheels, ’cause I’m Reddy Kilowatt.”